The Star from Calcutta

Perveen Mistry #5

by Sujata Massey

A movie censor murdered, a leading lady vanished—the glamour, romance, and intrigue of the beginnings of Bollywood come to vivid life in the thrilling new installment of the Perveen Mistry historical mystery series.

India, 1922: Perveen Mistry, the only female lawyer in Bombay, has secured her biggest client yet: Champa Films, a movie studio run by director Subhas Ghoshal and his wife, Rochana, the biggest name in Indian cinema. In the public eye, Rochana is notorious for her beauty and her daring stunts—behind the scenes, she has recently left the studio in Calcutta that made her famous, and the studio owner is enraged by what he claims is a breach of contract. Rochana needs Perveen’s legal help to extricate Champa Films from the impending controversy.

To study Rochana’s glamorous world, Perveen attends a special screening and brings her film fanatic best friend, Alice Hobson-Jones. But in the aftermath of the event, one of the guests is found dead, and to make matters worse, Rochana has disappeared.

To protect her clients, Perveen begins to investigate the developing murder case, peeling back the glitz to reveal a salacious web of blackmail, deceit, and romantic affairs. For the first time in their friendship, Alice seems to be keeping a secret from Perveen. Is she hiding key information about the night of the murder? Will Perveen be able to detangle the truth from lies while protecting herself—and her closest friend?

Genres: Mystery, Historical Fiction, Fiction, India, Historical, Historical Mystery, Audiobook

384 pages, Hardcover

First published March 3, 2026

About the author

Sujata Massey is the author of historical and mystery fiction set in Asia. She is best known for the Perveen Mistry series published in the United States by Soho Press and in India by Penguin Random House India. In June, 2021, THE BOMBAY PRINCE, third book in the series, releases in the US/Canada and Australia/New Zealand; it will be published by Penguin India later the same month.

THE WIDOWS OF MALABAR HILL, the first Perveen novel, was named a Best Mystery/Thriller of 2018 and also an Amazon Best Mystery/Thriller of 2018. Additionally, the book won the Bruce Alexander Best Historical Mystery Award, the Agatha Award for Best Historical Mystery and the Mary Higgins Clark Award, all in 2019.

The second Perveen novel, THE SATAPUR MOONSTONE, won the Bruce Alexander Best Historical Mystery Award in 2020.

Sujata's other works include THE SLEEPING DICTIONARY (2013) and eleven Rei Shimura mysteries published from 1997-2014. For more about Sujata's books and a full events schedule, subscribe to her newsletter, http://sujatamassey.com/newsletter

Sujata lives in Baltimore, Maryland, with her family and two dogs. In addition to writing, she loves to travel, read, cook, garden and walk.

Reviews

[Phrynne · Rating 5 out of 5]

This is the fifth book in the series and the one I have enjoyed the most of all of them.

Set in India in 1922, Perveen Mistry is the only female lawyer in Bombay. She works as a partner in her father's law firm. When a movie studio requires legal representation she takes a leading role although still under her father's supervision. Events begin with a broken contract which leads to a murder, a missing film star, blackmail and danger to Perveen herself.

One of the best things about this series is the background of Bombay and all the information about Indian life as it was at that time. I also enjoy the relationship between Perveen and Colin which is obviously forbidden. They actually take a big step forward in this book but still in total secrecy. I would love to see this end happily but cannot imagine how.

So still lots more to look forward to. I hope the author is already writing the next book.

[Sarah Baenen · Rating 2 out of 5]

As a fan of this series, I struggled to finish this book. The first few chapters were full of promise as it seemed to focus on the ins and outs of the Indian film industry. However, most of the book was a rehash of the same plot points. The solution to the mystery was anticlimactic; the reveal just happens and Perveen’s investigation doesn’t even seem to matter much.

More importantly, for me, the characters also fell flat. Alice’s personality was grating and Perveen seemed like a device to move the plot forward, though at a glacial pace. The “twist” at the end was not enough to redeem the book because by then I had lost interest in these characters I once loved.

ARC from NetGalley

[Kristen · Rating 2 out of 5]

Kept reading because I’ve liked this series from the beginning but it was a bit of a slog… All the most interesting and enjoyable parts were jammed into the ending, and the rest was mostly just drawn-out repetitive tension and frustration between Perveen and her dad and Alice.

Hoping the next one will be more engaging all the way through again …

[Book Riot Community]

Book Riot’s Most Anticipated Books of 2026:

I’m so happy to see Perveen Mistry return! She’s the only Parsi woman lawyer in 1920’s Bombay—inspired by the real life Cornelia Sorabji—and the star of this wonderful historical mystery series. This time around we get the exciting early days of Bollywood with a murder mystery + missing person case that involves a movie censor and leading lady! —Jamie Canaves

[Beachreader · Rating 2 out of 5]

I have read all of the Perveen Mistry mystery series and have really enjoyed the glimpses into Indian culture and life. But this latest book is a big disappointment. it was a struggle to finish the book.

I have several complaints and the biggest is about the story itself--it is very boring and drawn out. There are too many characters and I didn't care what happened to any of them, other than Perveen.

There is a big shift in some of Perveens relationships, especially the close one she has always had with her father. In this story he is so dismissive of her to the point of being mean.

Her best friend Alice Hobson-Jones is cast in a different role. She is now an atagonist and is very unkind to Perveen.

I don't understand why the author changed these two longstanding relationships. The only person Perveen can count on is herself, although her friend Colin is supportive most of the time.

The plot is too complex and doesn't work well. The author said she had problems delivering this book in her usual timeframe. That is usually a sign that the story is flawed and needs a lot of rewrites. The editor should have nixed this one.

[Sneha Pathak (reader_girl_reader) · Rating 3 out of 5]

I became a fan of this series after reading the first novel. The second was somewhat disappointing but the third seemed to have given the series backmits mojo. I dnf-ed the fourth entry and while I found The Star from Calcutta - the fifth book in the series - much easier to finish, I feel that it's time the series come to a graceful end. The recent books seem to have a much more stronger historical side than the central mystery which seemed slow, ponderous and lost in the multiple threads of the narrative.

The angle of Colin and Perveen, their will they won't they, has become somewhat tiresome and while I appreciated the focus on Alice's personal life in this title, I felt that it was dragged too much and much too obvious to everyone except Perveen. I find it interesting how two writers writing broadly in the same genre can hit upon similar themes and plot points at the same time. The Star From Calcutta is set in the background of the world of early Indian cinema, as was The Burning Grounds by Abir Mukherjee published in November 2025. And - spoiler alert - the relationship between the star and her closest caretaker as well as their backgrounds were quite similar.

[Bill Silva · Rating 3 out of 5]

I’ve enjoyed most of the books in this series…this one much less so. The writing, the plot, and the characterization all are lacking. I’m glad Perveen and Colin are finding their way together as a couple…otherwise, this barely held my interest to finish it.

[Melody Schwarting · Rating 4 out of 5]

This series is my favorite currently-being-written mystery series right now, and I really enjoyed this installment. Indian filmmaking, the rainy season, Perveen's complications in love and friendship--plus a twist at the end I did not see coming! Whew! I love how vividly Massey evoked the world and her characters. I have a yen to read through the rest of the books again, but I also have her short fiction to enjoy about Perveen's time at Oxford!

[Celia Morse · Rating 3 out of 5]

Set in 1920s India, this series offers an interesting look into the ethnic and cultural groups making up India's native population under British colonial rule. Perveen Mistry is Oxford educated and India's first female lawyer. In this installment she and her father are hired by one of India's first film production studios to defend a possible breach of contract but what should be an interesting look at the early days of Bollywood turns into an interminably slow read.

Perveen attends a party at the studio with her starstruck friend Alice and the next morning a film vendor is found dead and the star of the latest production and ride of the studio owner has vanished. Perveen's investigation turns into a murder investigation but it moves along haphazardly and slowly.

The story takes place during monsoon season and perhaps the endless rain and mud drag the story down. This is a disappointing series entry.

Thanks to Netgalley for an advance copy in exchange for an honest review.

[Sue · Rating 3 out of 5]

Weakest entry in the series. A lot of missed opportunities and Perveen was whinier and not as strong about pursuing leads and ideas. Worst of all was the ending, which was simply crazy lucky.

[Martha · Rating 2 out of 5]

This was a disappointing outing for this author. The plot is overly complicated, implausible and frankly, not compelling.

[Nolina · Rating 5 out of 5]

An absolute banger.

[Alex · Rating 2 out of 5]

I love this series, so I'm bummed that this one was such a slog to get through. The mystery was muddled and no one seemed to really care about it, especially me. The story itself was very anticlimactic. Here's hoping the next one is better.

[Christine · Rating 4 out of 5]

This book is the fifth book in the Perveen Mistry series, and I've read most of the prior books. I love Massey's writing and this historical mystery series in particular. I think most work well as standalones, too, although it would be nice to read the first book in the series, The Widows of Malabar Hill, to get more detailed background about Perveen.

The series is set in the 1920s in India and the main character, Perveen, is the only female lawyer in Bombay. The books I've already read do a great job of mixing history and entertainment. This book involves the movie industry in India. A film star has disappeared, and a movie censor is killed. What starts as a breach of contract case becomes something much more complex with Perveen and her friend Alice right in the middle of it. Many people seem to be hiding things and it's up to Perveen to get to the truth.

I love this author and this series, and this book has an intriguing premise. The Indian film angle of the book is fun, and the story also tackles a few serious issues. I always learn a lot about this time in history in India and still recommend this excellent series even though this one seemed to move more slowly than the prior books I've read.

I received an advance copy of this ebook from Soho Press and NetGalley, but my review is voluntary and unbiased. .

[Maria Almaguer · Rating 4 out of 5]

The fifth book in a unique mystery series, featuring a female attorney in 1920s India (based on a real person), continues the story of Perveen Mistry, the daughter of a Parsi attorney. You must read the books in order as each book builds on developing stories about all the characters. This story explores India's early film and motion picture industry, with Perveen and her father representing a famous actress and her husband's film company in a contract dispute. When a murder complicates things, Perveen investigates. What's fascinating about this series is also the Indian cultural and historical facets of the period, including the different religious sects and expected protocols, things I know nothing about. Massey has also written many other books; this series is her newest and I look forward to reading more.

[Jeannine · Rating 5 out of 5]

Perveen and her father’s law firm take on a film studio as a client. The behind-the-scenes look at the early years of Indian cinema is fascinating.

The developments in the romantic storyline between Perveen and Colin are fantastic. Finally!

Perveen’s best friend Alice has a bigger role, too.

An all-around wonderful addition to the series!

[Sue-Ellen · Rating 3 out of 5]

Perveen Mistry is a fascinating character. She is a partner in her father’s law firm and the first and only female lawyer admitted to the bar in Mumbai.

The earlier books in this series were well-written. Perveen lives according to many of the traditions of her people yet her best friend is a member of the British aristocracy and the man she loves is also English. She cannot have an open relationship with him because she is married and formally separated from her husband, a man who abused her physically and emotionally.

In this novel. Perveen and her father are hired to contest a lawsuit. An Indian filmmaker is asserting that his company’s most famous female star, Rochanna Gochsl, has left his company and broken her contractual obligations. Rochanna’s husband has started a new film company and finished a new film starring Rochanna. He invites Perveen to a pre-release party where a British police officer, a film censor, is murdered.

The historical setting and characters are well-researched and fascinating. The book seems scattered and the mystery is subpar. Unlike the earlier books, the story doesn’t build up much suspense. The earlier books in the series were much better.

[Cari Zuckerman · Rating 3 out of 5]

In this 5th installment of the Perveen Mistry series, Perveen and her father are hired as lawyers by the Champa Film Company. Its star, Rochana, who is married to its producer Subhas Ghoshal may be in trouble with a previous employer over a contract. What seems like a straightforward case turns deadly when a film censor is found dead on the film studio’s property following a viewing party. That same night, Rochana goes missing.

I found this book to be a bit disjointed. I wasn’t always sure of why things were happening and how they tied into the story. The mystery sort of solved itself instead of Perveen doing the solving. I do really enjoy the characters of Perveen, Alice, and Colin in the series and I love the setting of 1920s India so I will likely continue to read future installments. As always with the series, the historical context was interesting. This one was just a bit slow and meandering for me and I would have thought the focus on making films in 1920s India would have been a little more interesting.

[Tiffany E-P · Rating 2 out of 5]

The writing is stilted and the characters are so two dimensional. I’m not sure why I keep reading the new books in the series.

[Roger · Rating 4 out of 5]

After a three-year absence Perveen Mistry returns in THE STAR FROM CALCUTTA. She is now a partner in her father's law firm and becoming something of a known quantity in her native Bombey. But while a few take her seriously as a lawyer, she still has to maneuver amongst those who treat her as unserious or a curiosity. Regardless of how others see her, readers will welcome back one of the most intriguing characters in a current mystery series.

The scene-setting is typically one of the strongest attributes of author Sujata Massey's work and 1920s India is fertile ground for her work. THE STAR FROM CALCUTTA introduces India's nascent movie industry, with all its drama and over-the-top characters. After a new motion picture company engages the Mistry law firm, Perveen becomes immersed in the industry's excesses and secrets.

A murder at a party Perveen would have done well to avoid is centerstage for this story. There are at least two strong parallel plotlines in this novel, however. First, Perveen's ongoing romance with Colin. It is progressing, but at a glacial pace. Second, there is the tale of Perveen's friend Alice, the daughter of a top British official and a young woman with a secret (that really isn't much of a secret). Alice's life has complications upon complications. She is Perveen's friend, but one of the few weaknesses in this book is how acquiescent Perveen is in the face of multiple ill-considered demands made by Alice throughout. It is obvious to Perveen, and us, that Alice is usually only making more trouble for herself, but Alice barges forward. It is not unusual for Perveen to pay the price for these random expectations.

In the end, the crime at the center of this novel comes to a suitable conclusion, thanks to Perveen, and Alice seems to be on the path to finding peace. Don't know what's going to happen with Colin but that's what future books are for.

[Shannon · Rating 5 out of 5]

I was hoping for more about Perveen and her sister-in-law, but I really enjoyed a lot about this edition! The movie set plot and historical elements were so interesting! Indian independence has always been a theme in the series, and this book looks at that from an artistic lens. We have Indian filmmakers trying to break out in a time when white European and American companies were money making off South Asian stories/elements, and doing it so poorly!
At the same time, we had a great book that explored Perveen and Alice’s friendship more. Alice has just kind of been a supportive friend for Perveen or a source of British gossip and party invitations. It was great to Alice going through more character exploration in a way that showed both friends as somewhat flawed and vulnerable in areas. I’m really excited to read more about their relationships.
Finally, it was wonderful to see more progress with Perveen and Colin. I love seeing Perveen grow more confident and assertive. She’s going after what she wants and believes more and more of the love she deserves. I don’t know if Colin will be her HEA, but I’m rooting for her after everything she went through with her husband.

[Kristin · Rating 4 out of 5]

I have enjoyed every book from this marvelous series. This book was a bit of a disappointment as I didn’t appreciate the secondary role Perveen Mistry played in solving the mystery. Perveen continues to receive little recognition even from her father for her skills and talents as a lawyer and investigator. Also, Alice and Perveen’s past friendship takes a beating in this book as she uses Perveen to protect herself and a new friend. I did enjoy a new twist to this series that may add new interest in future additions to this series. Hopefully future books in the series will find Perveen being more of the main character in the mystery.

[Kat · Rating 4 out of 5]

Another compelling entry in the series. At this point, though the mystery is fine, I'm far more interested in Parveen's relationships. Her best friend's situation, her father's approval and her relationship with her erstwhile suitor are the most nail-biting things in the book.

[Jagruti · Rating 4 out of 5]

Always exciting to followup with and root for Parveen Mistry. This book was engaging and fun, and as always, the history bits about the film industry were so interesting. Also I am so happy with Alice's arc IYKYK!

[Aastha · Rating 2 out of 5]

2.5 stars

I don't know why I keep doing this to myself.

Except for A Murder on Malabar Hill, the first book, all the others in this series have been major disappointments, and yet, I keep returning for my love for old Bombay, and the tiny hope that maybe this time Massey would have a compelling plot.

And she fails to deliver. Every. Single. Time.

Massey's strength is her research, but for historical mysteries, it's a necessary condition - never a sufficient one. Her descriptions of Bombay rains, pastries from Yazdani, the food at Perveen's are delightful, and that's pretty much where it stops. The mystery is almost always forgettable, and overshadowed by what is going on in our heroine's personal life. The first book was great because of the story of her oppressive marriage. In the last one, there was the sensitive topic of childbirth and postpartum depression.

Unfortunately, this book doesn't even have that. A movie critic is murdered at a film party, and the lead actress flees with the help of Perveen's best friend Alice. Perveen follows her usual way of investigating, and crucial things such as the location of this actress are revealed to her by chance, and not because of her investigative prowess. The murderer just confesses to her towards the end, when there was no need - he was already on his way to another country. It makes little sense, and it's far from the only plot point that defies logic. Another irritating thing is our heroine's constant foolhardiness - she loves putting herself in danger (like her confrontation with ABC here) and is always saved by someone in the end. If only the plot itself were as strong as our heroine's plot armor.

Then there is the question of her English beau Colin Sandringham and their many many "long kisses" and embraces... Nobody asked for this. Colin could just be a helpful acquaintance or friend to further the story and it would have been fine. I have never cared about the star crossed lovers plotline, and could do without descriptions of their make out sessions. It's grating to read about the characters doing the deed in a dingy ferry cabin right after the heroine has a painful confrontation with her best friend. It's questionable behaviour for a respectable woman in 1925, and takes one right out of the yesteryear setting.

The one interesting bit in this book was about Alice and her sexuality, but her life isn't explored enough. This is also a character that behaves in odd (though somewhat understandable) ways, to the point of being almost antagonistic. Perveen and Alice do reconcile in the end, but it seems rushed, and the latter faces no consequences for throwing the former under the bus to save herself. I would have expected a proper confrontation between the two and for Perveen to call Alice out, but none of that really happens.

All in all, a mediocre affair, much like most others in this series. If you want a good mystery, you are better off skipping this. If only Massey had put in the same effort in crafting a proper mystery as she did when describing Perveen's saris...

[Sneha · Rating 4 out of 5]

Very nice!
I loved the old Indian cinema backdrop!

[Rose A · Rating 4 out of 5]

Really enjoyed this Perveen mystery. There was quite a lot of complicated characterisation going on, especially with Rochana.

[Jan Lehman · Rating 5 out of 5]

Always,A joy to read,another Preveen mystery.

The meeting of Hollywood meets Bollywood as an interesting concept to base a story around. We have seen Preveen grow as feisty but obedient young woman ,into a confident and,resourceful adult and,lawyer.
The world is,changing and she is a wonderful example of who shall reshape India..

[Thureka · Rating 3 out of 5]

· · ─ · ·
POV: 3rd Person - Single
Format: Digital

[Emily VA · Rating 5 out of 5]

A good romp through the early Indian film industry and the rich, complex world Perveen lives in, with many nuances of culture, religion, colonialism, and the ways in which people could push against the structures of that world.