In this fifth book in the Perveen Mistry series by Sujata Massey, set in the early 1920s, Perveen is still the only female lawyer in Bombay, even with her law degree from Oxford. Her father has recently made her his partner, but there are still limits to what she is permitted to do in their family law firm. Indian women are allowed few rights, and their treatment by men is often shameful. Perveen has to watch her step to make sure she doesn't violate the customs of the day. Briefly married and now divorced, she knows she will always be tied to her ex by law and will never be able to give herself to another man, including the English man she meets in secret. A depressing situation to be sure, and not easily resolved.
This case in this story involves the burgeoning (silent), cutthroat movie business in India, where the biggest female action star has recently left the film company that made her a star to join the one run by her husband. At an early screening of an upcoming film featuring Roshana, an attendee associated with the film business is found dead, and there is concern that his suspicious death could negatively affect the success of the new movie and the company that has produced it. Perveen's best friend Alice also plays a role in the story, which highlights her immaturity and threatens their friendship.
Although I expected this plot to be interesting, it fell flat for me. Perhaps it was because the stakes in the previous novels were higher, mostly about women whose welfare was ignored by the men in their lives or by law enforcement. Also, I felt that the conclusion was way too abrupt. I don't know if this series has run its course, but I'm willing to give it another try.
My review is based on a complimentary pre-release copy of the book.