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Hardcover
First published July 15, 2025
“Next hundred and fifty miles are—they’re like the Bermuda Triangle for travelers, do you know that?” he says, finally bringing his pasty face around to Harper. “Thought it was the Snow Chi Minh Trail,” Harper says right back. It’s what her dad used to call 80 in the winter. “He’s talking about all the people who go missing, dear,” the woman says. “You’ve seen the posters in the windows at the gas station, haven’t you? Not just . . . walking people either. Drivers too.” “Just because people don’t call to check in doesn’t mean they’re missing,” Harper says. “Just means they don’t want to get found.”--------------------------------------
“Thanks for the ride,” the hitcher says, climbing in from the sheeting rain. “What’s the old joke?” the driver says, clocking his mirror to ease back up to speed. “I ask you—no, you ask me if I’m a serial killer, and I say no, I’m not worried about that. The chances of two serial killers randomly being in the same car are through the roof, right?”Somewhere in a U-Haul storage unit, there is a box or several with the remnant paperbacks of my wastrel youth. Among the volumes doing battle with mites of diverse sorts is a stack of Ace Doubles. From 1952 until 1973 Ace produced a line of paperback books that were printed in what is called the tête-bêche format.
The ends of the two parts met in the middle, with a divider between them which functioned as the rear cover of both (the two parts were oriented upside-down with respect to each other in order to effect this) – from WikiIt was a bit of an oddity, but my need for science fiction was great, and I took my sustenance where I could find it. This format allowed for the publication of two pieces in a single volume. They could be novels, novellas, or abridged publications. (You can see a nice collection of covers from these on Flickr) There were other sorts, mysteries and westerns, for example, but I only cared about science fiction. As part of a celebration of Saga Press’s tenth anniversary, they decided to revive the format. What fun to see the form brought back to life! Stephen Graham Jones was asked to contribute some work. This volume is the result.
Release date was about when it would fit in the schedule, when is there gonna be a few months when I don’t have a book out to make these two books happen. It was that and we really wanted to do a flip book as part of Saga’s ten-year celebration. I had these two novels ready to go. Seemed like the perfect time. - from the Spotify interviewThe two novels are quite different. Killer on the Road is a duel between a serial killer with a special gift and a final girl, as they drive along route 80 in Wyoming, marking a trail of carnage, exit by exit, stop by stop. (Jones has driven this road many a time and can attest to its many dangers, although maybe not the ones depicted here.) Pre cellphone, of course. Harper is 18 and leaving home after a blowup with her family, hitchhiking. She teams up with some friends who are tooling around in a National Park Service Vehicle. Not your usual road trip. Bucketmouth, a living urban legend, drives this road, eager to add to his personal roadkill total. He is also lonely in his particular form of awfulness and is quite loquacious. Harper becomes someone he likes to talk to, and therein lies the ongoing tension. It began as a novella, but Jones needed more space for Bucketmouth to do his thing. He also needed more space for Harper to grow, and voila. I am not sure why this sat around for seven years waiting to be published.

I ran into that darkness, and am still running. - from the 5280 interviewReview posted - 08/29/25
Stephen Graham Jones is the NYT bestselling author of thirty-five or so novels and collections, and there’s some novellas and comic books in there as well. Stephen’s been an NEA recipient, has won the Texas Institute of Letters Award for Fiction, the Los Angeles Times Ray Bradbury Prize, the Mark Twain American Voice in Literature Award, the August Derleth British Fantasy Award for Best Horror Novel, the Independent Publishers Award for Multicultural Fiction, the Western Literature Association’s Distinguished Achievement Award, the American Library Association’s RUSA Award and Alex Award, the 2023 American Indian Festival of Words Writers Award, the Locus Award, four Bram Stoker Awards, three Shirley Jackson Awards, and six This is Horror Awards. Stephen’s also been inducted into the Texas Literary Hall of Fame, he’s been a finalist for the World Fantasy Award, and the Eisner Award, and he’s made Bloody Disgusting’s Top Ten Horror Novels. He’s the guy who wrote Mongrels, The Only Good Indians, My Heart is a Chainsaw, Earthdivers, I Was a Teenage Slasher, The Buffalo Hunter Hunter, and Killer on the Road. Stephen lives in Boulder, Colorado.Interviews
After his first few novels, Jones realized his book event audience had begun treating him as an authority on Native American culture, just as his teachers had. “I did not like it even a little bit,” Jones says. He made a decision to swerve hard into slashers, zombies, and werewolves, “as a way of telling all those people, I dare you to try to find the Indian stuff in this,” Jones says. At the same time, Jones tried to publish works in the vein of David Foster Wallace. “What happened was about 2006, 2007, I feel like I became two writers,” Jones says. “One was on kind of a literary track, and one was doing the schlockiest genre stuff I could think of.”-----Writers Digest - The WD Interview: Stephen Graham Jones by Moriah Richard