The Frozen People is the first book in the Ali Dawson series by award-winning, best-selling British author, Elly Griffiths. Finn Kennedy, special advisor to the Minister for Justice, Isaac Templeton, is worried about his mum. He thought her work at the Department of Logistics, with a Met Police team investigating the coldest of cases, would be safe. But now, fifty-year-old DS Alison Dawson is missing, and when he visits her office, her boss reveals that she’s been time-travelling.
Her current mission is to look for evidence about the murders of three women that took place in 1850, for which Cain Templeton was a suspect who was never charged. Cain’s great-great-grandson, Isaac, writing a family history, wants to clear his ancestor’s name, and his high government status means Ali’s boss, DCI Geoff Bastian is willing to agree.
The team consists of the Italian physicist who discovered how to time travel, her young assistant, an IT expert, and two Met Detectives, Ali and her abstentious alcoholic colleague. They all seem very concerned, but nonetheless confident they can bring Ali back to 2023.
Back in 1850, at Templeton’s Hawk St house, Ali arrives just as the body of one of the women is discovered, and when she can’t get back to 2023, ends up invited to stay in his house, where he gathers artistic types. Her evidence gathering includes asking him about his involvement with an exclusive group of men, The Collectors, whose membership requires the killing of a woman.
Ali’s return to 2023 becomes imperative when there’s a murder and Finn is arrested. Does she unwittingly have information about it that will save her son? Before matters are mostly resolved, there are two more deaths, one in each timeline, time travel by a very nasty type, and there’s a strong indication that Ali will be returning to the mid-19th Century.
Once again, Griffiths gives the reader a gutsy female lead backed up by an interesting cast. The how of the time travel aspect is vague enough to not be a credibility issue, but it facilitates some exciting twists and turns before a resolution. Three narrators carry the story over the two timelines, and Griffiths renders the mid-nineteenth Century with consummate ease. More of this cast and setting will be most welcome.