(1.5*)
I tried really hard to like this book, because I thought it was only fair to give it a shot- not least of all because I really want to try and support "indie" authors.
Unfortunately, I think it fails fundamentally on almost every level. It's not that it's the worst book I've ever read, far from it; it's just that it has not one thing which stands out as interesting to me. When it's not failing, it's being aggressively mediocre. And it's a real shame.
But before I got in on it, let's talk about the few things I at least thought were decent. There's some genuine good ideas about urban fantasy worldbuilding here. The meshing of the magical with real life elements was honestly refreshing. There were brief moments I found the characters very solidly grounded in real-life contexts as well; there's a bit where one of the leads, Oliver, thinks about being a working class boy in an upper middle class area, and it was pretty deftly done. You don't often see stuff like that in YA, and I stuck an extra half star on for those moments.
In general, this is a book that makes a real effort to show a London like the one that actually exists, too. As someone who semi-frequently passes through London this is a far more accurate picture than, say, 99% of the TV I've seen there. In short: it is not all grizzly white dudes. Nobody is horribly stereotyped. I'll take my hat off to the author for this, because it's genuinely something I am 100% enthused to see in YA.
Now, onto why it gets such a low score.
First off, pacing and structure of the plot and character arcs. Honestly, the pacing threw me off right from the start. Despite being a 100% linear narrative, more or less- which is a fine choice for a YA novel- it jumps and starts all over the place. Rather than build up tension and then release it, or gradually build speed until you reach the climax, or simply write a slow book, you'll spend two or three chapters speeding through things that don't need to be sped through and then hit a wall of slow exposition. And the exposition is pretty painful at times, not so much because it tells rather than shows but because it's timed at such inopportune moments, unnecessarily prolonging already slow moments but never being used to give the reader a break from the action. This book needs another couple edits, I think.
The character arcs are almost non-existent- there's a halfway-climactic scene for the two leads towards the end, but it doesn't feel earned at all, and the change it makes in how they actually act is negligible. This would be fine, but the plot is so thin that it pretty much has to be able to stand as a character piece. Which it doesn't.
The characters here are heavily unlikeable, but unpopular opinion alert: that, in itself, is fine. I relish a well done cast of unlikeable, distinct people. But here it doesn't serve the narrative in a real, meaningful way, and frankly the cast therefore comes across to me as fairly insipid rather than engaging. At the end, a friendship is restored, a couple people have partners, and everyone's still kind of a dick because the plot requires them to react to immediate circumstances rather than deeper things.
The prose is OK, but kind of grating at times. Bleh.
The romances largely just exist because they do. Oliver and Sophie is OK as a b-plot, but Archie and Ewan, sadly, have really very few meaningful interactions.
This review has gotten so long because I wanted to have a buildup to something I'm kind of worried will come across the wrong way, given the author's history as a writer. Please hear me out: this reads like fanfic, not because fanfic is bad, but because it carries certain assumptions that work well in pre-existing narratives and not in new, original ones.
See, this is a take on Harry Potter (that prefers to present itself, and market itself, as a take on modern fantasy period). It's obvious. We all know this is 'what if Ron took the hero mantle from Harry and maybe there was somewhat different Ron/Hermione and Harry/Draco involved'. And it fails as a standalone novel because it assumes pre-existing investment in the characters as a result. See, if this is fanfic, it doesn't NEED those character arcs to the same extent. We are already invested in these characters; why waste time elaborating? But this isn't fanfic, and you cannot guarantee your audience's familiarity with that canon. If it were a more direct and obvious take on HP, they'd probably get away with it. But it tries too hard for serious drama and presents itself too vaguely for that, and trying to take the middle path does nothing for this novel.
Ultimately just... incredibly disappointing and a really bizarre read. Check it out if you really want an alternative take on HP, I guess. Maybe.