Thank you to NetGalley and the publisher for this ARC!
It's been a while sinceThank you to NetGalley and the publisher for this ARC!
It's been a while since I finished a NOVEL in one sitting, but with The Moorwitch, I did. (and stayed up later than I should have)
In "The Moorwitch", Rose Pryor, a Weaver (witch) who made a fate-changing pact when she was 8 years old and scared, has her past catch up with her a few weeks before her 21st birthday - the deadline to fulill her end of the bargain. Sent to Scotland by Lachlan, the faerie who fulfilled her wish back then, she tries to finish her task before it is too late, and meets Conrad and Sylvie North, as well as the MacDougals, after her magic accidentally makes Conrad's horse throw him off and she has to carry an unconscious Conrad back to his home. Moving into the North house, as well, both the inhabitants of that house and her try to hide their secrets while fulfilling their respective dutiess, each of them pawns in a bigger game whose full extents they do not understand.
What I appreciated was that Rose wasn't ~special~ because of some innate, given power that just sets her apart, but because of her hard work, her determination and her choices. Often, it feels a little lazy to make the main character special because they just are, they just so HAPPEN to have special powers that no one else has, so it was nice to see that this isn't the case here, but rather, Rose's skills are informed by her past - even the Moorwitch spell that sets it all in motion, she is able to do out of desperation, because 8-year-old, abused Rose is fearing for her life.
Similarly, I appreciated that Conrad wasn't an ass, and the few times where he was (for example when it comes to Sylvie), he is rightfully called out for it. I'm TIRED of "hot male main character is an ass but it's okay because he doesn't MEAN it (he still never apologises though)".
I'm also a huge fan of the worldbuilding, which gives the old magic story a new twist, as well as the characyers, each of them with their own motives and fears and goals, so that none of the characters felt lazy or one-dimensional. The plot itself also wasn't fully predictable, adding twists whenever it felt like you had kind of more or less figured out what's happening here. On the other hand, it also wasn't COMPLETELY unpredictable, in the way that the ending still felt reasonable, built upon everything that happened before, rather than throwing you in for bender that barely connects to previous plot points for the sole sake of being ~shocking~.
I really enjoyed this novel, and definitely recommend it! I finished a NOVEL in one sitting, but with The Moorwitch, I did.