4.04 / 5
Daughter of the Otherworld is the start of a new trilogy in Shauna Lawless’s Gael Song series. Much like with the original trilogy and the three accompanying novellas, Lawless seamlessly blends fantasy, historical fiction and folklore amid hero quests, tales of revenge and Machiavellian politicking. It is impossible not to hold the novel up against the other entries in the series, so… how does this new entry compare? In many ways it exceeds expectations, in others it falls just short.
Pacing has always been a strong suit in these undeniably entertaining series of books. There’s a plain-spoken simplicity of story and a clarity to the plotting within these novels, no easy feat when you consider the stage that needed to be set up for Ireland’s complicated history as well as the ground rules for the fantasy elements. But Lawless proved successful by driving the narrative through two engaging female protagonists, Gormflaith and Fódla. They could not be more different, yet both are forced to navigate a world dictated by men, their ambitions, the gods they worship, the lands they rule, as blood follows in their wake. And amid it all, it is clear, these two women are destined to antagonize and collide.
Daughter begins in similar thrilling fashion and features some of the most exciting moments in this series so far, but it does not maintain the same narrative propulsion as the previous novels. There is a particular storyline that dominates the middle section that goes on a bit too long and feels like a placeholder as a slow burn romance develops. I wouldn’t say this middle portion was a slog, Lawless is too talented a writer and she intersperses intrigue throughout. But it is clear there is something missing. And for me, that something is Gormflaith.
Taking place 150 years after the events of the original trilogy, Gormflaith, the Fomorian who can control fire and is slow to age, does return. She is Lawless’s greatest creation: cold and calculating. She was always going to be tough, but the world of men has made her cruel (and oh, is she fun). Yet here she is sadly designated for assignment to the sidelines. Readers will understand this is not for long, that Lawless is merely setting up what is to come - and Gormflaith does appear throughout the novel - but not at as much as I would have liked and I could not help but miss her.
Instead, the narrative mainly belongs to Donnchad, Gormflaith’s equally Machiavellian son, and Isolde, Fódla’s daughter. The problem with Donnchad is... he is not his mother. Donnchad was a bit of a cypher in The Land of the Living and the Dead, which the author worked to the novel’s advantage. But he is less successful with his own primetime spot. He shares his mother’s intelligence, ambition and cruelty, but none of her charisma as a character. I found his son Angelo (who barely speaks) far more compelling - especially by the end.
On the other hand, I found Isolde to be a serviceable replacement for Fódla. She doubles in her mother’s naivete, but this also makes her a valuable avatar for the reader, discovering this version of Ireland with us.
And then there is Cuan, the aloof, mysterious outsider of a royal family. He’s actually maybe too mysterious as he lacks the depth of the previous trilogy’s romantic interest, Murchad. And while I appreciated the slow burn romance that develops, the culmination is a bit clumsy. It lacks the sweetness of the previous trilogy’s romance, though by the end, Lawless dials up the stakes in a major way. It is clear there is a lot of real estate to explore with this character, even more so than his predecessor.
Despite my quibbles, I found Daughter of the Otherworld to be incredibly satisfying. There are some thrilling set pieces throughout the story, intriguing chess moves and delicious reveals. Sure, there isn’t enough Gormflaith but you can see her treachery billowing on the horizon and I for one cannot wait to see the fire.