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Καταιγίδα στην Καμπούλ

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Ρωσία. Αφγανιστάν. Έτος 1979.
Η υφάντρα της ιστορίας πλέκει παράλληλους ιστούς.
Από τη μια, ο Αλεξάντρ Πλετνιόφ, ειδικός πράκτορας της KGB, ένας υποδειγματικά ευσυνείδητος άνθρωπος, ακέραιος χαρακτήρας, ειλικρινής, πάντα πρόθυμος να βοηθήσει τους συντρόφους του και πάνω απ' όλα απόλυτα πιστός στις αρχές του κομμουνισμού που τόσο καλά αναμεταδίδει η σοβιετική προπαγάνδα. Κάποια στιγμή, στέλνεται από την KGB στην Καμπούλ, στο Αφγανιστάν. Εκτελεί κατά γράμμα τις εντολές, συμμετέχοντας στη δολοφονία του πρωθυπουργού Χαφιζουλάχ Αμίν, κι όταν επιστρέφει στη Ρωσία βιώνει τον παραλογισμό του καθεστώτος. Βρίσκεται αντιμέτωπος με την κατηγορία... της λεηλασίας, αντιστέκεται, καταδικάζεται και φυλακίζεται.

Κι ενώ η αράχνη της ιστορίας έχει σχεδόν ολοκληρώσει τον ιστό του Πλετνιόφ, παράλληλα υφαίνει έναν ακόμη, αυτόν της ζωής του συγγραφέα Γκερμάν Μπρόνικοφ, που αποφασίζει κάποια στιγμή να αφηγηθεί την τραγική ιστορία μιας οικογένειας που έχει διαμελιστεί από τις ακρότητες του σταλινικού καθεστώτος. Όταν το καθεστώς ανακαλύπτει κάποια αποσπάσματα του «κρυφού» μυθιστορήματός του σε ένα ξένο περιοδικό, ο Μπρόνικοφ βρίσκεται αντιμέτωπος με ένα δίλημμα: να συνεργαστεί με το καθεστώς διαγράφοντας τη δημιουργική και αληθινή πηγή έμπνευσής του ή να χάσει όλα τα προνόμια της "συνεργασίας" συνεχίζοντας να γράφει καταπώς ορίζει η συνείδησή του; Δύο άνθρωποι άγνωστοι, αντιμέτωποι με τον παραλογισμό της σοβιετικής εξουσίας. Αντιδρούν, ορθώνουν το ανάστημά τους, ξορκίζουν το φόβο τους. Η ψυχή τους μένει ακέραιη. Για την εξουσία, είναι οι ηττημένοι. Για τους ίδιους, είναι οι νικητές.

677 pages, Paperback

First published January 1, 2008

6 people want to read

About the author

Andrei Volos

15 books4 followers
"Andrei Volos became widely known among Russian readers only after he was awarded the prestigious Italian literary prize “Moscow-Penne” for his series of interrelated stories entitled Khurramabad Trilogy (Хуррамабадскую трилогию) in 1998. (Previous winners of this prize included Valentin Rasputin, Fazil Iskander, Liudmila Petrushevskaia, and Liudmila Ulitskaia). A year later Andrei Volos won an even more prestigious literary prize, the “Anti-Booker.” And he won it on the basis of the manuscript for the then still unpublished novel, Khurramabad. Just a year and a half later Volos published Khurramabad in book form (in 1999 the novel had been published in the journal Novy mir).

Khurramabad takes place in or is linked with Tadjikistan and the fictional city of Khurramabad, whose real-life prototype is Dushanbe. Its protagonist is a man who becomes a stranger in his own country. With the collapse of the USSR this Russian, who has remained in Tadzhikistan, begins to question the meaning of the word “Motherland.” Formerly, his native land included all the broad expanses of the USSR, and Tadzhikistan was his homeland. But now the Tadzhiks do not acknowledge the Russians and hold them responsible for all their problems. And the Russians find it very painful to abandon the land that has given them shelter. Yet he has no choice. But in Russia, too, he is regarded as a stranger. He's a stranger everywhere.

Khurramabad became one of the most readable books of contemporary Russian prose, and in 2001 Andrei Volos was awarded a State Prize of the Russian Federation.

Not long thereafter Volos published his new novel, Real Estate (Nedvizhimost'). It is set in Moscow, and its hero is a realtor who sells apartments, a man given to reflection but with the capacity to adapt to the new circumstances. Choosing such a protagonist allowed the author to construct an unusually dynamic plot, to describe a broad range of vivid psychological types, and to reproduce the feverish tempo of today's Russian life, a milieu that oftentimes seems only a senseless bustle. In this novel Volos has found the golden mean between the “bestseller” with an exciting plot and serious “confessional” literature; in so doing he has created a genuinely contemporary novel that continues the traditions of Russian literature.

Volos himself believes that there are specific echoes of Khurramabad in this novel. Its characters seem to speak different languages and do not manage to connect with each other; or, to put it another way, they are “communicatively challenged.”" (Toronto Slavic Quarterly)

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16 reviews
May 3, 2020
For people Who like being transfered to the past and feel how people were living it is OK. Generally its quite boring. Especially if it has 700 pages
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