Drawing from Paradise Lost, Eve is a thoughtful and compelling attempt at reinterpreting Eve's character from the Bible. It is told almost in the style of a folktale that suits its Biblical inspirations, so the novel sometimes feels understandably less than realistic. The dialogue is especially absurd. But Eve's decisions and motivations are still relatable, and she should resonate with anyone who hungers to understand theology, philosophy, and nature. Other perspectives are examined here as well (especially Adam's, but also Lucifer's, God's, Gabriel's, Cain's, Abel's, and a few others), but Eve is the real highlight. Every time we spend time in someone else's head, I found myself wanting to return to her.
Being raised in a religion obsessed with hermeneutics and exegesis probably hampered my enjoyment of this book, at least a little bit. I've analyzed Genesis in depth through a million different lenses, so a book like Eve isn’t going to blow my mind as much as it's probably intended to. Additionally, the Christian paradigms of Paradise Lost and other popular conceptions and interpretations of the Garden of Eden aren't something I need to actively question or unlearn, because as someone who was never Christian, they aren't my own paradigms, conceptions, or interpretations to begin with. (This book seeks to redeem Eve, turning her into complex but heroic figure, whereas I grew up learning that according to some readings of the Bible, Eve didn't technically sin at all, so she doesn't need redemption.)
However, for people who have a more casual relationship with the Bible, I think this book could potentially be eye opening in terms of the questions asked about Eve's story, specifically focusing on topics like creation, free will, sin, divine image, companionship, childbirth, exile, gender, life and death, good and evil, knowledge and language, and agency and regret. Even I can admire how all these ideas are introduced without ever making the book feel like an essay (or—as I'm more accustomed to—a Rabbi's sermon). Though it's the sort of novel that has ambitious messages, the plot and character development are never sacrificed for the sake of getting a point across (except arguably at the very end when things feel a bit rushed). All the cerebral ideas cohere organically into a textured story about a woman wrestling with mortality, power dynamics, relationships, and existence in an ostensibly perfect place that was not built by or for her.
The novel eventually diverges from the Biblical narrative, which allows Eve to take on a life of her own. It also allows the story the freedom to touch on newer ideas. I especially enjoyed seeing how Eve's marriage transforms after she meets Lucifer, after she disobeys Adam, after both of them are punished for it, and after they become aware of their bodies. I also enjoyed how neatly questions about the meaning of life tie into issues around feminism.
There are certain artistic liberties taken at this point. Some readers might find a couple of changes puzzling or unnecessary. For example, I have no idea why Eve's first daughter is called Sara when apocryphal texts say she was named either Awan or Calmana. (I believe Muslim and Eastern Orthodox traditions also have names for her, but none of them call her Sara.)
I'm not an expert, so maybe there's a text out there that I'm unaware of that names Eve's first daughter Sara. Either way, I'm nitpicking at this point. The artistic liberties don't ruin the story. They don't disrupt immersion. They sometimes even add to the story (like the inclusion of Ashera). And when they don't add anything, they at least never get in the way of what this novel is trying to be at its core, which is a deeply curious and tender character study of a woman struggling with fundamental questions about humanity, existence, freedom, meaning, gender, and the universe. Some of her questions get repetitive and heavy handed when it turns out they can't be answered, at least not without becoming an immortal god, but her longing to learn is achingly and exquisitely human.
I recommend this one to people who like unique retellings like Till We Have Faves or The Red Tent. I think readers who enjoy Ancient Near Eastern mythology might also be interested. I saw some small parallels with The Epic of Gilgamesh, and it's just generally refreshing to see modern portrayals of deities like Enlil and Baal, even if they don't get all that much page time here.
~Thank you to NetGalley and the publisher for a Digital ARC. All opinions are my own.~