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Full-Bodied Wine: A Vintage Murder
His Excellency Walter Brown, Ireland's first resident Ambassador to Turkey presented his credentials in September 1968. He delegated the business of finding a residence to his wife, a French Countess, Colette Coerduroi-Brown.
It is left to Dennis O'Gorman, the mission's Third Secretary, to restrain the exuberance of the Countess and handle the negotiations. He becomes embroiled in Turkish politics, in a house that is considered to be haunted. Enter a murderer!
Diligent, ambitious, often unlucky; Dennis is obliged to turn detective.
Millicent, his fiancée in Limerick, disapproves. The Department in Dublin frowns.
He is fed a diet of red herrings, washed down by undependable wine.
Dennis perseveres.
It is left to Dennis O'Gorman, the mission's Third Secretary, to restrain the exuberance of the Countess and handle the negotiations. He becomes embroiled in Turkish politics, in a house that is considered to be haunted. Enter a murderer!
Diligent, ambitious, often unlucky; Dennis is obliged to turn detective.
Millicent, his fiancée in Limerick, disapproves. The Department in Dublin frowns.
He is fed a diet of red herrings, washed down by undependable wine.
Dennis perseveres.
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First published November 16, 2014
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About the author
Biddy Jenkinson
18 books3 followersBiddy Jenkinson (which is a pseudonym) is a highly regarded Irish language writer and poet. She writes exclusively in Irish (Irish gaelic) and has produced several collections of poetry as well as prose and other writings.
In 1991 she explained in a letter to the editor of the Irish University Review the reasons for her refusal to have her work translated into English in Ireland:
"I prefer not to be translated into English in Ireland. It is a small rude gesture to those who think
that everything can be harvested and stored without loss in an English-speaking Ireland. If I were
a corncrake I would feel no obligation to have my skin cured, my tarsi injected with formalin so
that I could fill a museum shelf in a world that saw no need for my kind."
Some of her work, however, is available in French translation.
In 1991 she explained in a letter to the editor of the Irish University Review the reasons for her refusal to have her work translated into English in Ireland:
"I prefer not to be translated into English in Ireland. It is a small rude gesture to those who think
that everything can be harvested and stored without loss in an English-speaking Ireland. If I were
a corncrake I would feel no obligation to have my skin cured, my tarsi injected with formalin so
that I could fill a museum shelf in a world that saw no need for my kind."
Some of her work, however, is available in French translation.
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Displaying 1 of 1 review
May 20, 2022
A convoluted murder mystery. TBH, I found it a little confusing at times.
Displaying 1 of 1 review