“It’s just us. So don’t dance for them. Dance for me. No one else.”
Miles Avery, 22, is struggling. He dreams of becoming a professional dancer.
The Bluebird Theatre, and its summer dance program, in “a modern lakeside town.”
Cade is tall and lean. Dark, messy hair. Finnish. The star of the theatre.
Friendship with Bryn is a bright spot. 😊
Mason’s uncomfortable behavior with Bryn—and others.
Cade is very quiet, but very impactful.
Spends way too long on Bryn and Mason’s situation-ship. Where are the sparks between Cade and Miles? The lust?
After much dramatics, Miles has a real chance at his dream.
Mixes up Miles’s last name; out of nowhere, it’s suddenly “Palmer.”
Cade’s one-on-one training.
The way gayness is erased—Miles and Cade are both gay…yet neither ever wonders if the other is. Does not (truly) address Miles’s evil, homophobic father. And how it must have felt to be forced to leave home right after his mother’s passing.
Good L-bombs. Rather early, perhaps. But not unwelcome.
Hyping up a “found family” dynamic when no dancers or crew members have names—save Bryn—is…choice.
One action scene. Non-intercourse. The other (full) scene seems like it’s gonna be good…then it’s just a fade. 😪
Ending lands like a thud. All tell; no show.
Throughout—this feels very…assisted… 🤖
“Why would you do that?”
“Why wouldn’t I? I’v known you long enough. Life’s too short. I know what I want…”