*3.5 stars.
Starts off quite cliched in its character depictions (Tom Leyton is basically Boo Radley at the start, Ms Mossop is basically a Jane Austen character at the start), but soon progresses into a story that is quite rich and beautiful.
Tom Layton's character is intricately nuanced, where Bauer strategically uncovers its various contradictions and tragedies at key moments of the novel to reinforce the dehumanisation that is caused by war, and to explore the possibility of redemption when one's worldview has been so corrupted by experience.
Aiding this is an interesting story that keeps the reader guessing from moment to moment with its impactful twists. I think that the scene in the fireplace room is the most powerful one in the novel due to the way it contrasts Joseph's optimistic naivety with Leyton's nihilistic despair, and its tension is partially achieved through the mystery-like structure of the novel.
Overall this works as piece, with impactful emotional moments and fantastic characterisation, even of side characters such as Ms Mossop and Joseph's dad. Speaking of which, the Running Man himself is for me another highlight of the novel, an iconic image that pervades throughout, and maintains a sense of mystery that only hints at his underlying tragic state. The scene at the bus stop is another powerful one that evokes the power of poetry to cross the boundaries of perspective and understanding.
Despite these many positives, I did have to end up overall giving this a 3.5 because of glaring prose issues, where the author would use similes to compare a character's actions to an analysis of their actions. A lot of the metaphors were cliched and repeated, and this was a consistent issue.
The overall figurative devices just were not subtle, leaving no room for interpretation and extrapolation, with the author explicitly revealing purpose repeatedly through the characters' dialogue. An example of this is when Layton says that the Running Man is running from Hell, forcing that interpretation on the reader.
Finally, I take issues with some of the juvenile endings of chapters, such as the chapter that ended with Layton dramatically saying 'Satan', which came off as being a bit too cringey and self-important.
Most of these issues, however, are only apparent in the first half of the novel, and are practically gone by the second half, which genuinely turns into a moving and haunting portrait of the loss of innocence and the power of spiritual redemption. With such an incredible ending, and giving credit to the first half that did, despite its flaws, make the second half so impactful, I'll average off this novel's rating to a respectable 3.5. With editing it would've easily been a 4.