Into the woods. Count to ten. Only one of us comes home again.
When a teenager disappears from her small Irish town and a therapist is brought in to break the silence of the only witness, old wounds are opened in a search that becomes a race against time.
Southwestern Ireland, 1995: Two children go into the woods. Only one comes out.
When thirteen-year-old Saoirse Kellough goes missing, panic grips a rural Irish community. Saoirse is not the first girl to disappear in the forest, rumored by locals to be haunted, and the only witness—her troubled younger brother, Jack—refuses to speak. Saoirse went missing when they were playing the Counting Game, a ritual believed to ward off evil, and Jack has sworn to protect the forest’s secrets.
Freya Hemmings, a psychotherapist still healing from a loss of her own, is brought in to help investigators break Jack’s silence. As the race to find Saoirse alive accelerates, the search threatens to unravel a family facing the unthinkable. Everyone is a suspect, and the closer Freya and Jack become, the more danger they find themselves in.
Haunting and emotional, The Counting Game is a suspenseful debut from an unmissable new voice in crime fiction, perfect for fans of Tana French and Liz Moore.
I admit, I didn't quite catch onto who the culprit was. ❓ In fact, even when the clues were laid out, I found it a bit difficult to connect the dots on my own, but as it was languidly explained, the pieces did fall into place. If anything, I am grateful it did not take the more practical approach, which, as much as it pains me to admit, would have been rather blase in its portrayal. 👍
“This memory is a very valuable one, but it definitely doesn’t want to be found.”
Freya and Jake's relationship developed at a believable pace. I don't know how much of the guilt over her daughter, Violet's tragic death played that much of a traumatic part, sharing a sense of loss. But it was one of the key parts that drove Freya to be that more involved in investigated Saoirse's disappearance, much to the chagrin of the people of Drumsuin and garda, the local law enforcement, with the frustrating feeling of secrets being held just below the surface. 🔢
It's also still very slow-paced unraveling of a mystery. Maybe because Jake's mind is so fragile that any hasty push would have damaged his psyche more so, despite how it is very much a race against the clock to believe that Saoirse is alive somewhere. 🥺 Delicately balancing fiction with reality was the cryptic creepiness of the The Counting Game itself - something terrifying that can make people disappear. It heightened the danger and uncertainty in Freya's eyes of what was lurking hidden beyond Jake's mind.
The author also capitalized on the mystique and allure of the forest really well in both the sensory details and the vivid imagery of this haunted, chilling and claustrophobic feel that even the forest played a sinister role in claiming its victims - the secrets shrouded in their midst. 🌳 It shined in certain parts - 'night stretches out in surrender to the frozen dawn' - that created an atmospheric feel to the setting.
“The forest knows how to punish people who don’t respect it.”
What I would have liked is for it to have been a bit more compelling. I mean, yes, I continued cuz I was curious, but I didn't feel the thrill of the search. 😕 That sounds morbid; but, like, maybe more oomph to the plot and characters. But, they're just normal people, the crowd argues... Well, yes... Freya was a strong and kind-hearted psychotherapist intent on doing the right thing, and Jake's innocence felt true, but I think I still wanted more of the thrill rather than the spill.
As in, it was also very much a background storyline, that when we got to the full suspense of the truth - it did not make that much of an impactful splash, rather it drizzled and washed away... I think mainly because the element of surprise was taken out much earlier, so that I felt the trajectory of the story shifted. 😮💨 I also felt that because Freya suspected everyone, she put herself in more danger than what she was really in; so that seed of a doubt was rather more of a plot device, aside from decrypting Jake's memories.
The family drama also could have been a bit more different. I understand the significance it played - echoes of a pain that feels familiar— holding on to grief and loss, a broken home I just wish it was not such a typical one; although again, I will give props to the author for not going down the oh so typical route. 🤷🏻♀️ I was bracing myself for the inevitable obvious, but I was happy to be proven wrong.
。゚•┈꒰ა ♡ ໒꒱┈• 。゚
A note to the editors; as I received an advance copy, I found some errors that need correction. When the perspective alternates between Jake's third person and Freya's first person, the chapter annonts each chapter with the character's name. However, I believe chapters 27-28, and maybe another are labeled Freya, but it is actually Jake's point of view, still. Since, by that number I had grown accustomed to what that header meant, it took me a second to be caught off guard - go back and see did I miss something - and then realize, it is a mistake, which repeats a couple more times. 🧐 So, yeah, just take a look at that if anyone from the publishing side bothers reading this before the final print.
*Thank you to Edelweiss for a DRC in exchange for an honest review.
This was a good psychological thriller. I loved the overall concept of this book as well as its atmospheric Ireland setting. I liked how this story was told through multiple points of view, primarily from the perspectives of Freya and Jack. This book had an intriguing storyline as Jack’s sister went missing while playing the counting game with Jack in the forest. This book makes you wonder what really happened to Saoirse and whether she ran away or was taken by either a human or a creature. I felt invested in the overall mystery, but it was quite the slow burn and I did find myself losing interest at times in the middle. Overall this was a good debut novel.
The Counting Game by Sinéad Nolan published June 19th with Harper North (Harper Collins). It is described as ‘a deeply haunting, atmospheric and emotional mystery, from an unmissable new voice in Irish crime fiction, perfect for fans of Tana French, Erin Kelly and Belinda Bauer‘.
When thirteen year old Saoirse goes missing while playing a game with her younger brother Jack, Drumsuin village is left disturbed and in a state of panic. As search parties scour the surrounding countryside, the focus is on the local woods where Saoirse was last seen. Jack and Saoirse had been playing quite an unsettling game, called The Counting Game, one that they had learnt from their now deceased mother, when Saoirse disappeared. She is not the first teenager to go missing in this area so the local police are extremely concerned for her safety.
Jack has difficulty communicating, unable to vocalise what he may have seen. He expresses himself via his artwork which has some very disconcerting and dark imagery portrayed there. As speed is of the essence a decision is made to bring in a psychotherapist to assist in the case. Freya specialises in investigating missing children so her expertise is welcomed by most folk. She quickly immerses herself in the village, staying at the local hotel and starts to delve into Saoirse’s family background.
Suspicion is rife among the villagers with many believing that something sinister is at play in the darkness of the forest. Rumours abound of a creature hiding in the shadows but Freya is dismissive, convinced that this is just a product of the overactive imagination of some locals. With dark secrets and hidden pasts, the truth slowly starts to reveal itself but will Freya be able to find Saoirse before it’s too late?
There were a few curious plotlines in this tale that I did question, and I had to suspend belief a little, but I was willing to do this to see where it all ended. Freya is a well cast character. She has grit, with a hidden strength, but she also has a very vulnerable side that is sensitively portrayed. Sinéad Nolan is a trained psychotherapist which adds a layer of authenticity to the relationship that develops between Jack and Freya, with his voice depicted clearly and credibly. The otherworldly spin added an extra eerie element to the tale.
The Counting Game is an atmospheric and sinister read, a solid debut from a new voice in Irish crime fiction.
Thank you to HarperNorth and Netgalley for approving me to read this, I’m rating it 3.75 stars.
I liked the eerie atmosphere surrounding the game, the forest/village and the missing girl. There’s so much tension throughout and it builds to a breaking point where the truth and folklore meet in the middle.
We get multi POV in this story which I really like so we get a full rounded story to help piece together what’s happening and who shouldn’t be trusted.
Highly recommend for fans of folklore/myth mystery thrillers
Wow! Full review on way. This blew me away and I’m still recovering. I have a new favourite Author. Once I have processed the book full review will appear. This is on NetGalley right now if you want to go request it!
This was an ok thriller. So much of the intensity of its creepy atmosphere that's built up with the woods and the ambiguity of a potential supernatural element was lost by its glacial pacing that by the end all the atmosphere was lost, and I was just left with a inching march towards an eventual, obvious conclusion. The irony is, I think the ending would have been less obvious and much more of a twist if the pacing was faster but because it was moving so slowly, I had lots of time to rethink the clues and identify what happened. The family dynamics, fueled by the previous traumas, could have been compelling but it ended up feeling a bit trite. One of the POVs is a 9 year old boy named Jack, whose sister Saoirse is the one who's gone missing. The thing is, Jack's POV was full of spelling errors and misunderstandings of the type that are compelling if we're talking about a 4 year old but didn't make a whole lot of sense for a 9 year old. I had to keep reminding myself that he was 9 because he's written like he has the comprehension of a much younger child, and treated like a much younger child by everyone around him, which took me right out of the story.
A huge thank you to the author and the publisher for providing an e-ARC via Netgalley. This does not affect my opinion regarding the book.
This was a bit of a slow burn but had some creepy parts and a good overall mystery. It centers on the disappearance of a teenager named Saoirse and is told from the POVs of her little brother and the psychologist brought in by the police to talk to him. The story takes place in the mid 1990s.
I liked the possible supernatural undertones, where it wasn’t clear whether a person or something else was haunting the woods in the small Ireland town. Creepy woods is always a good time! However, I did feel the story moved slowly and was rather repetitive. Jack, Saoirse’s 9 year old brother, had a distinctive voice but also pronounced a lot of words phonetically which seemed too young for his age. Thinking about this took me out of the story. Freya, the psychologist, was a likable and relatable character. I thought the ending and the ultimate unveiling of the villain was well done, though I was left with a couple unanswered questions.
Overall, this was a good read overall and I read it quail u because I wanted to find out what happened, but found it to be a bit slow. Thanks to NetGalley for providing me with a copy of this book in exchange for an honest review.
This book is definitely a slow burn. It was a build up for the reveal I would say close to 80%-90% of the book and the twist I felt happened so quickly and then it was over. It was an okay twist ( I kind of saw it coming as things were getting revealed ). There is 3 POV’s that you are following but a lot of timelines which was little confusing but manageable. Overall it was an okay book. If you like creepy, forestry settings for your thrillers I recommend this book.
Great atmosphere, creepy setting with the forest of missing girls and the supposedly legendary creature that dwells within, taking those who disrespect or harm the forest! Add in a hide and seek counting game and a little boy who may hold the secret to his sister's disappearance but unable to remember and I was hooked in reading this to find out the truth!
The author did a great job with all the red herrings of suspects, while also touching on the possibility of something supernatural getting involved with the dead birds and previous missing girls, plus the awful story of the Magdalene Laundry and what happened there. I really felt for Jack who was obviously torn up about Saoirse going missing and being the last person to see her, especially when we got to see things from his perspective. It is rounded out nicely with the view of Freya, the psychotherapist brought in to help Jack work through his issues but also an outsider which really helped show how the community that this happened in was very suspicious of outsiders, especially ones asking uncomfortable questions. I did have to keep going to look back at the chapter headings though because it does jump around in time, from before their mother's death, to the days after Saoirse went missing. It did tie things up very well by the end though and I was on the edge of my seat to see if Saoirse could be found in time or if it was already too late. I do like how it never really was proven that it was did not have a supernatural element and it gave the ending a nice touch.
I really enjoyed reading this book and many thanks to NetGalley and the publisher for giving me the chance to get lost in the story!
My thanks to NetGalley and Gallery Books for an advance copy of this novel that takes place in rural Ireland, when a child disappears in woods that are known for not giving back those that enter, a book about trauma, loss, and the oddness of the world we live in, and how we address it in our lives and in others.
My family had a big return to the homeland trip, oddly enough about the same time this book takes place, during the mid-nineties. Ireland, the old sod, was going through a slight renaissance. Talks about peace in North were actually seeming to be happening, the economy seemed to be going well, and young people weren't fleeing for better things. There was a large mass of people going, enough that I liked to separate myself from them as much as I could. Seen one pub, you have pretty much seen it all. I liked to look at the wonder and the glory of the countryside. The people, who it seemed for all this talk about Ireland becoming a powerhouse, seemed to be still waiting. There was always a reticence among people. A reserve of pain that they carried but did not share. As the problems with the Church and the people came out I began to understand why. Also there were some areas that I can only describe as well heavy. Woods that seemed to go on forever, areas that one didn't want to hang around in. Places that I and others feared to tread. This all came back to me reading this novel, a very atmospheric and thriller. The Counting Game, the debut of novelist Sinéad Nolan is a story about a missing child, a woman dealing with loss, a patient in fear of sharing, the secrets that a society holds on to, and what might be out in the dark, deep woods.
The time is 1995, and Ireland is going through a resurgence in many places. Other places time goes on like it always had. Especially in the southwest of Ireland. Two children siblings journey into the woods, thirteen-year-old Saoirse Kellough and her brother Jack who is nine. Saoirse does not come out, and Jack refuses to speak to anyone about what happened or what he saw. The only thing known is that they were playing the counting game when Saoirse disappeared. The Garda, the Irish police are called and a search party and investigation is started, which stalls as there is no information to work on. The woods are known for their not letting children leave. Freya Hemmings, a psychotherapist, is brought in to try to reach Jack. Freya is not doing well either, still coming to grips with the fact that she has lost her child, and does not react well to Jack at first. Their sessions are more like battles in a multi-front war, and Freya seems no closer to finding out what happened. The woods have a powerful pull on the people, and Jack has sworn not to hurt them, even if it means trouble to those he loves.
A dark thriller, both a procedural and a poetic examination of loss and trauma. There are lots of beautiful sections here, even in the darkest of writing. Nolan is very good at capturing the atmosphere of the unnerving. The strange discomfort of being in dark woods, dealing with entrenched ideas, and customs. The modern idea of policing meeting the ancient ideas of spirits and ghosts. The sessions between Freya and Jack are very enthralling, and add much to the story, and the uncomfortable feeling that runs throughout the narrative. There is a time limit, the reader knows that, but what and when, is unknown, and Nolan very carefully parses that out. A very accomplished thriller.
Fans of Tanya French will enjoy this look at Irish crime and missing people. A very stylish and narratively strong debut, from an author I think people will be talking about. I can't wait to read more by Sinéad Nolan.
Thank you NetGalley and Gallery/Scout Press for the ARC in exchange for an honest review!
Sinéad Nolan’s debut novel “The Counting Game” is a haunting psychological crime thriller that combines the unease of Irish folklore with the grit of small-town secrets. Atmospheric, unsettling, and deeply emotional, it marks Nolan as a fresh voice to watch in Irish crime fiction.
Set in 1995 in the fictional village of Drumsuin, the story begins with the disappearance of thirteen-year-old Saoirse Kellough, who vanishes while playing the eerie “Counting Game” with her younger brother Jack. This chilling game, passed down from their late mother, is both a motif and a mystery at the heart of the book. Jack, traumatized and unable to speak, becomes the case’s most important witness; his disturbing artwork offering glimpses of what may have happened in the woods.
Enter Freya, a psychotherapist brought in to help Jack recover his memories. As an outsider in the close-knit village, Freya is met with suspicion, but her compassion and persistence gradually peel back layers of trauma, superstition, and buried truths. The villagers whisper of a creature in the forest that punishes those who disrespect it, while rumors of past tragedies, including missing girls and shadows of Ireland’s Magdalene Laundries, deepen the story’s eerie texture.
The book unfolds through multiple points of view and shifting timelines, weaving together perspectives from Freya, Jack, and others in the village. While the structure requires attention and the slow-burn pacing may test some readers, the payoff is a taut, emotionally charged climax. The twist, though somewhat predictable, lands with impact thanks to the groundwork of atmosphere and character development.
Nolan excels at crafting mood: the dark forests feel alive with menace, the village suffocates with secrecy, and the silence between Jack’s words speaks louder than anything else. Freya is a standout protagonist; she is tough yet vulnerable, and shaped by Nolan’s own background in psychotherapy, which lends authenticity to her relationship with Jack.
Though some plot elements stretch believability, and the supernatural threads are left deliberately ambiguous, these choices enhance rather than diminish the story’s haunting quality. At its core, this is a story about grief, memory, and the painful legacies families and communities carry.
The counting game - what an original concept of a psychological thriller.
This is a crime fiction novel set in Ireland and a fictional place called Drumsuin.
This story is set with the Kellough family who have had quite a turmoil and difficult few years which isn’t helped when Saorise goes missing. Her disappearance is explored through supernatural themes intertwined with locals in a small village. Multiple POV’s are included to build up the suspense and discovery of what has happened to Saorise.
Her younger brother Jack was there when she went missing and due to the trauma the events have been ‘erased’ from his memory. A psychotherapist Freya helps Jack to uncover this trauma which is expressed through his paintings. Freya works alongside the Gardaí (police in Ireland) to help uncover the case and find Saorise.
I found myself constantly switching suspicions among the different characters in this book & this was kept suspenseful with the multiple POV. I also felt sympathetic for Jack & Saorise though-out the book due to their troubled upbringing which left me feeling quite emotional at the end of the book and this isn’t something I always expect from a thriller.
Really can’t wait to see what Sinead writes next what a fab debut novel! Thank you to HarperNorth (Harper Collins) & the author for providing me with a copy for an honest review.
Thank you to HarperCollins Ireland for sending me a copy of this book!
Creepy woods, small-town secrets, and a game you definitely don’t want to play - The Counting Game is a haunting debut that hooked me right away.
Set in 1995 in rural Ireland, the story follows the disappearance of Saoirse, a teenage girl last seen playing the eerie “Counting Game” in the forest. The case rattles the whole village, and with nine-year-old Jack as the only witness (and refusing to speak), psychotherapist Freya is brought in to help. What follows is an atmospheric, unsettling mystery that blurs superstition, trauma, and truth.
At first, I found the switch between first- and third-person narration a little tricky to settle into, but once I adjusted, I actually grew to enjoy how it added texture to the story and gave different perspectives room to breathe.
I loved the eerie Irish setting - Sinéad Nolan captures that claustrophobic small-town tension so well. The pacing is taut, the writing is moody and lyrical, and Jack’s silence adds a chilling layer of suspense. It’s dark, emotional, and definitely not the kind of story that lets you breathe easy.
This is a strong, haunting debut - perfect if you like your crime fiction atmospheric, psychological, and tinged with folklore.
Jack is a traumatised child who is being raised by his sister Kate following the death of his mentally ill mother. He and his other sister, 13-year-old Saoirse, play a dangerous counting game in the forest to keep The Creature at bay. One evening Saoirse disappears during the game. Next morning a full-scale police hunt is launched. Freya, an expert at supporting traumatised children, is brought in to gain Jack's confidence and find out what he isn't telling police. Freya soon realises big sister Kate and aunt Bronagh may also be concealing information. Jack is a main viewpoint character. He's nine but appears much younger as he observes the case going on around him and he also has flashbacks to games in the forest. Freya is the first-person narrator, warm and competent but with her own tragic backstory. We also have chapters from Saoirse’s viewpoint dating back to difficult times with their mother. There is a strong sense of place in the Irish coastal village setting with a good cast of secondary characters. This is written in a literary style and is as much a study of trauma, grief and dysfunction as it is a mystery. With thanks to the author, publisher and NetGalley for the opportunity to read an early copy in exchange for an independent review.
‘The Counting Game’ by Sinéad Nolan is set in Drumsuin, a small village that has been plagued by several disappearances in the last decades. In 1995 a young girl named Saoirse disappeared while she was out playing in the forest with her little brother.
Freya, a psychotherapist is called to help find out what happened by talking to Jack and his family. As she tried to uncover the truth, she finds out that strange things have been happening in this forest for a long time.
I do not read many crime/ mystery novels like this, and I was pleasantly surprised by how much I enjoyed reading this. There are many aspects to the story along with the missing person plot. I was interested in finding out what happened and how the family dynamics worked in this book. As I am not really familiar with books like this so don’t know if I am the best person to say something about this “mystery-plot-wise”.
I found Freya quite unprofessional and therefore not so likable, while I do think she was meant to be liked. I also think there were a few things that did not really add up, but the story did keep me intrigued until the end. The flashback chapters were the most interesting to me.
Thank you so much to harper collins for sending me a gifted copy.
THE COUNTING GAME by Sinéad Nolan is an outstanding, ⭐️⭐️⭐️⭐️⭐️ missing person tale set in the village of Drumsuin in southwest Ireland in 1995. The Kellough family has had a rough time of it lately and then young teenager Saoirse Kellough goes into the forest with her younger brother Jack, but only he returns. Is she just lost in the woods? A runaway? A victim of some sad accident? Or the latest in a series of girls who have gone missing in the area over the last 20 years? The Gardai (police) need Jack's help to understand what happened... but he's not talking.
Therapist Freya Hemmings is enlisted to help unlock the secrets that Jack is keeping, in hopes of providing the Gardai with the information they need to find Saoirse and bring her home safely. As Freya slowly begins to gain Jack's trust, she learns more about the family's past and their difficulties, as well as the town's widespread fear of the forest. The more she learns, the more she questions what may have really happened.
This story drew me in - Nolan's characters are compelling, intriguing and tragic - each with their own strengths, weaknesses and secrets. The rural setting is beautifully described and the nearby forest is almost a character in and of itself.
Nolan delivers captivating characters, tense situations, lots of possibilities about what happened and who might have been involved, and a surprising ending.
Recommended!
Thanks to #Netgalley and Gallery Books for the early review copy!
I was completely pulled into this debut novel. It is haunting, emotional, and so beautifully layered. The three different points of view worked perfectly and made the story feel rich and immersive. Each character felt real, interesting, and surprisingly easy to care about, which made the tension hit even harder as the mystery deepened.
The atmosphere is incredible. The small town history, the eerie woods, and the long buried secrets created a setting that felt alive and unsettling in the best way. I kept guessing the whole time and never saw the final twist coming. It genuinely shocked me.
The writing is strong and thoughtful, especially in the way it explores difficult themes like bipolar disorder, suicide, and self harm. The author handled these topics with care and honesty, which added emotional weight to the story without overwhelming it.
A powerful, gripping debut that left me thinking about it long after I finished. A solid 4.5 stars.
Thank you to NetGalley and Gallery Books for the ebook copy. These thoughts are my own.
This novel is in 7 parts, with multiple short chapters with varying character POVs. I had to mention that, as my main criticism is for parts 4 and 5 of this book, which were a little repetitious at times. This novel started off with a bang and drew me in immediately. I devoured the first 150 pages and refused for life to get in the way before I had to make time to read another chapter, or two, or three!! A fun and unique premise with well fleshed out characters and a very good setting. Very atmospheric at times. I didn't give this book 5 stars because I thought part 4 and part 5 needed a bit of editing down, that some sections seemed a little repetitious. I enjoyed the ending and the reveal immensely and will look out for this author's next book!
I bought this book in a bookstore late December 2025, there are multiple Goodreads options for this book, and it says it is not in print yet.... the author should clean up the Goodreads options for this novel, so readers can review and rate just the one book, without 5 options, one of which being for advanced reading.
The Counting Game is a dark, compelling psychological thriller set in a small Irish village where old beliefs and hidden truths collide. When a young boy becomes the key to understanding a recent tragedy, an outsider is brought in to help uncover what really happened—though the community isn’t eager to talk.
Sinéad Nolan crafts an eerie, atmospheric story that blends suspense with emotional depth. The tension is expertly maintained, and the writing explores themes of trauma, tradition, and the silence that often surrounds painful events. With strong character work and a vivid setting, the book keeps readers engaged without relying on sensational twists.
A gripping and thoughtful debut that balances psychological intrigue with a haunting, slow-burn mystery. Ideal for readers who enjoy crime fiction with emotional weight and a strong sense of place.
The Counting Game is the kind of novel that creeps under your skin and stays there — full of mystery and memory. Set in rural Ireland in 1995, it begins with a game between two children in the woods and a girl who never comes back. From that moment, Sinéad Nolan’s novel unravels a haunting mystery laced with folklore and guilt. Told through multiple points of view, notably Freya a psychotherapist, and Jack, the child that survives the game, the story shifts smoothly between timelines and truths. Nolan writes with sensitivity and depth. The forest feels alive, steeped in superstition and sorrow; the village itself is a tangle of secrets and old griefs. The supernatural hovers at the edges but never overwhelms the human heart of the story. This is a slow burn, but an absorbing one. A brilliant read.
Saoirse disappears after playing the counting game with her brother Jack. Jack is not talking about what happened in the woods. Freya, a psychotherapist is asked to help talk with Jack to get information about what he witnessed in the woods.
This is an interesting mystery with some creepy undertones. It was a bit slow to start and somewhat repetitive. Once it got going, it did become more intriguing and had me guessing until the very end. This wasn’t a quick “popcorn thriller” type book, but more of a slow-burn mystery suspense. I recommend you read this book if you like the premise. The characters had decent depth for a thriller and the dialogue felt natural. The writing was well done and flowed nicely and made it easy to get into once the plot picked up.
Thank you, NetGalley and Gallery Books for allowing me to read this book early. The opinion in this review is my own.
Many thanks to netgalley, the author and the publisher for approving my request to read this book.
Set in Ireland in 1995 local girl Saoirse goes missing whilst playing a game with her young brother Jack in the woods. As the story unfolds the mystery deepens and you're left wondering who you can trust if anyone and just what did happen to Saoirse.
I thoroughly enjoyed this book which started out as an almost supernatural thriller but quickly became a much deeper story though it maintained the creepy feel throughout.
I'll definitely be recommending this book to others and look forward to more from this author.
It is 1995 and old superstitions flare in an Irish village after a teenage girl goes missing. The only witness to what actually happened is young boy who is refusing to speak.
The fact that the girl's disappearance took place in the course of a traditional game with ritual and mythic aspects to it has stirred up old controversies and beliefs. But will any of that really matter if she cannot be found in time?
Gripping and atmospheric, this story succeeds in holding the reader's attention throughout. It gets 3.5 stars.
I received a free copy of this book from Netgalley in exchange for an honest review
A crime story interwoven with elements of supernatural/paranormal, reminded me of C J Tudor's work a little. Whilst I'm not a big reader of the paranormal genre, to have elements interwoven into a crime novel to keep you guessing as to which way the story will bend, I find interesting.
A 13 year old girl goes missing from a local forest. Her 9 year old brother was with her and is haunted by her disappearing, and is repressing his memories of the day. We learn that girls have gone missing in this forest in earlier years, and the author does a good job of maintaining the eerie atmosphere throughout.
I'll look forward to reading more of Sinead Nolan's works.
A truly edge of your seat story. Steeped in tradition of village gossip and rumor. The forests can be both shelter and jail. That is the mystery Freya Hemmings must solve in a small villiage in Ireland. The disappearance of Saoirse Kellough brings the psychotherapist front and center with the suspicion and history of children going missing from the surrounding forest. It seems to hinge on a game the children learned and hold as sacred to keep the “monster” away. Freya pushes as hard as she can to uncover what really happened to Saoirse and Jack seems to know but cannot or will not tell. Happy reading
This feels like a two genre book. On one hand, it's a family drama, coping, or trying to, with the breakdown of family life. A death, and a child disappearance. On the other hand, it's slightly other wordly, with its talk of haunting, creatures, and missing children. The slower pace gives you a chance to get to know the characters, and the location better. I very much enjoyed the whole thing, the never quite knowing. Solid story line and conclusion, and one I'll be recommending to others.
We begin the story in Drumsuin, 1995 where Saoirse (13) goes missing when playing a game called The Counting Game - the only witness is her brother Jack (9). The Gardai call in Freya, an English psychotherapist to help Jack unlock his memory to aid the Gardai in searching for his sister, nad we soon learn that there were more missing girls. It was told by different characters and over different time periods. It was gripping, gritty, taut and tense, which led to a dramatic ending!
3.5/5 stars! This is a psychological thriller that takes place in 1995 Ireland. The premise was super interesting, but I was just confused for the majority of this story. I couldn't figure out if it was trying to be a crime thriller, host elements open to interpretation for paranormal influence, or give in to small-town secrets. I did like the conclusion; it was just hard to follow at times.