"Highly recommended for fans of A Wrinkle in Time, Coraline, or The Ocean at the End of the Lane." — Summon Fantasy
According to Ellie, the middle child of two overseas ambassadors, a magical monster named Oblivion kidnapped her elder brother. She believes Oblivion wants to use her brother as a backup memory, a backup hard drive.
She encounters Overmorrow - a magical rain that wakes up normal New Yorkers unto the wonder all around mermaids and mermen, centaurs, phoenixes, giant sea creatures, and The North Wind.
Once she receives Overmorrow and its "seer's sight," she discovers someone has stolen the source of the rain.
Convinced Oblivion has also stolen the rains, she decides to use the mystery of Overmorrow to lead her back to her elder brother and save his mind from Oblivion. As Ellie fails over and over again, it becomes terribly apparent to her that this rain thief wants to obliviate monsters from the memories of New Yorkers and everyone else in the megacosm.
And if we forget the monsters, they're free to eat us all.
"Schaubert recounts a mischievous man's eight decades in Illinois's Little Egypt region in his picaresque debut BELL HAMMERS. Remmy's life of constant schemes and pranks and a lifelong feud with classmate Jim Johnstone and the local oil drilling company proves consequential. This is a hoot." - Publisher's Weekly
His work Cold Brewed reinvented the photonovel for the digital age and caught the attention of the Missouri Tourism Board who commissioned him to write and direct a second photonovel, The Joplin Undercurrent, in partnership with award-winning photographer, Mark Neuenschwander.
Two excerpts of Lancelot Schaubert's (lanceschaubert.org) debut novel BELL HAMMERS sold to The New Haven Review ( Yale's Institute Library ) and The Misty Review, while a third excerpt was selected as a finalist for the last Glimmer Train Fiction Open in history. He has also sold poetry, fiction, and nonfiction to TOR (MacMillan), The Anglican Theological Review, McSweeney's, Poker Pro's World Series Edition, The Poet's Market, Writer's Digest, and many similar markets.
Spark + Echo chose him for their 2019 artist in residency, commissioning him to write four short stories.
He remains a committed husband to the grooviest girl on earth and is a public advocate for more free range trees. You know, Ents. To that end he guerilla planted over 400 acorns in New York City.
Thanks for all of the super early feedback that made the novel better and to all of the authors and editors who helped tweak this fever dream of a novel. Thanks to the folks who get that it's a lyrical Nabokovian parody of the genre, that the abstraction's the point. Thanks to the folks honest that they hated it because it didn't have transparent prose and a typical plot. Thanks to everyone who already marked it want-to-read or who downloaded it from NetGalley. It's moving up the ranks. Make sure to download it early if you haven't.
The concept of Overmorrow immediately grabbed my attention. It promised something different, magical, and full of potential. I was very excited to read it. Unfortunately, the execution did not work for me.
From the beginning, the writing felt overly dense and excessively detailed. While some descriptions were beautiful, they often slowed the pacing, leaving me feeling lost at times. Even when explanations were provided, I still struggled to understand the world and keep track of the characters.
I genuinely wanted to enjoy this book, but the combination of heavy writing and confusing storytelling made it difficult to connect with the story or the characters. The idea behind the book is creative and unique, and it may appeal to other readers, but it was not the right fit for me.
Fantasy | Science-Fiction | Teen/Young Adult | Magical Realism
I felt as though I had my brow furrowed while reading it — trying to parse out the words carefully, as if I were reading a foreign language — even though it's in plain English. It does still need a little bit of editing, and I'm not sure if I got the final edit or not.
What little I read, read like a confusing dream that kept changing around from one thought to another in rapid, but random succession. Characters almost speaking in prose or riddles. I tried to read through it, but it was a bit overwhelming and dizzying. DNF
eARC courtesy of NetGalley/ Independent Book Publishers Association (IBPA)
Thank you to Netgalley for access to this eARC. ____________
DNF at 40%. Life is too short to stick with books that you really aren’t enjoying, and that’s what was going through my head from about the 10% mark. I enjoy an interesting and unusual writing style —- I really like 2nd person —- but this was really not enjoyable for me. It was inherently confusing, with so much happening at once but also nothing at all. Things were over explained but I still found myself confused about every little thing in what I read. The first chapter was interesting, and I was onboard with the confusion I was feeling there, but when it continued and got even more vague and convoluted, I realised that I had to let the book go. I had no idea who any of the characters were, nor what they were dealing with or what they were thinking. Unfortunately not for me.
Any resemblances to actual persons, living or dead, is coincidental. Clearly.
So, anyway, for no particular reason, Ellie was my favorite character in the book. Levi and Annie had their moments to shine, but let's face it, eldest daughters are far more interesting. She's clearly the smart one of the group, but I will admit there's room for compulsive runner little brothers and explosion happy little sisters to share the limelight every once in a while.
I'm joking. The relationships between the siblings were probably one of the best things about the book, and I should not let sibling rivalry get in the way of this review. I am super excited to see them in other books (with Charlie!!!).
After Ellie, Levi, and Annie, my next favorite thing about this book was how saturated this book felt. There was hardly any filler—every page was interesting and full of life. It made the book a very quick read. I think I got off the couch once to get a drink.
The beginning of the book was confusing, for sure, but I'm beginning to suspect that was the point? These characters don't know what the hell is going on, so why should the reader? They haven't earned the right yet. Tsk, tsk.
Bottom line—great book, fantastic author, and stunning, amazing, clever, awesome main character(s). 4/5 stars.
The story cleverly opens with a hint that everything might be unfolding within a dream, adding another layer of intrigue and prompting you to question the very nature of reality from the outset.
The core concept echoes Philip Pullman's The Golden Compass and Michael Ende's The Neverending Story, and some intriguing similarities with Yoko Ogawa's The Memory Police; exploring themes of loss, memory, and the fragility of reality. Our protagonist possesses a wonderfully overactive imagination. She dissects every detail, searching for meaning, and is irresistibly drawn to the unusual and unexplained.
Also there were a few moments that felt a tad bizarre and ambiguous. For example, one particular scene left me wondering if I was witnessing a baptism or some kind of arcane spell casting. Ultimately, I had to put it down before finishing. The sheer density of ideas and the constant demand for mental flexibility became a bit frustrating.
This is definitely geared towards readers who enjoy philosophical explorations and thought-provoking science fiction. Just be prepared to give it your undivided attention because it requires a significant investment of mental energy.
Thank you to NetGalley, the publisher, and the author for access to this eARC!
1 Stars
The synopsis for Overmorrow by Lancelot Schaubert seemed interesting to me, so I decided to give it a try. Who does not like a good fantasy concept with a driven protagonist? However, shortly after I began reading the novel, I began to get confused. Even after reading several chapters, I had no idea who most of the characters were and their relevance to the story. Additionally, I had trouble understanding the world described. Although the writing was quite lyrical and magical (Schaubert is great at creating vivid imagery, especially when describing the physical traits of characters), none of the fantastical elements quite made sense to me, and I caught a few minor grammatical errors along the way that added to my befuddlement. Sadly, I was not able to finish reading this book; I love the idea it presented and attempted to illustrate, but the execution unfortunately fell flat for me.
Thank you for this ARC! For starters, I LOVE the cover! I was also surprised to find out that the author wrote and directed a photonovel called “The Joplin Undercurrent” about the history of the town, this town was a hour away from where my hometown is. That was very cool to see along with Carthage Missouri being mentioned in the book several times. ~Now for my thoughts on the book itself, it was very good and I enjoyed the journey they embark on while trying to find their missing brother. The world was so magical and immersive. The beginning was a tad repetitive and slow going. I was also a little lost in the beginning when learning about the characters and during the start of the world building but it made more and more sense the further through I read. Overall a very fun read!
I received a copy of this book from the publisher (via Netgalley) in exchange for an honest review.
This is definitely a different book from everything I have ever read. It's a mix between a rainbow of sparkles, a firework and some out of the ordinary mind! The chapters are a succession of very imaginative thoughts put into words that bring you to a whole other universe. For me it was a little bit too much but if you're searching for a very original story, full of "crazy" references and a touch of drama... you are at the right place!
Thank you to NetGalley, Lancelot Schaubert, and Vale for providing this eARC in exchange for an honest review. This book will be officially published on August 22th, 2025!
I unfortunately ended up DNF-ing at 20% due to how difficult it was to follow. I was drawn to the premise: it sounded unique and full of potential. From the very beginning, the book begins with a complex conversation that left me confused. There were heavy use of descriptive language and layered metaphors that, while clearly intentional, made scenes feel dense and hard to visualize. Another challenge was the lack of narrative context. Important scenes would happen abruptly, without explanation. I often felt I lacked information that would help me understand the world or the story's direction. This book may resonate deeply with readers who enjoy abstract narratives and doesn't mind doing a bit of interpretive work to piece things together. However, the combination of dense prose and unclear storytelling made it hard to stay invested. I hope it finds its audience as I can see the ambition and meaning behind the concept - it just didn't connect with me personally.
At its heart, Overmorrow is a story about loss and longing: a girl’s quest to find her missing brother. But as young Ellie’s journey deepens, so does the story, expanding into a surreal, cerebral exploration of memory, meaning, and the thin line between imagination and truth.
The world-building is rich and intricate, sometimes challenging, but made accessible through the eyes of Ellie and her companions—who are just as new to this world as we are. Learning alongside them creates an immersive experience that’s both wonder-filled and unsettling.
Overmorrow is not your typical fantasy novel. It’s whimsical, cerebral, emotionally resonant, and deeply original. If you enjoy stories that challenge perception, reward attention, and explore profound truths through magical metaphors—this book is for you.
Just know that it asks a lot of you as a reader. But if you’re ready to follow Ellie down the rabbit hole, you’ll emerge changed.
I got a super-early-pre-release version of this novel directly from the author. And boy, am I grateful for it.
It is a beautiful novel with a complex, magical feel to it. I could easily connect with the main characters : children in search of wonder and excitement, who are not willing to take the road of boredom and routine that the grownups around them seem to be taking.
Schaubert has a very distinct writing style that I absolutely adore. Will surely keep an eye out for future novels!
A Lyrical and Imaginative Journey of Wonder and Memory
I received a NetGalley e-ARC of this book.
Lancelot Schaubert’s Overmorrow is a beautiful, introspective, and utterly unique fantasy that feels like stepping into a waking dream. This is not a typical urban fantasy; it’s a story with the heart of a fable and the philosophical depth of a classic allegory.
The book follows Ellie, a young girl convinced a magical monster has stolen her brother, and her journey into a hidden, wondrous New York City revealed by a mystical rain called "Overmorrow." Schaubert’s prose is what truly sets this book apart—it’s lyrical, poetic, and consistently captivating, creating a rich atmosphere that is both whimsical and haunting.
The central mystery of the stolen rain and Ellie’s quest to save her brother’s mind from "Oblivion" serves as a brilliant metaphor for the power of memory and the dangers of forgetting. I was immediately drawn to the core characters, especially Ellie and her siblings.
Their dynamic is the emotional anchor of the story, and their quest is a powerful exploration of love, loss, and the nature of reality. The imaginative world-building, with its mermaids, centaurs, and sentient winds, is a true delight, and the narrative constantly surprises with its inventive ideas.
However, the book's cerebral nature sometimes comes at a cost.
The beginning can feel a bit disorienting, and the abstract, metaphorical plot may not fully satisfy readers who prefer a more straightforward narrative. The pace, while swift in some sections, can also feel a bit abstract, with a focus more on mood and theme than on a clear, linear progression.
There were a few moments where the ambiguity was more confusing than compelling, leaving me wondering if a key plot point had been missed rather than trusting the author's stylistic choice.
The sheer density of ideas and the constant demand for mental flexibility can be a bit frustrating, and at times I felt the narrative was more concerned with the philosophical journey than with the forward momentum of the story.
Ultimately, Overmorrow is a fascinating and highly original work of art. It’s a book that asks for your full attention and rewards it with a profound and magical journey. While it may not be for every reader, for those who appreciate literary fantasy and stories that challenge their perceptions, this book is well worth the journey.
------------------------------------------ Pros: * Highly Original and Imaginative: The core concept of "Overmorrow" and the hidden world of magical creatures is incredibly creative and well-realized. * Beautiful and Lyrical Writing: The prose is a major strength, creating a unique, dreamlike tone that elevates the entire reading experience. * Strong Emotional Core: The sibling relationships and Ellie's quest for her brother provide a heartfelt and resonant anchor for the story. * Thought-Provoking Themes: The book intelligently explores complex ideas about memory, reality, and the importance of wonder.
Cons: * Disorienting Beginning: The abstract nature of the world-building and plot can be confusing for some readers in the initial chapters, making it difficult to fully grasp the stakes. * Pacing and Plot Ambiguity: The medium-paced, introspective nature of the narrative may not appeal to those who prefer a faster, more action-driven fantasy. At times, the plot can feel lost in its own philosophical musings, sacrificing forward momentum for thematic exploration.
Though the world seems familiar and predictable at first glance, twelve-year-old Ellie Wright is about to discover that there is more to her world than she ever expected. Ellie’s mother has been suffering from memory loss in recent weeks, and her slow decline has Ellie worried. Ellie’s concerns are amplified when her older brother Charlie is kidnapped, and Ellie and her younger siblings are thrown apart from their parents and into the care of the mysterious Author. With care, the Author introduces the children to the truth hidden in Overmorrow, and together, they must do all they can to rescue Charlie and return their world to rights once more. This deeply contemplative novel is reminiscent of classic middle grade stories like A Wrinkle in Time and The Lion, the Witch, and the Wardrobe. Magic realism abounds in the narrative, and elevated thoughts and references enhance the intelligence of the story. Because of the amount of careful reflection and challenging vocabulary incorporated into the novel, the plot’s progress feels slow at times. However, readers who appreciate being able to dive into immersive storytelling will appreciate the care with which this narrative is delivered. Recounted in the third person primarily from Ellie’s perspective, the novel features descriptive language and details with dialogue embedded where necessary. This design places readers inside of the protagonists’ minds as they grapple with their new reality and the countless questions they develop as a result. Deep and slow moving, this thoughtful narrative is a unique addition to contemporary library collections for mature middle grade readers, and it is primed for a sequel.
Overmorrow is a contemporary fantasy that feels like a blend of urban myth and coming-of-age adventure. The writing has a lyrical, almost fable-like quality, and the story mixes real emotional stakes with magical elements. Ellie is a determined protagonist whose search for her brother is both literal and symbolic, touching on ideas about memory, loss, and how forgetting can be dangerous.
The book moves quickly and has plenty of inventive imagery, especially the concept of magical rain changing people’s perceptions. At times, the plot can feel a bit abstract or metaphor-heavy, but if you enjoy stories that combine wonder with a sense of creeping menace, you’ll probably be into it.
Overall: A creative, heartfelt fantasy with strong themes and some surreal touches. Recommended for readers who like Neil Gaiman, Madeleine L’Engle, or modern fairy tales with deeper ideas beneath the surface. shout out to Netgalley for providing this ARC 🫶🏻
This book was soooo different from anything I’ve read lately. It was strange, lyrical and a little haunting. It’s the kind of story that makes you stop and wonder if everything is happening in a dream (or maybe a memory?)
The concept feels like a mix between A Wrinkle in Time and The Ocean at the End of the Lane it really is full of metaphors and quiet heartbreak.
It’s about loss, memory and what happens when the things we forget start to eat away at what’s real.
Ellie’s journey pulled me in, she’s curious, brave and flawed. Some parts were confusing, sureeeee but that’s what made it beautiful.
It’s the perf mix of whimsical and heavy. When I finished reading I was sitting there trying to piece together what it all meant and I loved it!
If you like cerebral, slightly surreal fantasy that asks a lot from you as a reader but gives something back too, this one’s worth the ride. 🌧️✨
Thank you Netgalley for the opportunity to read this ARC!
This book was an adventure for me to read, and I enjoyed doing so. While this book was a little confusing for me at times (and possibly a little hard for Middle Grade readers to follow, as well), I greatly appreciate the whimsy of the prose. It reminded me of the fantasy books I would read in school, which I thought was fun. Sometimes, however, I thought the prose took away from a scene, and some scenes I had to re-read in order to follow what was going on in the scene. I think this book and premise has a great amount of potential and would love to see it continued.
Overmorrow presents a fascinating premise: a world where magic coexists with the mundane, and Ellie, is thrust into a perilous quest to save her brother and the world from oblivion. The concept of a magical rain that awakens people to the wonders around them is truly imaginative. However, the execution falls short of its potential.
The novel suffers from an overwhelming amount of exposition. This heavy-handed approach to storytelling hindered my ability to connect with Ellie and the world she inhabits. The story’s pacing suffers as a result, feeling sluggish and laborious.
Unfortunately, I was unable to finish Overmorrow. Despite my initial interest in the premise, I found myself growing increasingly disengaged as the story progressed. With a lighter touch and a stronger focus on character development, this story could have truly soared.
I read Overmorrow a few weeks ago, and something that still stands out is how inventive and unique this story felt.
There's a lot that I liked about the book. As the synopsis suggests, Overmorrow has our world coexisting with a magical one, one on top of the other. Most people can't see this other world until a magical rain called Overmorrow reveals it, along with the magical beings who live there. I also appreciated the main character Ellie and her instinct to find out what happened to her missing brother.
The writing style, for me, created a barrier that stopped me from fully investing in the narrative. Time and space are loose concepts here, which made me feel disoriented and confused much of the time. Although I get the reasoning behind this choice, as the children would likely feel as discombobulated if they suddenly encountered all these magical beings and events. But it makes for a more challenging read, no matter how good the concept is.
However, there are plenty of people who enjoy this style, which is dreamlike and heavy on exposition. If you love the idea of a crazy, imaginative fantasy world that's written in a similar vein, then Overmorrow is the ideal book for you.
This New fantasy takes readers on a journey through a vividly imagined realm under New York City. When Ellie’s brother goes missing, she enters a new dimension where danger and fantastical creatures exist. She has been bestowed with the gift of Overmorrow, and as she goes on in search of her brother,Ellie embarks on a quest that is as perilous as it is magical.
The world-building in this book is truly inventive, and kept me wondering what would happen next. The immersive experience was truly unique and magical and I’d be interested in more adventures with Ellie and her brother. I especially enjoyed seeing Ellie’s journey become not just an adventure but a heartfelt coming-of-age experience. I think it’d be a great addition to any fantasy lovers collection
Overmorrow by Lancelot Schaubert | Pub Date 30 Apr 2025 So, I was really looking forward to reading this book—the cover and description promised a gripping magical story. But in reality, I had to take a few breaks while reading because it was hard for me to get into the story. There was just too much going on, and it was very easy to get lost in the characters and events. Unfortunately, Overmorrow wasn’t for me.
Publisher: Vale | Independent Book Publishers Association (IBPA), Members' Titles Pages: 324
Thank you NetGalley and publisher for providing this ARC copy.
I’d like to begin with a huge thank you to NetGalley and the publisher for providing me with an advanced copy of this book to read. Despite my hopes for this book, it was a huge DNF. I could hardly get through the first few pages without wanting to put it down. In hope that it was just the slump of beginning a new book, I pushed through but over 100 pages later, it only got worse. Reading this felt like homework, like I had to push through it and force myself to sit down and make any progress through it. The first thing that stood out to me was the writing style. To sum up the writing style, it is as if the concept of “show, not tell” was entirely disregarded. Everything is so painfully over explained, to the point where it leaves no room for the reader to have any part in understanding the scene. Rather than leaving the subtext to clue the reader into a character’s feelings or thoughts, or the mood of a scene, it is explicitly stated to the reader to avoid any possibility that it’ll be missed. Instead of letting the scene speak for itself, it is explicitly stated as to how to is to fit in the plot and what purpose it serves. As for the plot, it is, to say the least, lacking. The pacing of this story is painfully slow. A very character driven novel, Overmorrow feels like just a written-out inner monologue of the main character instead of a third-person narration of a plot line. This approach leads to an awkward narration style that feels like both second and third person. Sometimes the reader is spoken to directly, but most of this novel reads as if written in third person omniscient. The description promises a story of a fantasy world that exists in New York City plagued by a monster trying to erase the memory of the fantasy from the memory of average New Yorkers. Instead, what is delivered is a narration of a young girl trying to solve the mystery of what is stealing the memory of this fantasy world and why. Instead of gradual plot progression that asks questions then provides answers, this novel provides only questions and rumination over those questions. The lack of progression slows this novel and makes it so hard to stay motivated to read. While this book was a DNF for me, I see the potential for the plot ideas developed within. If one were to be able to get past the writing style and slow pace, there are elements of this story to be enjoyed. The fantasy world build within the framework of New York City has lots to discover and explore, and the complexity of this world is such that it leaves one wanting to understand exactly how this world works and functions.
I DNFed this at 20%. I tried really hard to continue, but I was far too confused. My TBR is too long and my life is too short to force myself to read a book. I won this through a Goodreads drawing and was so excited for it, but I just couldn't finish it. I am thankful for the opportunity to have been selected, however I cannot continue.
The writing has a lovely, lyrical style to it - and that is a large reason I continued for as long as I did. The whole book you are questioning if Ellie is dreaming or it is reality. I would think it's intentional given the style of the book if there weren't so many paragraphs commited to her lamenting that she isn't dreaming and wishes for bordem to return.
The story reminded me of A Wrinkle In Time and The Chronicles of Narnia combined with modern day New York City. However, there are many inconsistencies throughout the events that go beyond magic. These events made me question whether they were intentional, plot holes or just errors. For example, at one point Ellie breaks her nose in front of many people during a walk in a park. Gushing blood is mentioned once, but no other character mentions the event and it isn't mentioned again after the occurance. No characters talk about it, offer to help, or anything, and it makes no impact to their walk turned adventure in the park. Realistically or even in a magical reality, a child's broken nose would be taken care of. Why was it necessary to mention the broken nose in the first place?
Beyond that, I felt while reading that I was witnessing a bunch of people talking to one another without actually hearing or understanding one another. Almost like a kindergarten class or a bunch of people doing the noise canceling headphone challenge.
I received a digital ARC from the publisher (Vale) through Netgalley in exchange for an honest review.
I thought the beginning was a really strong introduction and set-up, but things became very confusing very quickly. At times, I felt like there was a missing paragraph of explanation or line of dialogue that would help transition or describe what was happening/how the scene changed from one thing to another. Despite feeling like I was missing a lot of details about what was going on, I still felt that the reading experience was relatively enjoyable. The writing style is immersive and elongated; although I often felt at sea, I almost didn't mind? At its core, I liked the bond between the three siblings and found the main character compelling in her quest to solve multiple mysteries while keeping her remaining family together. The atmosphere of confusion could easily be meant to mirror this experience of being thrust into an otherworldly situation. I do feel like there wasn't nearly enough explanation or tying back to previously introduced plot threads, but this may be deliberate or planned to be addressed in subsequent books.
I received this book as an e-ARC from Net Galley in exchange for an honest review.
3 stars out of 5
After a somewhat frenetic beginning, I started to feel like there were shades of Narnia in this book, but shades where all of the children were in fact Edmund. Not identical versions of Edmund, but still, somehow in that kind of tween age stage of their lives that makes them just a little bit annoying. It's understandable given the upheaval at the start of the book, but I couldn't really find any connection with the characters.
So why three stars? Because despite a bunch of tweens running around being (rightfully) traumatised, I liked the plot. I liked the setting. I think if I was twelve again I would have liked this book more. It's definitely one for the more confident young reader to get their teeth in to, with the odd bit of juvenile humour and over the top description I used to enjoy when I was younger.
The cover drew me in to this story, so I had high hopes. The plot had so much potential but the writing was difficult to follow, felt very cryptic and unnecessarily complicated so I didn't understand what was happening most of the way through or who the characters were, especially at the beginning. The writing became slightly less convoluted towards the end, which made it easier to understand, but it didn't feel like it wrapped up appropriately in the end either. I would've liked to read a more concise version of the story, with the unnecessary complex descriptions and repetitions removed, because I think the story has the potential to be a much better read.
Thank you to NetGalley, the author and the publisher for the eARC.
thank you to netgalley and vale for providing me with this arc of lancelot schaubert’s overmorrow
the only positive thing to come out of this was that there was some resemblance of a plot at times. but other than that, i didn’t like this book at all. it was jumpy, confusing, and it felt like i needed to have read at least one book prior to this to have some semblance of what is going on
I really wanted to enjoy this book, unfortunately I just couldn’t get past the writing style and the near full and immediate immersion into a world that didn’t feel wholly developed. I had received this as an arc from NetGalley and had come on here to double check that it wasn’t a sequel because I felt like there was context I was missing.
I sadly decided to set this book aside. I think the concept had a lot of opportunity and potential, but the way it was developed was rather hard to understand. I found it difficult to picture what was going on and the particular prose just felt too flowery and overly complex. It felt like it was simultaneously meant for a younger audience, but also too complicated to grasp.
If the author were to decide to rewrite this book with the same concept, I think I might try to read it again being I really enjoyed the idea and think it had so much potential. I just couldn’t follow the writing style.