Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart's works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half century of scholarship on Mozart's music, addressing the elements of performance and problems that may occur in performing Mozart's works on modern instruments.
A mind blowing book... even the first edition was indispensable, but this completely rewriten treatise is an absolute must for any Mozartian performer, scholar or just a researcher thinking about getting an insight into the music... It covers any aspect of the performance practice and finally respond on many questions and interesting topics which has appeared in the recent discourse on Mozart´s work and its performance. Fifty stars!