Τα όρια της διήγησης

by Gérard Genette, Marin Louis, Mathieu - Colas Michel

Ύστερα από τις ανακατατάξεις που οι σημειολογικές και στρουκτουραλιστικές αναλύσεις εισήγαγαν στον χώρο της θεωρίας της λογοτεχνίας, τόσο ως προς την ορολογία όσο και ως προς τη χρήση και το περιεχόμενό της, σήμερα, όροι όπως αυτός της «διήγησης» δεν είναι δυνατό πλέον να θεωρούνται αυτοδίκαια σαφείς και ευνόητοι. Τι είναι ακριβώς η διήγηση; Πώς διακρίνεται από την αφήγηση ή την περιγραφή; Εντοπίζεται σε οποιαδήποτε μορφή αναπαράστασης ή, τελικά, αποτελεί έναν ιδιαίτερο τρόπο οργάνωσης κειμένων λογοτεχνικών;

104 pages, Paperback

First published January 1, 1987

About the author

Genette was largely responsible for the reintroduction of a rhetorical vocabulary into literary criticism, for example such terms as trope and metonymy. Additionally his work on narrative, best known in English through the selection Narrative Discourse: An Essay in Method, has been of importance.[2] His major work is the multi-part Figures series, of which Narrative Discourse is a section. His trilogy on textual transcendence, which has also been quite influential, is composed of Introduction à l'architexte (1979), Palimpsests: Literature in the Second Degree (1982), and Paratexts. Thresholds of interpretation (1997).[3]
His international influence is not as great as that of some others identified with structuralism, such as Roland Barthes and Claude Lévi-Strauss; his work is more often included in selections or discussed in secondary works than studied in its own right. Terms and techniques originating in his vocabulary and systems have, however, become widespread, such as the term paratext for prefaces, introductions, illustrations or other material accompanying the text, or hypotext for the sources of the text.