When she was five years old, Elizabeth, the legitimate daughter of the Earl of Rochester, was entrusted by her dying mother to Mr. Bennet’s care.
As she grew up, Elizabeth remembered very little of her childhood from before Longbourn. But she remembered being violently beaten by a man who shouted that she was a bastard as he hit her. Because of this Elizabeth had always believed that she was illegitimate. She lived as a poor relation at Longbourn, deliberately dressing plainly and doing everything Mrs. Bennet asked. Only with Mr. Bennet, surrounded by novels and Greek and Latin texts was Elizabeth able to be her true self.
Mr. Darcy did not know why he was so drawn to the strange, brilliant, penniless girl he met at the Meryton Assembly. But he knew that he hated how Mrs. Bennet treated her. And he knew that he wanted to protect Elizabeth and see her be happy.
What will happen when the truth about Elizabeth’s father is at last revealed…
105,000 words long, and an event of severe spousal and child abuse is central to the story.
Starts dramatically, the middle is emotional at times and the end is a satisfying resolution.
Im not a fan of this author's writing style, but I do love the Elizabeth is not a Bennet trope. Her traumatic childhood, bleeding over into a dismissive /cruel Mrs Bennet was difficult to read at times.
The relationship between Elizabeth and Mary and Mr. Bennet was wonderful especially in relation to how grey everything else in her life was.
The end is all that is charming with her half brother added into the mix.
For the most part, I’ve usually enjoyed this author’s books for their engaging plots and faithful character portrayals, and this one is no exception—it delivers on story and emotional depth. That said, as with previous works, I found the editing and proofreading lacking. Grammar and punctuation slips and the occasional anachronism pulled me out of the story, leading to disappointment and, as such, hold me back from giving the better rating I would wish to share. I feel like this author has been around this genre long enough to know better. A cleaner, final polish would elevate the reading experience to match the strength of the storytelling. I believe this author’s flair for storytelling deserves the extra level of care that a good editor-proofreader would provide.
Elizabeth is the daughter of the Earl of Rochester, a violent man who beats her and his wife. Elizabeth's mother takes her and flees the evil earl, asking Mr Bennett (her former fiance) to take four year old Elizabeth, hide her, and take care of her. The mother dies of her injuries, Elizabeth goes to Longbourn, and Mrs Bennett is none too happy about having Elizabeth join their family, thinking that she's only a poor relation.
I like this author. He's an automatic purchase for me. This isn't one of his better books, IMHO. It's a Cinderella-like situation for a fair portion of the story, with Mrs Bennett treating Elizabeth like a servant and Elizabeth dressing poorly and kowtowing to everyone just so that she won't draw any negative notice. I have a problem with P&P variations in which the principal characters are unrecognizable. This Elizabeth is not at all our beloved feisty and confident Elizabeth, and I just couldn't buy it. Then we have a Darcy who sees past the dowdy clothing and the subservient attitude, and tries to protect her? This doesn't seem very Darcy-ish to me. I usually like Mr Underwood's prose very well, but the dialogue in this one is so flippant, and at times confusing, that it was distracting. I think the dialogue was supposed to be funny, but it was just strange.
Although the book is well written, I recommend it with a lot of reservations.
Mr. Underwood has created a unique variation on the "Elizabeth is not a Bennet" trope, indeed, even a unique variation on the "Elizabeth is not a Bennet but of noble birth" trope. The depiction of Mrs. Bennet's execrable treatment of Elizabeth, along with the lengths to which Lizzy goes to conform to her wishes, is impressive. Abounding with surprises, including an unexpected Lizzy-Lady Catherine understanding, a close Lizzy-Mary relationship, and a greater depth to Jane than it seems, By Virtue, Not Birth is a delightful and provocative addition to Mr. Underwood's remarkable collection of JAFF.
The idea for this plot creates an intriguing backstory, and the development of the characters, adapting to the circumstances, specifically in Elizabeth’s case, is well written and engaging. I especially liked this version of Mary and, in a different manner, of Lydia. A worthy read!
I liked the set up and beginning of the story. I liked Darcy in the story and the way that Darcy and Elizabeth formed a friendship that seemed believable.
But once the events in the drawing room at Rosings unfold, the story seemed to fall apart. It became rushed and contrived. Elizabeth becomes hysterical – crying and laughing and behaving like a completely different person than the first two-thirds of the story.
There is a lack of editing and many grammar mistakes. Does the author hold a grudge against question marks? I really wish he would learn how to correctly use who versus whom. He consistently gets it wrong, which is very distracting. By the way, “anyways” is not a proper word and should never be used unless it’s in the dialogue of an uneducated person.
The prose is very awkward, and I think it’s because of an attempt to make the story “sound” Regency-style. Read through KU. At GR, 2-stars = it was okay.
I recommend this good variation which kept my interest until the end. Too bad for the numerous typos. These errors do distract the reader from the story.
the personalities of Lizzy and her biological father weren’t believable or fun to read about
Much physical abuse in the story but not enough emotions to believe the characters. Mrs Bennet is a bully and yet Mr Bennet doesn’t seem to notice and the real father who is a much worse bully, a murder, quits being a problem for a silly reason. Narcissistic bullies never give up.
Not an enjoyable atmosphere of a story to inhabit for an entire book.
This tale begins as somewhat of a Cinderella story, with Elizabeth being the daughter of a vicious nobleman who caught his wife cheating and beat her to death. Imagining that she was his wife's bastard child, he also beat Elizabeth. She was taken in as a small child by Mr. Bennet to be raised in his home, where Mrs. Bennet treated her poorly.
I counted a shocking number of errors, over a hundred before giving up...spelling errors, grammatical, punctuation, syntax, and factual errors. Skimming out of frustration kicked in, so I undoubtedly missed others. Many sentences had to be read several times to make sense, sometimes unsuccessfully. It isn't until the author's afterword that we learn he used AI for editing (!) and other aspects of the book. Had I known that from the beginning, I would not have read it. Not recommended. 1 star
Elizabeth ‘Bennet’ knows she is not a Bennet, but doesn’t know who she is. She lives in constant fear of Mrs Bennet and ensures her behavior and appearance doesn’t draw attention. Fitzwilliam Darcy actually sees her behind the act she plays, which feels liberating. However, due to memories of childhood, Elizabeth believes herself to be a bastard and unworthy. At a certain point the mystery of who she is starts to unravel. Darcy is there to help her through and finally acknowledge his feelings on their way to happily ever after.
I was one of several readers who suggested Timothy Underwood write an “Elizabeth is not a Bennet” story and he nailed it! This one has a dramatic opening that drew me immediately into the story. It also features an Elizabeth who is both fearful and fearless. It sounds oxymoronic but she survives a huge trauma that makes her react to her world in a way that most protects herself.
The book opens with Mr Bennet being summoned by a woman he once hoped to marry. He finds her on the verge of death from a beating, with a five year old daughter who has also been badly beaten. He promises her mother he will care for her as his own and the mother, Amelia, makes notarized statements as to Elizabeth’s true identity. Mr Bennet takes Elizabeth home introducing her as an orphaned relative. Elizabeth, despite her young age, remembers several things about herself and her mother. She knows her mother was unfaithful and she knows her father declared her illegitimate as he beat her.
When Darcy first meets Elizabeth she has made herself appear as unnoticeable as possible. In fact her best friend in the Bennet family is Mary, not Jane, and they share similar interests including a sense of humor and dressing plainly. Jane is not bad, just not an intimate of Elizabeth. Mrs Bennet treats Elizabeth as a servant, all the while praising herself for being so kind to her. In spite of knowing his duty to his name and family Darcy can’t help being fascinated by, and wanting to protect, a beleaguered Elizabeth. She is also very attracted to Darcy but knows the circumstances of her birth disqualifies her from marrying anyone, much less a high status gentleman.
Darcy leaves Hertfordshire but meets Elizabeth again in Kent. What happens when Elizabeth is recognized by none other than Lady Catherine? Does uncovering her true identity put her in danger again? What will Darcy do when he realizes who she truly is? Such a good story…I read it all in one day!
When Elizabeth is about five years of age, Mr. Bennet rescues her from a very traumatic situation. He takes her to Longbourn and raises her alongside his daughters. Mr. Bennet tells no one about her origins, and Mrs. Bennet treats her as the lowliest servant.
Warning: Meant for mature audiences. Contains scenes (an event of severe spousal and child abuse is central to the story) that would scandalize the ton. Readers of a delicate constitution are advised to keep their fans and vinaigrettes close at hand.
It was so enticing that I couldn’t put it down, this book grabbed my interest from the very first page. I couldn’t put it down, I had to know what happened next. The story is well written with a very good storyline. You will see the most beloved characters in a whole new way. This is a Jane Austen's Pride and Prejudice variation. This part of the Mr. Underwood's Elizabeth & Darcy Stories series. This is an Elizabeth is not a Bennett variation.
When she was five years old, Elizabeth, the legitimate daughter of the Earl of Rochester, was entrusted by her dying mother to Mr. Bennet’s care. As she grew up, Elizabeth remembered very little of her childhood from before Longbourn, but she remembered being violently beaten by a man who shouted that she was a bastard as he hit her, and because of this Elizabeth had always believed that she was illegitimate. She lived as a poor relation at Longbourn, deliberately dressing plainly and doing everything Mrs. Bennet asked. Only with Mr. Bennet, surrounded by novels and Greek and Latin texts was Elizabeth able to be her true self.
Mr. Darcy did not know why he was so drawn to the strange, brilliant, penniless girl he met at the Meryton Assembly, but he knew that he hated how Mrs. Bennet treated her, and he knew that he wanted to protect Elizabeth and see her be happy. What will happen when the truth about Elizabeth’s father is at last revealed? So with all that and more this story pulls you in and holds you tight. It’s a must read. I highly recommend to everyone.
The story is a very well crafted tale of the “Lizzy is not a Bennet” variety, built on an initial setting of violence and drama, which sees a young Elizabeth placed at Longbourn as Mr. Bennet’s ward.
Elizabeth’s personality is believable and well rounded in perspective of Lizzy’s childhood trauma and living situation. Her meeting with Darcy and their shy, quiet “romance” is interesting, easy to read, and surprisingly pleasing.
The story reaches its climax when Lizzy is suddenly confronted with her past in Kent — until this point included the story is a solid 4 stars. But puzzlingly, after this point the story reads a bit rushed up, in an effort to tie loose ends all characters rush into strange actions that leave more open questions and starts to read a little bit farcical. That Lizzy gets literally histerical (shock response) and goes through a sudden personality overhaul after these revelations is also a bit strange…
Characters were delightful, including Mr. Bennet, Mary, even Lydia, and Lizzy’s long-lost brother. But the relationship between Mrs. Bennet and Elizabeth was problematic and not as well rounded in my opinion; the same for Jane and Kitty who were pretty hollow placeholders here, in my view…
For me the main detractors from a higher rating were 1) the change of pace and quick wrap-up towards the end, and 2) the emotional disregulation that Lizzy suffered after the big reveal, which read disingenious since it never really resolved itself in a realistic manner towards the end (as closure).
Yes, I admit I almost prefer this trope, or some other reason why Elizabeth is actually higher in situation than Darcy, even if she doesn't know it at first. Darcy generally needs to be taken down a peg. But this variation has him like her because she shines despite trying desperately to be invisible! I truly enjoyed it.... mostly.
I suppose I am too accustomed to writing that implies a curse without being explicit to appreciate a book that uses the term 'Lord' or 'God' so frequently as an expletive. Why? Anyone who could pump out so many variations on one book most definitely has a good vocabulary. Even just the words "What came out of his/her mouth then was not worthy of repetition." covers the thought without becoming offensive. Perhaps I expect too much, but I believe those of the early nineteenth century would be familiar with the commandment not to use 'the Name of the Lord in vain.' Exodus 20:7
Otherwise, an excellent variation, even the way Daddy Rochester preferred Elizabeth because she tried to... Spoiler Alert: kill him! But it was a little sad that NO ONE RECOGNIZED Elizabeth's story? Farfetched but acceptable.
The beginning of the story is a flashback of the aftermath of domestic violence. Mr. Bennet comes to rescue Elizabeth who was beaten, as her mother dies of her injuries. Mr. Bennet loves her and raises her as his own daughter, but this is a bit of a Cinderella story, in that Mrs. Bennet considers Elizabeth to be a poor relation and treats her as an unwanted intrusion. Elizabeth does her best not to outshine the biological Bennet daughters, dressing as shabbily as she can, to avoid Mrs. Bennet's jealousy. The situation changes the sibling dynamics and Elizabeth is closer to plain Mary than Jane. When Mr. Collins comes to Longbourn Mrs. Bennet does not promote her as a potential match to him. Darcy and Elizabeth form a friendship but both of them consider her to be below his dignity as a marriage partner. But when they meet at Rosings things change dramatically.
I enjoyed it. I noticed a few minor editing misses. In the author's usual style there is a lengthy afterword that I skipped.
I almost didn’t get through this book, but I’m glad I did. This is a P&P variation only in that it has the same character names, but those characters are nothing like the original characters. At first that turned me off and I was having trouble believing in this very different Lizzy and Darcy. However, I liked the premise of the story so I kept reading and I’m glad I did. Lizzy is not a Bennet in this book. We really don’t know who she is, but we’re given to believe Darcy is completely out of her reach. Their relationship is completely different as well. Darcy is a man who gives consequence to those beneath him who he respects and they become friends. This is a Cinderella type story and it’s fun to see how Lizzy finds out who she is and where she belongs. Elizabeth is nothing like the character in Jane Austin’s novel’s novel and neither is Darcy. If you can get past that, the book is worth reading.
4.5 rounded up. Elizabeth is not a Bennet by birth. Because of childhood trauma, Elizabeth thinks she is illegitimate. Mr. Bennet rescued her when her mother was dying, and took her in as his ward. Mrs. Bennet is pretty awful to her, treating her like a personal servant.
There is a lot to this book, but very good. I loved this Darcy, he was very interesting. I also liked Elizabeth's newfound brother, Lord Hartley. I loved Mary also, as she turned out to be a great sister to Elizabeth. Mr. Bennet is also great, it was fun that he taught Elizabeth to speak Latin and ancient Greek and taught her to shoot to the point that she was very good. The part where Elizabeth almost shoots Lord Rochester had my heart in my throat.
I recommend this book to all JAFF fans!
This entire review has been hidden because of spoilers.
I agree with other reviewers. I think this is my favorite from this author now. Some of his work is usually hit or miss for me depending on the depth of subject. I am an educated person and the way Underwood writes sometimes make me feel stupid. That being said, I love the “Elizabeth is not a Bennet” themed variations and this one was very interesting and takes the psychological aspects to another level. I also love the changes that this dynamic has on other characters.
Elizabeth turns out to be a crack shot thanks to Mr. Bennet. Although Darcy insults Elizabeth, he is fascinated by her when he sees her at the assembly. He finds it difficult to resist her, and instantly dislikes Mrs. Bennet. Elizabeth and Mary are very close instead of Jane and Elizabeth. Bingley is mesmerized by Jane, which is typical. Mary married Collins, and Elizabeth's life changes when she visits the Collins's and meets the cause of her nightmares. Hence her need to be able to defend herself, which she does.
Intriguing view of a Lizzy who develops a variety of personas in order to cope with her memories of terrible physical abuse in her childhood. Excellent characterization of Darcy, who sees her true self, a Bingley with strength, a Mary who is actually close to Lizzy, and a wonderful Mr. Bennet, who is a true savior. Good plot, dialogue that brings tears and laughter, and very entertaining writing. Loved it!
What an interesting variation to consider! I enjoyed watching the hidden story emerge with all of the family and social implications. Mrs. Bennet once again attempts to be a parent figure in a way that I strongly disliked. Elizabeth’s situation is unique an$ * about different types of interactions with family , friends and many of her new acquaintances. In the end, it was satisfying to see all the plot details converge on a HEA.
The premise holds promise but it just did not land for me. The "secret" was held for too long and the resolution happened very quickly and we were robbed of an ending where we see Darcy and Elizabeth married instead of just engaged. The courtship part has been the favourite in many variations, if not the falling in love part and I missed that former here. Plus the writing just was not for me. It was written well, but in a style that I am not a fan of.
This P&P variation is very well done. While it has most (but not all) of the usual elements, it has some very interesting twists. Many of the characters personalities deviate from most P&P stories I’ve read & the villain is an original character. One of, if not the best “Elizabeth is not a Bennett” stories I’ve found. Definitely a must read.
BRAVO! Mr Underwood you outdid yourself with this one. A great storyline, beautifully written. Maybe a little triggering to those of us who understand the Elizabeth ‘backstory’ too well but stunningly done for all the right reasons. Good guys are great guys and bad guys are evil. Our characters do what they must to survive their lives. Simple as that. Write more like this. I loved it.
This was a very good Elizabeth is not a Bennett premise told in a rather Cinderella style. The focus of the story was primarily Elizabeth and Darcy with Mary playing a significant role. Unfortunately, it went downhill as soon as Elizabeth's true identity was discovered with little drama to keep things interesting.
A sparkling but terrified Elizabeth. An uncertain but intrigued Darcy. A witty but nervous Mr Bennet. Unexpected sisterly and brotherly relationships. Humor and vulnerability. Dialogue that feels like you are listening in on actual conversations.
Waited until the end of the book to explain their thoughts on AI use. While they presumably used AI as simply a tool to organize their scenes/thoughts, there is no ethical use of AI in it's current form and I'm horrified to spend so much time with a story to find out exactly why it felt soulless in so many places.
I very much enjoyed this book. I loved a book where you did not have to hate Mr Bennett and Mr Collin’s. Plus Lydia is not as objectionable as usual and I liked her in this book.