I had my doubts about this book, but as an identical twin myself, it's pretty much inevitable that I'm going to read any "separated at birth" story--there's just too much that's fascinating about what twins discover about themselves and each other when they finally meet. And indeed, the best parts of this book concerned the twins, the American Samantha and the French Anais, discovering each other, getting to know each other, researching their adoptions from South Korea, meeting each other's families, etc. Because all this happened only two or three years ago, the initial contact and a lot of subsequent communication happened over social media, which added an interesting contemporary twist.
Unfortunately, this book had way too many problems for me to recommend it. First off, sad to say, neither of these young women came across as particularly interesting on her own, so whenever the book delved into their individual histories, the whole thing became frustratingly dull. I see this primarily as a failure of the writing, actually--one of the twins is a fairly successful Hollywood actress and the other is a fashion designer, so there's probably more going on with them creatively and intellectually than the book implies. But the writing is so basic, so chirpy and immature, there's no room for any real depth on anyone's part.
On the other hand, I do have some doubts about Samantha's maturity and depth. Samantha is an actress, and as soon as her "team" (agent, manager, etc.) find out about her long-lost twin, they immediately urge her to pull together funding for a documentary on their reunion. A good friend of Samantha's does remind her that that what's happening is a huge deal emotionally and she should probably focus on what's in her heart, rather than on pulling together a group of people to make a film. Good advice! Samantha follows it for about five seconds before she apparently decides "pictures or it didn't happen," and from that point on the book becomes as much about the making of the documentary as it does about the twins' remarkable story. Poor Anais and her parents agree to the documentary only reluctantly, and the filming becomes a major source of stress for Anais: After every major event, from meeting her twin in person to meeting the foster mother who initially raised her in Korea to going to her adoption agency, she's required to instantly give an interview where she talks about her emotions, before she's really even had a chance to process them! Attempting to talk to the film crew about her stress doesn't help; they are wholly focused on "getting what they need."And Samantha, we're told, as an actress, is totally comfortable living on camera and can't even really understand Anais's emotional turmoil. As a result, Samantha comes off as flighty, shallow, and insensitive--which made it difficult to care about her or her story.
My final gripe about the book concerns the writing. As I indicated above, the writing seemed unsuccessful in portraying the twins' complexity as human beings. But it was also awful at the sentence level--the grammar was often bad, and sometimes the meaning of the second half of a sentence didn't even logically follow from the first half. Just careless and sloppy. It's particularly confusing to me because this book was ghostwritten. A ghostwriter is hired to be the mouthpiece for people who have an interesting story to tell but don't have the writing skills to tell it. Therefore, it should stand to reason that ghostwriters should have writing skills. So why are so many of them such bad writers? Maybe I should try to get into the ghostwriting business. I certainly couldn't do any worse than this.
This book tried my patience so much that I considered giving it one star. I added the extra star for a few reasons. The first was that the story of the twins' reunion was interesting in spite of all the flaws in the telling of it. Second was that I learned a few things about the way unwed mothers are viewed in South Korea, how adoptions have been handled there, and how that's beginning to change for the better. I also added the extra star to show some sympathy for poor Anais, who seemed to be trying so hard to have a genuine experience amid all the noise Samantha introduced. And finally, I was very moved by the way Anais and Samantha's parents each reacted to the news that their daughter had a twin: Both couples immediately said, "We have another daughter." The way the two families came together and seem determined to become one large extended family is touching and shows how openhearted people can be in extraordinary circumstances. I thought this was the best thing about the book, and it's definitely the aspect I'll remember most.
Despite this, the book has way too many problems for me to recommend it, with one exception--I think young teenagers, maybe 13-15, would enjoy this and learn a few things from it. Everyone else should pass.