Can't believe they let this series name one book Scorpia and another Scorpia Rising. anthony. anthony can he at least be fifteen years old by the time we get to book 9? can you let this boy age, anthony
Highlights of #5 include The Father Wound, Gun Virginity, and, of course, The Microsoft Of Crime. Also, I rescind anything in previous reviews that may have implied that the constant repetition of Violence Towards Children is anything other than intentional– if there were any doubts that it's a core concept of this series, those doubts are gone now. Evil Mommy (whose parents were "violent Welsh nationalists," because of course they were) who used to have a thing for your dad (and calls you a "boytoy," because of course she does) poisoned all the kid's vaccines in London and will Kill Em All, because ?????. But she loves children (even though she's glad she never had her own), because Woman. It's interesting that Mrs. Jones is the most fleshed out in this book she's ever been (and Alex's own mother continues to be Nothing,) because Jones and Rothman make an interesting dyad of contrasting pictures of (failed?) motherhood– while Alex's father, and specifically his father's faults and failures, are at the forefront.
Alex is definitely reaching a mental health turning point here– how much of that is due to the author finally paying attention to his inner world or not, I can't say– and it's to the point where an antagonist has to be like. buddy are you thinking of hurting yourself. because he's climbed to the top of a random belltower to sit there and look despondent about how his life has been irreparably scarred. He has a moment during a glorified bomb countdown where he literally asks himself, "why me?," which is the funniest thing he could have possibly thought in the moment. Learning your father is a piece of shit is a rite of passage and a top 10 reason for becoming emo. The number 5 in tarot symbology is a number of instability and strife. I think both these pieces of information are relevant.
What's really relevant is that all this fatherangst and past PTSD catching up to Alex means it's the PERFECT time for someone to finally hand Alex a motherfucking gun. I've waited half a series for this. This is what it's all been leading up to. Four books of being molested under MI6 by every death he's had a hand in but no control over, Cray et al, and Scorpia is finally trying to pop Alex's murder cherry.
The comparison is crass as hell, and wholly inappropriate, and I'm not apologizing for it, because treating Alex's relationship with violence as an extended sexual assault metaphor is not only *supported* by the text's themes, I would argue that it is *demanded* of it. Alex's whole career, every act of violence he is exposed to or asked to perform himself, is something that is being done *to him.* Being asked to kill is an act of harm done *to him.* Asking Alex to participate in this world at all has been textually damaging to him, and though he was coerced into it from the start, his intense experience working under Scorpia, where they trained him as an assassin, (where he subconsciously could not bring himself to accurately aim at a human-shaped target– a level where he isn't physically capable of performing to expectations)– he returns to the organization that orchestrated his grooming from the start, where they clarify to him that he has been changed by his experiences. He sought out trouble at the start of various previous books, after all, all on his own. We didn't do that to you, Alex. You asked for that. You just can't stay out of things. And they're right! His brain has been completely rewired, not just by the way his MI6 uncle raised him, but by the mind-searingly intense experiences he has had between the ages of fourteen and fourteen and a half, where adults asked him to perform tasks and endure experiences for their benefit.
And to shoot someone dead– to become an assassin, like his father before him– is considered by Alex to be a point of no return, a line he can't uncross. It's a kind of virginity. And though he personally kills someone before the end of the book– Nile, who an hour prior had performed a quickly-glossed-over full body search of Alex and "seemed amused by the whole thing," is the one on the balloon with Alex at the end. Alex kicks him, and he falls, and Alex tells no one. Alex tells MI6 Nile fell, and he doesn't want to talk about it more– but he *does. not. shoot. him.*
There will have to be a book where Alex kills someone with a gun. I cannot wait to see the circumstances surrounding it.
And so you may be thinking, it's interesting how much we're talking about being asked to commit harm as victimization– shooting as the bad thing– even the top gets raped?– instead of the more obvious comparison, being shot as the bad thing. And it's interesting that you're thinking it, because THEY TOTALLY SHOOT ALEX AT THE END OF THIS ONE. HE GETS SNIPED ON THE STREET AND DIES (obviously not really we have like eleventeen books and half books in this series but THEY REALLY FADE TO BLACK ON HIM) AND DO YOU KNOW WHO CALLED THE SHOT? WHETHER THEY WERE REALLY THERE OR JUST HALLUCINATIONS DO YOU KNOW WHO ALEX PERCEIVED AS CALLING THE SNIPER SHOT THAT KILLS HIM IN BROAD DAYLIGHT (just like the footage he watched of Jones calling the shot on his father's fake death but he thought it was real death and went major emo murder time over it)? HIS MOMMY. AND HIS DADDY. HELLO? HELLO? I'm going to digress now but please let it be known that there's some shit in these objectively mediocre middle grade chapter books that SPARKLES.
Other than that. There are some disorganized but interesting ideas, or at least introduction of ideas that don't go anywhere. why do i care that tom's parents are divorcing. is this a divorce book? could we possibly make this a divorce book? Is alex a child of divorce where the parents are MI6 and Scorpia wait I think I fucking cracked it. I think that's it. case closed what else. there's a lot of emphasis placed on the old church of forgotten saints being taken over by technology but that doesn't seem to be present anywhere else. maybe just an interesting motif. i understand this: pokemon does this as well.
On a technical level: this book feels like the author is finally getting the hang of writing Cool Books. There are more interesting action scenes, there are moments of tension and space for the characters to breath (even if it creates the effect of Alex Suddenly being afraid of heights, after fucking snowboarding down Grinch mountain ??? months ago), we even retcon in a useless friend for Alex to try to make it seem like he has some level of substance in his civilian life. We are *finally* reaching a level where Alex is textually fraying at the seams. Last review, I said he was going to try to kill himself this book– he kind of does. Four evil ice cream parlor meetings out of five.