Taichi Hiraga Keaton, the son of an eminent Japanese zoologist and a wealthy English noblewoman, is an insurance investigator educated in archaeology and a former member of the SAS. He married his college sweetheart whilst at the University of Oxford, but they divorced after their daughter was born. Unaware of his abundant talents, he continues to struggle with life as he solves difficult cases...
The thing I love most about Master Keaton is that, while every story feels standalone, over the course of the series you start to build a picture of who he is. No excessive digging into his past but an offhand comment, a chance meeting, a revealed skill, how he approaches each of his various and oft bizarre cases and the different people involved...It’s rather marvellous.
Master Keaton's 3rd volume continues the high quality of storytelling and character development, as any reader would expect. Though this is the weakest of the first three volumes, it has plenty of low key moments and high octane chapters alike. Keaton's encounter with a master bomb maker and visit with his family have much in common — they focus on the lives people want to live under the shadow of legacy. The themes of familial relationships, affiliation, and what constitutes of a good use of one's life run stronger through this volume than any of the others.
Not as good as I expected it to be, given this one being created by Naoki Urasawa. It turns out that Urasawa not involving in writing the manga (and instead focusing solely on its illustration) makes this one a pretty different read in comparison with other works by Urasawa. The episodic style of this book without a clear storyline throughout the series might already be perfected by Osamu Tezuka's "Black Jack", which is clearly superior to this series in terms of writing quality. One can appreciate Urasawa's soft and expressive illustration style or the exciting element of a detective mystery here and there, but as a whole, this book feels quite short of having such a profound impact on the readers the way "Monster" or "20th Century Boys" have.
One tiny nitpick in an otherwise fine English translation -- in a story that mentions Sir Henry Cavendish, his name is given as 'Sir Cavendish' rather than the correct 'Sir Henry'. (This may be an artifact of the original Japanese, which I don't have in front of me but which probably uses the surname-plus-honorific.) But that aside, more Master Keaton is always wonderful!
Master Keaton 3 The manga stays in line with previous books, a nice collection of stories of Keaton solving cases-problems for Lloyds. Its fun and interesting to read. 4 stars
Urasawa is so good and making characters who feel human in a short span of time and I love the lightness of touch in the slow revealing of who Keaton is.
There is something about Urasawa's art that is soothing, so even when the story is not a complex multi volume epic there is still pleasure to be add. This is exactly what Master Keaton provides. Most story only last a chapter and to be honest they are not all on the same level, but art remains the constant.
I don't think I want to be and Insurance investor. Once again these stories are quick, engaging, thought provoking and enjoyable. I do recommend this series.
Master Keaton provides another set of episodic adventures. The stories cover everything from Latin American military culture to animal behavior to chemistry, which definitely keeps the content fresh and varied. In contrast, Keaton’s personal life remains stagnant, and I’m thinking his ex-wife will never actually step into the story. However, if you’re mostly interested in watching Keaton’s eclectic set of skills at work, you won’t be disappointed.
The Review
Although Keaton wishes to devote himself to academia, he remains unable to find a university position. As such, the content of Volume 3 is for the most part related to his insurance investigative work. Except for Chapter 8, all the stories take place in Europe, but he still manages to run into a number of Japanese citizens during his adventures.
Of this installment, “Wall of Joy” and “A Family Moment” are the weakest. The narrative offers no explanation of what happens at the end of “Wall of Joy,” and it’s difficult to guess from the black-and-white illustrations what is going on. As for “A Family Moment,” the story seems a mishmash of unrelated events that just provide an excuse for daughter Yuriko and dad Taihei to make an appearance.
However, the rest of the 12-chapter volume makes up for these weaknesses. Lloyd’s apparently deals with kidnapping insurance, and “Rules of Negotiation” and “Rules of Ransom” (the volume’s only two-part story) maintain a high level of tension and intrigue throughout. In other chapters, Keaton’s SAS background takes prominence with him disarming a bomb, turning the tables on a military trained dog, and investigating a former Pinochet officer, which should please those who enjoy the series’ thriller aspect. Archaeology only really factors in Keaton’s insurance work in “White Goddess,” and “Wall of Joy,” but an encounter with one of Keaton’s military acquaintances provides the basis for a chapter about science history.
Extras include the first pages of Chapter 1, Chapter 9, and Chapter 10 in color and a sound effects glossary.
This entire review has been hidden because of spoilers.
I did not read the second volume, but since this series is very episodic, I don’t think I missed too much. Perhaps something happened with his family and he lost his job in the second volume? Either way, almost all of this volume featured single-chapter cases.
Since I prefer the chapters where Keaton is with his family, and there was only one chapter like that, I did miss it. There was another chapter at the end where he fools around with some friends, and that was a nice reprieve.
Otherwise, Keaton travels around for insurance cases the rest of the book. There’s a lot of history, he sees some old friends, and he does a lot of good in helping save historic ruins. It’s a pretty slow series, very chapter-by-chapter based, with little real family or character progression. But it’s a good series, if you like this kind of thing. If you like history, if you like some mystery, and watching an older guy as he lives his life. I just don’t think that’s my kind of thing.
A review copy was provided by the publisher, VIZ Media, and Erik Jansen from MediaLab PR. Thank you so, so much!
One of the great things about the set up of the Master Keaton character (insurance investigator/archaeologist/divorced father/survival combat expert) is how many different story types you can tell. In this volume, you have a hostage negotiation story, a sad and funny Christmas tale involving three salesmen, a narrative on Spanish duelers, and an elegy to young man who dies with no one to help him. And that's about half of the stories... I still miss the overarching narrative from other Urasawa stories, but this is a good read.
Master Keaton is a product of the late '80s, and it reminds me of '80s TV shows like The Equalizer, MacGyver and The A-Team. Our hero, a former member of the SAS, wanders the world as an insurance investigator/archaeologist helping people solve problems with his special skills and keen insights. All the chapters in this volume are stand-alone episodes, with the best one featuring a dog on a mission. None of this is brilliant, but there are some nice little short stories.
Liked this one better than volume 2. Lots of variety and lots of different locations. I like some of the in-between moments with his dad and daughter that help to flesh out Keaton's character. The childhood flashback was also enlightening.