The Lehenga Games by Sukriti YJ is a vibrant, fast-paced contemporary read set in the dazzling yet demanding world of Indian bridal fashion. Mihika (Mihu), a passionate aspiring designer, lands a golden opportunity to design for a Bollywood celebrity’s wedding—but she must do it under intense pressure, limited resources, and fierce competition.
Teaming up with Bodhi, a grounded designer focused on ethics over glamour, their clashing ideals bring both tension and growth. The narrative is packed with plot twists, drama, and moments of quiet insight. Sukriti masterfully blends rom-com energy with thoughtful commentary on labour conditions in fashion, making this more than just a breezy read.
With engaging characters, fun banter, and backstage glimpses into couture creation, this novel is perfect for readers who enjoy light-hearted fiction with a meaningful core.
Reading The Lehenga Games felt like stepping into a whirlwind of colors, secrets, and unexpected truths. Honestly, I wasn’t quite sure what to expect at first — the tagline “Project Runway meets The Da Vinci Code” sounded like a wild mash-up, but I quickly found myself hooked. The story’s energy, the vibrant setting, and the clash of personalities really drew me in, making me feel like I was right there with Mihu and Bodhi on their chaotic, adventure-filled journey across India.
What resonated most with me was the way the book balanced the glitz and glamour of fashion with deeper, sometimes darker, stories lurking beneath the surface. Mihu’s disdain for bridal lehengas was relatable — I think many of us have a complicated relationship with tradition and what it represents. Bodhi’s reverence for them, on the other hand, opened my eyes to the cultural significance and history that can be woven into every stitch. Their banter and battles felt authentic, like two friends navigating not just a contest but also their own beliefs and baggage.
The writing style kept things lively and fast-paced, perfect for those moments when I felt like I was racing through the streets of India myself, dodging deadlines and secrets. The structure, with its quick shifts between humor, mystery, and heartfelt moments, kept me guessing and eager to turn the page. I appreciated how the author managed to blend the thrill of a contest with the exploration of India’s rich, layered history — it made the story feel both entertaining and meaningful.
I also want to acknowledge the effort behind this book. It’s clear that a lot of love, research, and passion went into creating these characters and their world. It’s a bold, ambitious story that celebrates tradition while pushing boundaries, and I think that’s something to be admired.
Overall, The Lehenga Games was a delightful surprise — a colorful, lively read that made me think, laugh, and feel connected to the characters’ journeys. If you’re looking for a story that’s as vibrant as a bridal lehenga and as intriguing as a mystery waiting to unfold, this one’s definitely worth your time. I’ll be thinking about these characters and their adventures for a while!
At first glance, The Lehenga Games promises a fun, frothy take on India’s bridal couture scene—“Project Runway meets The Da Vinci Code!”—but Sukriti delivers something far more layered. Behind the sequins and silk lies a sharp critique of the fashion industry, its contradictions, and the human cost of glamour.
The novel follows Mihika (Mihu), a passionate designer thrust into a high-stakes contest to dress a Bollywood diva bride. Nine days, one diva, and a contest with no rules—her journey becomes a test of resilience, ambition, and creativity. Mihu’s determination to blend traditional craftsmanship with contemporary design makes her a compelling protagonist. Balancing household responsibilities, limited resources, and immense pressure, she emerges as both relatable and inspiring.
Her counterpart, Bodhi, is the novel’s grounding force. Calm, thoughtful, and ethical, he anchors the chaos of competition while questioning the industry’s obsession with glamour and celebrity trends. His eventual choice to walk away from fashion highlights the moral dilemmas that haunt this world, reminding us that integrity sometimes requires sacrifice.
Sukriti’s writing is vibrant and fast-paced, punctuated with witty banter, plot twists, and moments of quiet reflection. Yet beneath the rom-com energy lies biting social commentary: the exploitation of artisans, the commodification of weddings, and the herd mentality of celebrity-driven fashion. The contradictions—glamour versus grit, ambition versus ethics, artistry versus exploitation—fuel the narrative and keep readers engaged.
What makes the novel stand out is its refusal to stay superficial. It entertains, yes, but also compels readers to think about the hidden costs of beauty and the stories behind every hand-embroidered lehenga.
The Lehenga Games is at once witty, stylish, and thought-provoking—a couture-clad story that proves fashion can be more than fabric. It can also be a mirror.
Get ready for some Satin, Sass, and Stitching Wars!
I had fun reading The Lehenga Games by Sukriti.
This was my second book by the author and once again, she didn’t disappoint.
Set in the world of bridal fashion, the story takes you on a colourful ride across India with sharp wit, fierce rivalry, and some very real questions under all the glitter.
I read the Kindle version, and it made for a perfect evening binge read.
The story follows Mihika (Mihu), a young designer who doesn’t believe in flashy bridal wear.
She ends up in a high-stakes competition that’s full of chaos, travel, and unexpected bonds.
What I liked most: -The mix of fashion fun with real struggles. -Mihu’s sarcasm and sharp mind. Bodhi’s calm energy and deep thoughts. -The behind-the-scenes of Indian couture shown honestly. -The funny yet touching way serious topics were handled. -The fast-moving plot that made me finish it in one week. -What made it even more interesting was how it didn’t just stay light. -The book shares insights into how the fashion industry works, who gets credit, and who actually does the work. -It made me think, without sounding like a lecture. -I loved how Mihu grows through the story, not just as a designer but as a person too.
Thus, if you’re looking for a story with fashion drama, banter, and some hidden depth, give this one a shot.
I think you will definitely enjoy it for sure!
I read it on Kindle, and trust me, it was totally worth it.
The Lehenga Games by Sukriti YJ - This one was a "chic" lit! A vibrant and an engaging read that whisked me away in a la la land that was yet unexplored! Unlike it's contemporaries the book doesn't present a fluffy romance or a wedding war but this battle is of wits as much as of style and grace.
Bringing together the quirks of shaadi season and bridal fashion is this immersive read, The Lehenga Games by Sukriti YJ. From her last which was a thrilling historical quest, Sukriti jumps genres to pull out a fashion quest this time.
An energetic and multi-layered novel, The Lehenga Games is a mix of fashion, satire, social critique, and surprisingly deep emotion. With a setting in the bridal couture industry of India, it follows Mihika, a young, keen-eyed designer with firm principles, through an impossible competition amidst glitter, traditions, and cutthroat ambitions. On the surface, it's a fun story of wars over fabric and stitching contests, but probing underneath is a stark, heart-breaking exploration of exploitation, crafting, and identity.
Sukriti skillfully weaves together scenes of travel, tradition, and tension-from the bazaars of Delhi to the artisanal looms of Patan-to resurrect the largely forgotten artisans behind India's huge wedding industry. The character dynamics, particularly Mihika's complex relationship with her father and the growing connection to the thoughtful Bodhi, add further dimensions to the emotional fabric of the story. Some subplots feel somewhat congested, but the cultural critique throughout is sharp and relevant.
Whether a coming-of-age story or a scathing commentary on the fashion world, The Lehenga Games entertains and makes one think so very much about its fast flow and witty repartee, immersing readers into the unforgiving world of glamor in modern-day Indian fashion.
The Lehenga Games is a lively and layered story that mixes fashion, humor, social critique, and strong emotions. Set in India’s bridal couture world, it follows Mihika, a bright young designer with strong values, as she faces intense competition that's a strong blend of glitter and tradition. On the surface, it’s a playful tale of fabric wars and stitching contests, but deep down it explores serious themes of exploitation, creativity, and identity.
The pace is a rollercoaster of all sorts. At one moment we are admiring Delhi's busy bazaars and in a blink of an eye, we are intently, examining the looms of Patan. The crux of the story focuses on narrating the story of artisans who are the backbone of India's wedding industry. Mihika’s struggles with her father and her bond with Bodhi add a layer of intrigue and depth, further enriching the plot. The story is refreshingly charming and original, a heady concoction of self-discovery and fashion. Sukriti has sketched the characteristic traits of the protagonists with great detail, by giving a distinct voice to the fabric they knit and wore.
Part coming-of-age tale, part sharp look at the fashion world, The Lehenga Games is fast-paced, witty, and thought-provoking, pulling readers into the tough but glamorous world of modern Indian fashion.
The cover, the title, the subtitle... everything makes sense in a straightforward way until you read it and get across... the tragedy comes alive in front of your eyes!
Sukriti’s novel shines a much-needed light on the unsung heroes of the fashion industry—the weavers and artisans. Mihika’s journey across India is both a celebration of craftsmanship and a critique of exploitation. The detailed descriptions of traditional techniques like patola and kalamkari are fascinating, though they can feel overwhelming. Yes, the readers of fiction who care less about themes and want to enjoy the hours spent perusing a book might find it too much, at times. However, the aspect is brilliant and readers with an eye for detail will surely appreciate it.
In the end, the novel’s social commentary is its strongest suit, making it a poignant reminder of the human cost behind every beautiful garment. Mihika and Bodhi should gather your cheers... I am not sure about Kriti Suri though.... she is in between your thoughts – love and anger!
Rarely does a novel transport readers so completely to multiple locations while maintaining strong narrative momentum. It is a little too much to believe until you start reading the novel... beginning with the past that germinates the seeds of ambition, to the present depicting Mihika's tours from a place to another... From Delhi's chaotic markets to Jaipur's regal jewellery stores, each setting is rendered with cinematic vividness. The plot's ticking clock - preparing outfits for Krita's wedding - adds tension to what could have been a meandering travel story. Sukriti's technique of using fabric sourcing as both plot inspiration and metaphor (searching for the perfect material = searching for identity) is brilliant. The Patan segment, where traditional weaving methods are explained, manages to be both informative and emotionally resonant. Though those interested in fashion will like it more, anyone with an appreciative eye for contemporary fiction will enjoy the novel.
Mihika's (Mihu) investigative journey through India's textile landscape gives the novel unexpected detective-story vibes. Watching her team decipher Patola weaving codes in Patan or authenticate Dhaka muslin feels like watching brilliant sleuths solve fashion mysteries. Each fabric becomes a clue—the Kalamkari motifs hiding Venkat's personal story, the jamdani weave revealing Saumya's family legacy. Sukriti builds suspense around whether they'll uncover the perfect materials in time, making textile forensics thrilling. For readers who love intellectual puzzles, this transforms fashion sourcing into an exhilarating treasure hunt across cultural landscapes. There are multiple layers in action at the same time. Tensions – internally and externally – Mihu's, Aadesh's, Bodhi's, Krita's, Sharvani's... everyone has their battles to fight. The novel gets intense with time but does have an easing out effect towards the conclusion.
Well, long before fabric trends went viral, these artisans were the original content creators. Sukriti's novel reveals how Patola patterns are geometric algorithms and Kalamkari is storytelling—just imagine an ancient Instagram before pixels existed. When Venkat explains his mythological motifs, you'll see them as the OG influencers who could enchant their potential customers just by giving them a tour of their fabric philosophy... isn't it interesting? The Chandni Chowk bargaining scenes play like the best reaction videos, complete with dramatic pauses and mic-drop comebacks. This book will make you view every textile as a centuries-old tweet thread—condensed cultural wisdom in thread form. The most innovative history lesson you'll ever read.
I know it is a different take. But the novel offers us that opportunity to connect with the diverse Indian fashion market... and I could see it coming alive this way. The story, above all, is engaging enough to set one's imagination free.
As a supporting character, Mihika's father is the new patron saint of problematic mentors. His backhanded compliments ("Good design, but will real women wear it?") and sudden financial bailouts create delicious tension. (Yes, someone else raised it too.) Sukriti crafts in him the perfect antihero—frustrating yet indispensable, outdated yet insightful. His relationship with Mihika, his daughter, and Mihika's friends and colleagues, is the sartorial version of every creative's love-hate dance with traditional wisdom. You'll hate how often he's right. Well, as far as the storyline goes, it is right there. However, the conclusion did not strike the right chord with me. I may have expected a better resolution. The protagonist, for me at least, leaves the scene empty handed. Bodhi somehow completes his circle, and he is the sole character who transforms and takes his transformation seriously.
This was such a fun, relatable and engaging read. The protagonist is ambitious and kind and takes part in a fashion design contest to create the wedding outfit for a popular influencer in India. She has a tight budget and builds a small team to create and source the material needed to make 4 outfits for 4 weddings ceremonies for an Indian wedding. They create a small design team and travel to Delhi, Jaipur, Patan and Dhaka. The author does a great job educating you about textiles and fabrics from different parts of India. There are lots of little about the important role of clothes in the history of the country. However it is also the story of a young and ambitious fashion designer that is trying to find her voice in a competitive world but in her own kind and passionate sort of way. Lots of fun characters. It is quite urban and contemporary. Very easy to read. Great dialogues. Fun fun description. Would highly recommend this one for anyone looking for a powerful new voice in Indian fiction. Really hope Sukriti writes more such books! She has a special skill to bring an entire profession to life through the perspective of a character's investigation of that field. In this book it was fashion design and Indian textiles!
It took me time to understand why the novel has "A Tragedy" as its subtitle... it does make sense once you finish reading the work. This novel brilliantly critiques the Indian bridal fashion industry, highlighting the stark contrast between its glittering surface and the harsh realities of its labour force. Mihika’s determination to celebrate kaarigars is commendable, but the narrative sometimes loses focus with its subplots. The exploration of themes like economic disparity and celebrity culture is compelling, though the ending feels unresolved. It is a thought-provoking read that leaves you questioning the cost of glamour. Behind the big words you may have encountered reading this review, the story is interesting and engaging. It will offer you a few hours of non-stop drama and intrigue... some characters shine and some are exposed.
I liked the novel thoroughly. Except for the moments when you skim through the budget details and minute sketches of events, the novel is enjoyable and also layered with the text narrating the story and hinting at bigger issues and themes of seriousness. The story juxtaposes the opulence of high-end bridal fashion with the artisans’ struggles that make it possible. Mihika’s character bridges these two worlds, offering a nuanced perspective on the industry. While the narrative is rich in cultural detail, it sometimes meanders, detracting from the central plot. The themes of economic disparity and social justice are timely and impactful, making this a relevant and thought-provoking read. You learn the harsh realities along with enjoying the rise of Mihika as a sensible fashion designer... well, does she get the success she deserve? You will ask this question at the end... to yourself!
Sukriti’s novel is a stark reminder of the exploitation hidden behind the glamour of the fashion industry. Mihika’s journey is both a personal and professional quest as she seeks to balance her ambition with her social conscience. Her engagement with the characters of Aadesh Kala and Bodhi, strangely Aadesh’s brother but entirely opposite in nature and approach to life and fashion, represent the two poles of the fashion industry in India and the world... though the character of the fashion icon and celebrity Kriti Suri may also be seen as a symbol with many connotations. On another layer, the novel’s detailed descriptions of Indian textiles are a highlight, though the pacing can feel uneven. It is a compelling critique of an industry that often prioritises profit over people.
(PS: Author is Sukriti. Character in the novel is Kriti SUri. Enjoy! :)
Sukriti’s novel celebrates the artistry behind Indian bridal fashion, from patola to kalamkari. There are full page images in the Kindle copy.. amazing! You can appreciate the aesthetics of the design. On the story level, it is about Mihu. Mihu’s journey is both a personal and professional quest as she seeks to honour traditional craftsmanship while embracing contemporary trends. She wants to design something special for the complex Indian bridal market where 'saste me stylish dikhana' works as the trend. A fashion swayamvar is organised by a celebrity Krita Suri who wants to do something new (read insane) for her marriage that should light up the social media... it is a story of that story. Mihu and her team do win the competition but at what cost? Sometimes sentimental and sometimes serious... the novel will hook you up!
As promised in the author's introduction, she does write engaging novels that you can read quickly. The author does not harass her readers with heavy intellectual symbolism. She comes straight to the point. And you will like it. Bodhi's intellectual guidance and Mihika's aspiring ambition work in perfect bonhomie and they win the Fashion Swayamvar (I liked the idea). Krita Suri, to me, represents the modern-age celebrity who knows no more than fame and buzz until shown some light. She responds well towards the end of the novel. Aadesh is the perfect embodiment of ruthlessness in the fashion industry... someone who can take tough decisions (at any cost). He is denied the fame, however, and rightly shown the door by Mihika with some secrets at her disposal that might endanger Aadesh Kala's career and company.
The story is interesting. It began as something usual but gradually turned into a psychologically and ethically charged fiction detailing the backstages of fashion carnival that we often witness on the screen and glossy pages of page-3 magazines. In all this, Bodhi’s character serves as a moral compass in the novel. His ethical stance and practical advice help Mihika navigate the complexities of the fashion world. Bodhi’s role highlights the importance of integrity and collaboration, making him a vital part of the story. His ability to remain calm under pressure and offer insightful suggestions makes him an invaluable team member. Bodhi’s character is a reminder that success is often a collective effort, and his subtle contributions are crucial to the team’s achievements. His presence adds a moral, ethical and responsible fashion angle to the story. I liked the idea and its embodiment.
There were many things in the novel that kept me hooked... I cannot say glued to the story because there were moments of detachment from the plot. One thing that attracted me was Sharvani's character... Her fiery silk lehenga pick in Delhi wasn’t just style—it was rather defiance and a step forward on the path to a new style. Sukriti’s descriptions of Shravani’s haggling and her quiet determination made her a standout. However, her character fades into the background with time. There are other moments in the novel too. Especially the tour of various parts of India to find out dresses and understand the philosophy, plight of ground level workers and a debate on ethical fashion were the remarkable takeaways from the story. It will feel good to read the work by Sukriti. Something fresh. Something new.
Mihu's exceptional leadership, organisational and management skills come alive when she has to find the best wedding dress for Krita Suri, the social media star, in just 9 days. Though a lot can be discussed about ethical and responsible fashion, the journey is fun to read. The primary storyline or the surface layer text is about struggles and choice conundrum of a young fashion designer with talent. The hidden layers, the subconscious text and things hidden between the lines hint at serious concerns like exploitation of the grass root workers, commodification of the entire marriage institution as marriage industry and intrusion of social media in shaping our culture and choices. If you are serious reader, you will love these aspects. If you read fiction for fun, you will love what you read. Enjoy!
If you are a woman, what'd you wear for your wedding? Ain't it be a lehanga? Bhari-bharkam lehanga that should look a little marriage-worthy? Mihu, the protagonist of this novel, would like you to wear something light... a jump suit or a rather a skinny dress that is portable and light... right – out of the box fashion designer who has to win the competition, a fashion swayamvar in fact, to get famous and featured by social media influencer or celebrity, Krita Suri. However, this journey that begins unexpectedly with many anticipations, turns out to be a journey that the protagonist remembers... length and breadth of India... diverse fashion, different styles and actual workers and kaarigars who make things happen with their sweat and blood. The novel was not so enticing per se, but it was worth reading.
Out of the box novel that has layers of possibilities as far as interpretations may be concerned. You can read the story and get over it, one thing. You can read the story and relate to it, another. You can read the story and associate with the causes that this novel implicitly and explicitly raises – that for me may be a win-win scenario for the author and the readers. Sukriti's story has two polar characters – Mihika and Mr Kala. One is struggling fashion designer who wants to make her impression. Another may be seen as a shrewd fashion tycoon who does not give the credit where its due. The journeys undertaken by the fashion swayamvar contestants make the novel even deeper. The streets of Surat, Delhi, Kolkata and cities like Jaipur showcase the diverse and ancient connection of India with our dresses and their history. Enjoy the out of the box work!
The book has many layers to be explored... one binding storyline and many adventures, internal and external. I will focus on highlighting one here. Among the novel's many relationships, Mihika's complicated bond with her father stands out. His financial support comes with unsolicited opinions, his pride mixed with generational misunderstandings. Their interactions - whether awkward airport pickups or debates about "village taste" - reveal volumes about class, tradition, and parental expectations. Sukriti's technique of using their relationship as a microcosm of larger industry tensions (old vs new, commercial vs artistic) is masterful. The occasion where he critiques their purchases while footing the bill is both cringe-worthy and deeply relatable. Adds wonderful emotional depth to the professional storyline.
Spoiler... It is no tragedy... not at all! You will rather be amused, intrigued and hooked. Worth your time!
Okay, now back to a serious opinion.
Krita Suri's unseen presence looms large over the narrative, making sharp points about celebrity influence. The way her wedding becomes a branding opportunity rather than personal milestone reflects modern India's obsession with fame. Sukriti cleverly uses the design team's starstruck moments and ethical compromises to critique this phenomenon. The imagined conversations about celebrity chaperones and Instagram content feel painfully authentic. While Krita never appears directly, her impact on every decision reveals how celebrity demands distort creative processes. A fascinating subplot that elevates the book beyond typical industry fiction.
The novel appears to be written as an ode to realistic looking struggles Indians with creative minds face... whether in fashion, as the characters in this novel or in any field. It comes alive in the depiction... Forget airport lounges—the real journey happens in train compartments and dusty bus rides between textile hubs. Sukriti beautifully captures the rhythm of Indian travel: the strategic luggage Tetris, the shared snacks with strangers, the unexpected wisdom from co-passengers. Mihika's notebook scribbles during the Patan journey mirror our own travel epiphanies. The novel makes you nostalgic for those unglamorous yet transformative in-between moments that shape real adventures. To couple these experiences with a compelling story is nothing short of a feat achieved by the storyteller...
Was it a tragedy? Yes, might well be! Was it a tragedy per se? No!
Then what is the tragedy in this novel? It is only that you notice the real people who keep hidden behind the pomp and glimmer of the social media fashion industry. We see shinning colours, designs, patches and lustre. We don't realise the threads, the handwork, the hard work of people who work day and night to stitch together the idea we call fashion and perhaps consume, rather than appreciating, on our screen and then directly don those as attire. Sukriti has tried to bring forth the concept of weavers, dyers, small business owners who are the stars of fashion industry and also the diverse fashion history of India. The story makes it even more natural with the concept of a fashion contest to get featured by one of the biggest social media stars in India.
I could interpret the novel as an entrepreneur's journey to success... Mihika spreadsheets, rush to save money, financial constraints and the pressure to deliver the best within the budget... everything is relatable. The novel is quite serious and amusing at the same time. You can see through the plot lines to assess the signified elements. Mihika and her team not only go on a fashion swayamvar winning trip, they also realise the plights of the poor workers and also the problems of the ignored stakeholders in the fashion industry while giants like Aadesh run with the lion's share and celebrities like Kirta Suri go with the fame. What do weavers, kaarigars and poor labours get? Not even a mention?
The cover may not be the best presentation of what this novel waits for you. You need to read it to the last page to understand what Sukriti has to offer other than a bridal dress, a fashion swayamvar and the pompous Krita Suri who knows how to turn a private event into a spectacle... for reasons best known to her. Mihika's story may not resonate with all on all fronts. However, aspiration and dedication are the thing that may ring the bell for readers. Beyond that, a journey to the length and breadth of India understanding the roots, history, and symbolism other than the pains and hardships of the kaarigars, bunkars and workers who burn their night lamp to run the fashion industry from behind the curtain... these are the appealing things in the novel.
Sukriti's novel is a vibrant tapestry of India's fashion industry, weaving together rich cultural heritage with contemporary struggles. The protagonist Mihika's journey through textile hubs like Chandni Chowk and Patan is both educational and emotionally gripping. What stands out is how each character, from quiet Bodhi to passionate Sharvani, adds unique texture to the narrative. The author's ability to make fabric descriptions come alive - whether it's the shimmer of jadau or the delicate weave of muslin - showcases exceptional craftsmanship in writing. A must-read for anyone interested in India's artisan traditions and modern creative challenges. An experimental work of fiction... you may say.