Solid with cool change of art, but don't think the plot had enough to keep this one interesting a long time. I like the characters but the villain and overall pacing didn't do enough for me. A 3 out of 5.
[7.5] Mr. Terrific: Year One creates a compelling story with great emotional moments that explore the core of being a superhero, even if its multiple connections to the present universe and cliffhangers kind of break the Year One of its title.
If you saw last year’s summer blockbuster that was James Gunn’s Superman, one of the best aspects was Edi Gathegi’s performance as Michael Holt/Mister Terrific, who delivered the best action set-piece from that movie. No doubt this character has left enough of an impression for audiences that we could see more from Gathegi in that role, but until then, there is a bunch of comics to read that showcase the genius intellect of Michael Holt, including Mr. Terrific: Year One.
Although the character has popped up in numerous media, I haven’t read a lot of comics on Mr. Terrific, though he left a big impression as a supporting player in Strange Adventures by Tom King, Doc Shaner and Mitch Gerads. The purpose of a Year One limited series is that it serves as an introduction to a DC superhero as we see the origin story that spans over the course of a year. This comic does exactly that but also ties with the events of DC All-In Special, published in 2024.
The first issue opens with Holt investigating how Darkseid suddenly appeared in the Justice League Watchtower, as shown in the aforementioned Special. Through his investigation, there is a connection from his past when he struggled to find purpose following a devastating tragedy. Having sold Holt Industries to the tech company Prescott Industries, whose CEO Athena Prescott has been taking advantage of his advanced technology that is actually harming the people of Gateway City, Holt seeks redemption through a journey of heroism.
While Year One storylines tend to be self-contained, writer Al Letson takes big swings by using numerous characters from all corners of the DC universe, whether it is fun cameos like Lex Luthor or the always delightful presence of Batman and his alter-ego Bruce Wayne who gets to show off some scientific knowledge. However, there is a whole issue with Holt interacts with The Spectre, and whilst I understand that it’s all about coming in terms with grief through a debate of ideologies, scientifically and spiritually, I felt you could have Holt gone through this arc without turning into a Sandman issue.
When we do focus on Holt and his origin into becoming Mister Terrific – named after the original Mister Terrific, Terry Sloane, of the Justice Society of America – this is where the book finds its strength, showing how Holt goes from despair to heroism, despite the rocky journey where his genius IQ doesn’t always help him get out of sticky situations. Considering Mister Terrific is defined by his lack of emotions, Letson finds the emotional content where no doubt Holt feels like he is consumed by recent tragedies, and yet the friends and unexpected allies who helped him along the way feel satisfying.
Whilst you have Edwin Glamon bringing modern and vibrant visuals to the few pages that showcase the present day that lean hard to superhero and cosmic territory, Valentine De Landro draws the majority of the six issues where there is a grit to his art-style with an emphasis of thick outlines. And yet with a bold use of colouring and multi-panel layouts, De Landro’s action is kinetic and violent, but never the sake of edginess. It does get heavy with the superpowers in the later issues, but once you start evoking the New Gods, I’m obviously going to like it.
Although it is overly ambitious by doing more than a self-contained origin story, this six-issue series works best when it is being just that as Mr. Terrific: Year One is a fun introduction for those want to get into the third-smartest man in the world.
Aún sabiendo que este personaje parte de mantener un legado de uno de los tantos personajes de fondo de la Golden Age comiquera adscrita a DC comics, puede sorprender que su andadura editorial sea realmente "reciente". Iniciando a finales de los 90" en la cabecera de The Spectre para ir arañando presencia en la JSA más moderna. Y hoy en día hasta forma parte activa en todo evento del Multiverso DC y hasta es secundario en la última película de Superman. Es un buen momento para otorgarle a Mr. Terrific un "Año Uno" que reevalúe su genésis para lectores veteranos y profanos, y Al Letson es quien realiza esta propuesta en una miniserie que aún retrotrayéndose al pasado del personaje, parte y enlaza todo a lo referente a la situación post DC ALL IN. Sabemos por varias colecciones, que Mr. Terrific es el mayor investigador de la cuestión de la energía Omega residual tras ese ataque y aparente deceso de Darkseid en la nueva Atalaya. Pero parece que Michael Holt ya se había topado con una primera forma de amenaza de esta peligrosa forma de energía en su año de origen de superheroíco. Cuando tras el fatal fallecimiento de su esposa y co fundadora de la empresa tecnológica en común, se encuentra en un estado depresivo que provoca una conducta casi suicida, en la que la presencia del Espectro y una intriga política en su ciudad al permitir unas peligrosas pruebas por parte de la dueña de la compañia que adquirió la empresa de Holt y cierta patente, azuzan a Michael a abrazar un espíritu heroíco que ya impulsaban sus mejores amigos (uno de ellos siendo Black Lightning).
Mr. Terrific: Year One divide su historia en la actualidad y pasado. Siendo este último evidentemente lo más interesante con un apartado gráfico que casi recuerda al estilo de Jorge Fornés. El ver nacer y definir el Mr. Terrific que busca ser Michael Holt respecto al original de la Golden Age es el mayor punto de interés de la miniserie. Por supuesto, todo lo concerniente a la actualidad se entrelaza estrechamente con los eventos pasados (hasta la narración), presentando una nueva amenaza que veremos hasta qué punto tendrá repercusión en todo el entramado villanesco del DC KO o cualquier otro enemigo terráqueo.
Es cierto que Al Letson no reformula de forma totalmente sorpresiva la génesis del personaje. Manteniendo incluso esa escena con El Espectro, lo cual teniendo en cuenta la actitud y pensamiento hiper racional de Michael, hace introducir mejor todo el conjunto más fantástico de la narrativa super comic book. Pero quizás habría merecido más la pena dejar que todo eso quedase a la hora de coincidir el pasado y el presente con el personaje de Athena y su nueva "relación laboral".
En el panorama de nuevas cabeceras post ALL IN, Mr. Terrific: Year One resulta interesante tanto por saber dar continuidad a toda esta nueva narrativa como por ofrecer su propia historia anexa pero paralela (algo que muchas otras propuestas no ofrecen).
I'd kinda stopped buying DC Comics in general cause they stopped telling stories in favor of shoveling out marketing hype. So it's rare I'd actually pick something up.
I thought I'd give this a chance and...actually liked it.
It's an origin comic for the legacy character. Michael Holt was a genius, athlete, good at everything and fell into a spiral of depression after the death of his wife and unborn child. In his grief he sold off his tech company's assets to another firm and finds out they plan to technobabble some stuff that threatens the city.
He's motivated/pushed to get off his ass and do something with the encouragement of his friends and a pep talk from the Spectre who tells Michael of the Golden Age Mr Terrific who was also a genius athlete who became a hero with the motto "Fair Play." Michael takes up the name and the motto and kicks some ass.
The story alternates between a current case of weird technobabble and flashbacks to his origin. Each has a different art style so it's easy to tell when it switches between present and past.
Overall I liked it a lot. Terrific is an unpowered hero and the comic shows the struggle he has in accepting the responsibility of being a hero in a world of flying bricks and speedsters.
He's got his intellect and his determination.
My main nitpick is the "present day" material kept referencing events from other comics which made it feel like the usual marketing gimmick to get readers to buy other comics to get more context...but I'll be generous and just say it's establishing the story in the context of the current continuity...before the next time DC's marketing team decides it's time for another reboot/crisis event.
I wanted to like this more. Maybe I should've paid more attention to it being a Year One. The story is a slow burn. But by the end I was invested enough with its slight thriller elements. Overall its Mister Terrific getting out of his funk and slowly donning a cape identity to avenge his friend’s murder and take back from what he gave up after his wife died. It was nice but very slow and not the most interesting to me. I guess I wanted to see more of Mister Terrific just kicking straight ass. But it is a Year One so it's on me. Sometimes it also feels less like a Year One and more like a team-up book with The Spectre, Batman, and Black Lightning's inclusion. Similar to the story, the art is a slow burn. The first three pages are taking place in the present and drawn by Edwin Galmon. It looks phenomenal. The rest is drawn by Valentine De Landro in a very line-y blocky strike-y style (or maybe vice versa I forget). It reminds me of the artist for the graphic adaptation novel of Kindred by Damian Duffy and John Jennings. It works well in close-ups where we really get to see faces and more detail. It’s super great with the coloring in the more sci-fi moments that make it feel alien and otherworldly which makes sense with the nature of the sci-fi elements. But I usually wanted more from the artist or a different one.
This entire review has been hidden because of spoilers.
A decent miniseries that updates Mr. Terrific's origin for a new generation. The series starts off with Michael investigating a familiar energy signature after the events of DC All-In. The story then diverges into parallel journeys as we follow both present-day Mr. Terrific and the past version of Michael Holt.
I enjoyed reading this however, I wish it had been standalone and set entirely in the past. The way it's written intrinsically ties the book to events in current continuity (DC All-In, Darkseid, Ram V's New Gods, and Flash 799). It's not an evergreen book you can read in isolation like previous Year One titles (Batman: Year One, Black Lightning: Year One etc). The full picture for this story requires context provided in other books, and that's to the detriment of this one.
Certainly does not feel like a new beginning- I am not really familiar with the character outside of the new Superman movie and occasional appearances in other DC books. I still feel like I don’t really know him at all, he doesn’t parlay his intelligence into something that makes me feel like he’s this super genius- just feels like a bit of a regular guy (in comparison to lex Luthor), I just never really got sold on his core beliefs or even his powers. It just felt all a little too CW, like easy and not very engaging. I would probably read more Mr. T but I wouldn’t seek it out.
The weakest DC title I’ve read this year. The final battle is totally leading to a new gods war but Mr. Terrific is going to be tangentially important in that story and it kind of starts in his book!
Not sure how memorable this will be to me later, but not bad. I liked the way the relationship between Jeff and Michael was portrayed - the last few issues were particularly good. I wish they'd kept the whole book in the past, though - the future bits were kind of just a mess of words until the end.
sometimes you're just called to do or be something. sometimes the one calling is yourself, your soul, what makes you tick can force you to do things you might not expect or even want yourself to do. and as the fourth, least popular, Beatle once said "You get by with a little help from your friends"
Read in single issues. Compared to things like Lemire's JSA, this is Steinbeck. Still, it peters out towards the end, and the overuse of Apokolips and its ties to the current mess of continuity also prevent it from being something memorable.
The is was the best time this book could’ve come out. Superman’s recent film def helped this book a ton in Sales and I’m all for DC giving Al Letson the reigns to an ongoing with Terrific. He has a perfect voice for an often overlooked character
Picked up the first issue when it came out and thought it was really good. it's a really good modern origin story. Great artwork in both the current and past timeline.
I’ve never read a really good Mr. Terrific solo story before, and I still haven’t, sadly.
I was so looking forward to this but what a dull, by-the-numbers story for one of the smartest men in the world. The character deserves so much better. The back and forth art style for the time shifts was excellently done though.