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Magovnia Islands
This is a story for all who have suffered, and all who someday will.
A reminder that endurance is not weakness, but courage. And that sometimes, walking forward—even through hell—is enough.
Some journeys go beyond fear.
Some wounds go deeper than flesh.
And some stories…
are not meant to entertain,
but to change you.
This is one of them.
But know this before you
What lies ahead is not comfort.
It is a descent into the unbearable—
and a quiet defiance against it.
If you are already standing on the edge…
perhaps these pages are not for you.
Some mirrors are better left covered.
Proceed with care.
____
“We never see the whole picture. Only fragments.
Only what our trembling hands can hold.”
In Magovnia Islands, Gabriela doesn’t tell us the story as it was—she tells us the story as she lived it.
What begins as a desperate attempt to flee the collapse of her life spirals into a journey across uncertain seas, alongside strangers she barely knows but somehow begins to carry as her own.
She doesn’t have time to understand their histories—or her own.
This isn’t a story about heroes.
It’s a story about people trapped in a widening nightmare, with only gut instinct and fragile connections keeping them alive.
The truth? It’s never fully seen. Not in life. Not here.
Gabriela gives us only what she felt—the terror, the hunger, the fragments of hope—until the island itself rises from the dark sea like something alive.
A place so vast, so monstrous, that no human soul can leave untouched.
Told in stark, human fragments, Magovnia Islands is a psychological descent into fear, madness, and meaning—the kind of story that leaves you haunted, yet strangely healed, as if you had survived it yourself.
A reminder that endurance is not weakness, but courage. And that sometimes, walking forward—even through hell—is enough.
Some journeys go beyond fear.
Some wounds go deeper than flesh.
And some stories…
are not meant to entertain,
but to change you.
This is one of them.
But know this before you
What lies ahead is not comfort.
It is a descent into the unbearable—
and a quiet defiance against it.
If you are already standing on the edge…
perhaps these pages are not for you.
Some mirrors are better left covered.
Proceed with care.
____
“We never see the whole picture. Only fragments.
Only what our trembling hands can hold.”
In Magovnia Islands, Gabriela doesn’t tell us the story as it was—she tells us the story as she lived it.
What begins as a desperate attempt to flee the collapse of her life spirals into a journey across uncertain seas, alongside strangers she barely knows but somehow begins to carry as her own.
She doesn’t have time to understand their histories—or her own.
This isn’t a story about heroes.
It’s a story about people trapped in a widening nightmare, with only gut instinct and fragile connections keeping them alive.
The truth? It’s never fully seen. Not in life. Not here.
Gabriela gives us only what she felt—the terror, the hunger, the fragments of hope—until the island itself rises from the dark sea like something alive.
A place so vast, so monstrous, that no human soul can leave untouched.
Told in stark, human fragments, Magovnia Islands is a psychological descent into fear, madness, and meaning—the kind of story that leaves you haunted, yet strangely healed, as if you had survived it yourself.
240 pages, Kindle Edition
Published May 21, 2025
3 people are currently reading
4 people want to read
About the author
Gabriela Lockheart
1 book1 followerGabriela Lockheart does not see herself as a writer.
Magovnia Islands is simply the story that bled from her soul—
a fragment of experience she could not keep silent.
She rarely appears in public and offers only this:
her testimony,
her silence.
Magovnia Islands is simply the story that bled from her soul—
a fragment of experience she could not keep silent.
She rarely appears in public and offers only this:
her testimony,
her silence.
Ratings & Reviews
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Displaying 1 - 3 of 3 reviews
July 7, 2025
I'm seriously so obsessed with this book.
The writing in this book is so lyrical, I didn't want it to end.
Magovnia Islands is an atmospheric read that kept me hooked from page one. The world-building is so richly imagined. The characters are full of history, mystery and quiet magic. I truly felt like I was reading out of a diary. The way every scene was so vivid and meaningful kept me really captured my attention.
The characters are deeply human with relationships and inner struggles that feel authentic and relatable. I really enjoyed how the story balanced a sense of adventure of introspection and emotional depth.
This story will stay in my head forever, and I really hope Gabriela Lockheart writes more.
I highly recommend this book for anyone who loves adventure books that have self-discovery and a touch of the otherworldly.
The writing in this book is so lyrical, I didn't want it to end.
Magovnia Islands is an atmospheric read that kept me hooked from page one. The world-building is so richly imagined. The characters are full of history, mystery and quiet magic. I truly felt like I was reading out of a diary. The way every scene was so vivid and meaningful kept me really captured my attention.
The characters are deeply human with relationships and inner struggles that feel authentic and relatable. I really enjoyed how the story balanced a sense of adventure of introspection and emotional depth.
This story will stay in my head forever, and I really hope Gabriela Lockheart writes more.
I highly recommend this book for anyone who loves adventure books that have self-discovery and a touch of the otherworldly.
September 29, 2025
wasn’t for me ☹️ the style is a brave choice, but it didn’t feel polished. The repetition and persistent telling rather than showing was a bit grating. Interesting idea but the writing needed more work to pull it off.
August 1, 2025
This was an easy and quick read. I really love exploring the inside of this author’s mind. Wonderful use of language while toeing the line, keeping an open door for readers who may be curious but not full blown horror readers. With that said I do think there were a few spots at the end of this book that could have been explored more or even left out. I am unsure how to feel about Olga’s use of the arm chair, it felt thrown in and not finished (no pun intended). I’m all in though, fully ready to read whatever this authors puts out.
Displaying 1 - 3 of 3 reviews