From award-winning author Diamond Forde comes a stunningly powerful poetry collection exploring lineage and the legacy of survival as seen through the life of her grandmother Alice—a Black woman born in the Jim Crow South—using the King James Bible as a narrative framework.
“Alice / a god-song, swings still in the high / branch of our throats. I miss her, wonder / what she plants in heaven’s mulch.”
When her grandmother Alice died, poet Diamond Forde inherited a well-worn copy of the KJV Bible to remember her by. Borrowing forms, themes, and characters from its pages, Diamond resurrects her memory in a new sacred The Book of Alice. With rich, surprising language and formal dexterity, these poems retell the story of her life.
Born in rural North Carolina, Alice joined the tide of the Great Migration when she made her exodus to New York City. She married, divorced, and raised eight children, all while struggling to define herself in an America that looks frighteningly like our own. Exploring themes of oppression, liberation, and redemption, Forde draws bold parallels between biblical narratives and the lived experiences of Alice and other Black women, so often relegated to the margins of history. These poems feature the voices of Lot’s wife, Sethe from Morrison’s Beloved, and even the sow from Noah’s ark, and embody creative apocryphal forms like recipes, a family tree, and a US Census Report alongside imagined psalms and scriptures.
More than a poetry collection, The Book of Alice is a dialogue with the past, a meditation on the present, and a road map for the future. Essential reading for anyone drawn to the intersections of race, gender, history, and the unyielding power of personal stories, The Book of Alice is a heartfelt elegy and an invitation to find strength in the roots of our shared humanity.
I love a fully realized poetry collection and The Book of Alice is one such. The project here is so thoughtfully, powerfully executed and I'm so glad to have read this.
Perfection. The concept of a family history through the framework of the Bible, the relationship of the people included, the use of various devices. There's a goddamn RECIPE as a poem and it was one of my favorite parts. It encompasses not just the biblical and the familial, but the harsh, often challenging humanization of the genealogical record while celebrating, condemning, and comforting everyone. I am blown away.
“… & in my hands, I think she saw a potential to dig, to muck deep into the manure of my imagination, to sprout offshoots I’ll plant in someone else someday, when I am not afraid to think of myself as a god large enough that every heart-shaped leaf dicing light to dust could beat in my own chest, & I’ve never made a life, but I’ve reached into the refuse they make of us, found hearts hardy as crocus bulbs, & in this poem I will plant a world for women where kudzu climbs & is wanted.”
— from “Poem in Which I Should Write About Cain, but I’m Tired of Writing About Death”
Happy pub day to Diamond Forde’s 🎊 THE BOOK OF ALICE 🎊
— and what joy it is to read another winner of a book from the team at Scribner Poetry! 🥰📚🌟
I love a poetry book that is full of intention and narrative and Forde has done just that and from the beginning I knew I was into it as it started:
“Like anyone with an imagination, I grieve the infinite me, a multiverse of self thrust through space dust,
& I’ve survived…”
The first poem then ends with the following:
“the survivor left to pry these dream songs from the honeysuckle sky—
promise you’ll hold me
like a long, needful breath
then turn me loose.”
First poem in and we got a need for legacy, a need for living ✨
Before the collection of poetry is divided into chapters like the King James Bible that Forde inherits, she gives us a family tree of a poem which depicts where everyone stands and in which Alice (the Daughter) is “a GOD song swinging in the high / branch of our throats— / what has she planted / in heaven’s mulch?”
“— have I bloomed / the right melody yet?” The Poet asks.
I say yes, like “stardust… shimmering in circles,” I turn each page and there’s cadence in each line such as in “Census of Daughters” where we get:
“their clatter cantoring a timeworn cantata for riches.”
“gaped / the gap in its bruise-black mouth — swore she saw her own mother peek out.”
“Em scopes ghosts strung / up like cobwebs in the corner cuz Em be the GOD bride. Em wear the veil. Em sees…”
“V be body. V be young. V be a tooth warmed in a dusk-gored / plum…”
4.5 - “Why not hold to the kick of another’s heart while you can hear it? Why not lose yourself in the unshackled lineage of a song?”
Big thanks to Scribner Books for the ARC in exchange for an honest review!
I’ve always enjoyed poetry but in recent years I read it more infrequently than I’d like. So I was excited to get this collection which is so poignant and honest that I read it all in one sitting.
In the collection, Forde explores the legacy of her grandmother who was born in the Jim Crow south through the King James Bible she was given after her death. It’s a fascinating journey as the poems blend together to tell a story of oppression and survival while connecting herself to the life her grandmother lived.
It’s really moving and affecting, especially in the way the poems themselves are presented. Each poem is more compelling than the next, blending connections to religion, racism, gender, and history. This isn’t like any other poetry collection I’ve read before, and I’m glad that I was able to read this. It’s truly excellent.
Still haven’t processed this book yet. One of the most innovative poetry collections I’ve read. Telling her grandmother’s (and her family’s history) through a retelling of the King James Bible. Black women are storytellers, legends, caregivers, and family historians. To see how Forde canonizes her family’s history in such a creative way truly blew me away. Loved loved loved this one.
From the Notes at the back of the book: “The Book of Alice seeks to recenter the oft-nameless Black women necessary to cre-ation, to ask what happens when we focalize on the Black narratives whitewashed from the most canonized text of all time. The collection follows and affirms the existence of my grandmother Alice, from girlhood to womanhood, during her migration north, and our generational return south, to ask what parts of self-making, of legacy, of inheritance can never be silenced.”
I have been waiting for this book ever since I read “Clabber Milk Cornbread” by Diamond Forde in 2022. The way stories in the Holy Bible and those of a Black grandma can conjure worlds and help bring me closer to myself is the best kind of spell. I am so grateful this book exists. My grandma would have loved to hear this. Lush and reclaiming and true. This is part of the world(s) I am reaching for with language: the wild resilience of quare-ness inherent in Black Womanist Theology and the matrilineal trails of the Black South. Our Heaven, now.
Diamond Forde's poetry is not like any other work out there - this collection is exciting, bold, unusual, and deeply moving. The Book of Alice is an innovative collection, the kind of experimental that invites rather than alienates audiences. There is pain and rawness in these lines, and there is such deep joy and love. Here is a poet who understands that joy does not negate pain, but rather that pain is often what makes joy so precious, and is, indeed, its own powerful and honest force.
"The Book of Alice" by Diamond Forde is a collection of poems describing the shock of leaving home and heritage behind; the pain and paths of first love; and questioning the world as people clamber over the roadblocks of life. These poems recall the horrors and atrocities of slavery and its legacy in present-day lives. It is a history that needs to be remembered, and its victims and their descendants honored.