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TwoKinds #1
Twokinds Vol. 1
After waking up without any memory of his past, the lone mage Trace finds himself in the company of Flora, a girl from a bestial species known as the Keidran. Along with a reluctant Basitin warrior named Keith, they journey in search of a place to call their own. But with war between the races brewing, love conflicts with loyalty. Includes a bonus five-page epilogue!
116 pages, Kindle Edition
First published October 22, 2014
19 people are currently reading
198 people want to read
About the author
Thomas Fischbach
9 books14 followersThomas Fischbach is a Korean-American cartoonist who has been drawing since he was a teenager. He was inspired to create Twokinds after having experienced racial discrimination from kids at his school, who were predominently white. The Twokinds webcomic debuted online in October of 2003, and continues running today to the delight of its large and devoted readership. Fun Fact: Tom is the brother of YouTube superstar Mark "Markiplier" Fischbach, and has appeared in some of his videos in the past.
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Displaying 1 - 15 of 15 reviews
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December 26, 2016Adorable! ^^
August 30, 2015
Really great comic series by Tom Fischbach. It's more than just "some furry comic", it's about acceptance, finding friends in places you wouldn't expect, and even embracing taboos. Tom builds a really interesting world with interesting backstories for his characters throughout. Only problems I have is that the pacing is kinda shaky at times, and sometimes the writing too, but all - including the art style - improves over time as this webcomic is still going strong. The 12 year milestone is fast-approaching. The story continues on 2kinds.com if you ever want to read on, I highly recommend it.
July 30, 2025
I started reading this comic online so long ago I don't think I can give it an unbiased review. I see it as a comic written by a young artist trying to work through their thoughts around various issues, using a cute and mostly furry cast. The story does grow a beard as it progresses, and the art also improves each volume, if you choose to continue.
April 18, 2016
This is way better than i imagined. My friend got me into this and I love it.
December 21, 2017
I love it
November 10, 2025
I will be using this entry to represent all of TwoKinds (at least what Tom has released up until this point). The following review is for the entire series, not just volume 1.
There is a disproportionate relationship between the time that goes into making a story and the time that one gets out of consuming it. Authors will spend years writing their epics. It will take you only a month to read, and within the narrative itself, only a few days may pass from start to finish. Movies are even more extreme. Millions of dollars, hundreds of hours of time from hundreds of people from storyboard artists, actors, costume designers, editors, VFX artists, interns and more; all to create a movie that will take you 2.5 hours to watch.
Time is the supreme cost of storytelling. But luckily, humans have nothing but time, and if they have the drive they can create something truly special.
The best time to read TwoKinds is right now. After 22 years, a major (but not the major) story arc has just resolved. The two main relationships we follow have reached satisfying points, but both have yet to reach their climax. I thoroughly enjoyed reading TwoKinds over the past month, but I could not image having been a reader back in 2015 or, God forbid, 2005. One page a week just doesn't do this story justice. And I know there's no way to fix that. Tom Fischbach has been working his but off, almost entirely on his own, on this comic for the past two decades. Even I can only draw two comic pages a week, and that's because they aren't in full color. I've been doing this for three years now, I couldn't image doing it for 22. His patience as a writer is unparalleled.
Twokinds juggles a variety of story arcs at once. Sometimes these plot threads break off from the others as characters get separated, only to tie back in with the main cast. Some of these story arcs I love, and others I could leave. Trace and Flora's relationship for the longest time was mediocre. In the early days, Flora's personality was timid, gremliny, and overly cute. Trace had no personality to speak of. Slowly but surely Flora does grow into an interesting character, but I can't say the same for Trace. In recent years, the story has focused more on Trace's history and actions from before he lost his memory. Its a good move, and it gives him a lot of things to reflect on.
Keith and Natani, on the other hand, are actually perfect. Keith is a moody little closeted edge-lord who grows into a confident person that others can rely on. Natani too finds an inner strength and discovers his own identity separate from his brother's. Watching these two fall in love while becoming better people is my favorite part of TwoKinds. The rest of the cast is cute and funny, but I will say that Red and Raine's relationship is my my least favorite plot thread. Red can be entertaining, but Raine doesn't have much going on personality wise. She's learning to control her powers, which I just don't find all that interesting. Obviously I would like to see the two end up together, but I wouldn't be disappointed if Tom pulls the rug out from under us and does something else with the two.
TwoKinds, by its nature of having run for two decades, is a story that improves and evolves right before your eyes. The early art is charming, but the story writing isn't very good. Tom would often set up ideas, only to backtrack or retcon them later. But slowly the art and writing gets better and better, and I think the Basitin arc is the first point in which TwoKinds is actually pretty good. And from there the story only improves.
TwoKinds has always been about slavery, and in the early chapters it was shown as sad, but Tom didn't have the artistic capacity to depict the real horrors of it. After the Basitin arc we do get a pretty emotional chapter about the horrors of the slave collar, and by 2025 Tom depicts a Kiedran orphanage in all its horror. As for the backtracking and retcons, Tom has recently done a very good job of working them into the story, revealing that some paradoxical elements are actually just secrets the audience was previously unaware of.
TwoKinds is charming. It comes from an early version of the internet, and it stands as almost a time capsule back into those times. The art and story have only gotten better with time while still maintaining its identity. Tom Fischbach has dedicated countless hours and years into this project, and it absolutely shows. I can't wait to check in a year from now to see where he takes us.
There is a disproportionate relationship between the time that goes into making a story and the time that one gets out of consuming it. Authors will spend years writing their epics. It will take you only a month to read, and within the narrative itself, only a few days may pass from start to finish. Movies are even more extreme. Millions of dollars, hundreds of hours of time from hundreds of people from storyboard artists, actors, costume designers, editors, VFX artists, interns and more; all to create a movie that will take you 2.5 hours to watch.
Time is the supreme cost of storytelling. But luckily, humans have nothing but time, and if they have the drive they can create something truly special.
The best time to read TwoKinds is right now. After 22 years, a major (but not the major) story arc has just resolved. The two main relationships we follow have reached satisfying points, but both have yet to reach their climax. I thoroughly enjoyed reading TwoKinds over the past month, but I could not image having been a reader back in 2015 or, God forbid, 2005. One page a week just doesn't do this story justice. And I know there's no way to fix that. Tom Fischbach has been working his but off, almost entirely on his own, on this comic for the past two decades. Even I can only draw two comic pages a week, and that's because they aren't in full color. I've been doing this for three years now, I couldn't image doing it for 22. His patience as a writer is unparalleled.
Twokinds juggles a variety of story arcs at once. Sometimes these plot threads break off from the others as characters get separated, only to tie back in with the main cast. Some of these story arcs I love, and others I could leave. Trace and Flora's relationship for the longest time was mediocre. In the early days, Flora's personality was timid, gremliny, and overly cute. Trace had no personality to speak of. Slowly but surely Flora does grow into an interesting character, but I can't say the same for Trace. In recent years, the story has focused more on Trace's history and actions from before he lost his memory. Its a good move, and it gives him a lot of things to reflect on.
Keith and Natani, on the other hand, are actually perfect. Keith is a moody little closeted edge-lord who grows into a confident person that others can rely on. Natani too finds an inner strength and discovers his own identity separate from his brother's. Watching these two fall in love while becoming better people is my favorite part of TwoKinds. The rest of the cast is cute and funny, but I will say that Red and Raine's relationship is my my least favorite plot thread. Red can be entertaining, but Raine doesn't have much going on personality wise. She's learning to control her powers, which I just don't find all that interesting. Obviously I would like to see the two end up together, but I wouldn't be disappointed if Tom pulls the rug out from under us and does something else with the two.
TwoKinds, by its nature of having run for two decades, is a story that improves and evolves right before your eyes. The early art is charming, but the story writing isn't very good. Tom would often set up ideas, only to backtrack or retcon them later. But slowly the art and writing gets better and better, and I think the Basitin arc is the first point in which TwoKinds is actually pretty good. And from there the story only improves.
TwoKinds has always been about slavery, and in the early chapters it was shown as sad, but Tom didn't have the artistic capacity to depict the real horrors of it. After the Basitin arc we do get a pretty emotional chapter about the horrors of the slave collar, and by 2025 Tom depicts a Kiedran orphanage in all its horror. As for the backtracking and retcons, Tom has recently done a very good job of working them into the story, revealing that some paradoxical elements are actually just secrets the audience was previously unaware of.
TwoKinds is charming. It comes from an early version of the internet, and it stands as almost a time capsule back into those times. The art and story have only gotten better with time while still maintaining its identity. Tom Fischbach has dedicated countless hours and years into this project, and it absolutely shows. I can't wait to check in a year from now to see where he takes us.
November 5, 2025
Webcomics (that is to say, comics which made their first appearance online, uploaded page-by-page on a daily-to-irregular schedule, most often created entirely by a single artist or a small independent team) hold a very special place in my heart. It would have been sometime during the nineties when I first discovered them, and given the skillset of the time required to be the sort of person to upload a comic regularly to the internet, a great deal of them seemed to be about college room-mates making computer and niche nerd jokes. Things of course diversified quickly, and nowadays it can be difficult to tell the difference between some webcomics and industry-published comics.
I don't remember my very first discovery of Twokinds, but the comic recently celebrated its 22nd anniversary, and is still going on, and I thought I'd go back through and read it again.
It can be a startling thing to go from the current page of a comic back to the very first, and seeing the difference decades of consistent art development can make. Is the beginning art amateurish? Yes. It looks like someone who learned to draw via those 'how to draw manga' books, with faces and body-types showing very little distinction. Everyone has absurd anime hair colours, and, in spite of being a fantasy world where people wander through the woods a lot and stay at ye-olde-inns, there seems to be a great deal of t-shirts and turtlenecks worn.
Yet I will say, it's all pretty much clear enough to read. Fischbach knew how to structure panels and place word balloons, which is more than I can sometimes say for professional industry comics. Character designs are consistent, everything is colourful in a way that draws the eyes, and even if everyone has the same anime face, at least their clothing and hair makes them easily distinguishable.
The story is equally sloppy. If there is one theme that I think can define Twokinds, beyond 'final-fantasy-esque fantasy world', it's 'racism'. The setting involves humans (you know what a human is), basitins (they're kind of generically furry non-animal specific folk) and keidran (who are furries - they come in the varieties of cats, canines, and a few others). Humans have some degree of tolerance for the basitin, and the basitin seem to think likewise, but everyone hates the keidran, and their treatment of them is analogous to any and every form of racial prejudice that has existed in earth history. Keidran are treated as animal and killed on sight, they're enslaved, they're warred with, etc. The story proper involves Trace, formerly 'the high templar', who was the most powerful evil wizard in the land and the biggest keidran hater of them all, waking up in a forest with no memories as a naive, good-natured chap who immediately runs into a keidran tiger-girl named flora being menaced by some generic goon. They form an attachment very quickly, and their romance becomes the central crux of much of the comic.
If I sound harsh in my review of all of this, it's because I want to highlight how humble and stumbling the BEGINNING of this is, compared to it's present. Twokinds - a very popular webomic which has been running for twenty-two years - did not come out of the gate as a brilliant work of art. It began where a lot of artist and writers might begin: with obvious influences, shaky grasp of cliched story-telling, and a modest art level. But Fischbach stuck with it, kept going, and has shown what other aspiring comic-creators can do if they just keep at it and stay true to their passion. And THAT is one of the things I love most about webcomics: sticking with them, and seeing them grow into something great and unique.
I don't remember my very first discovery of Twokinds, but the comic recently celebrated its 22nd anniversary, and is still going on, and I thought I'd go back through and read it again.
It can be a startling thing to go from the current page of a comic back to the very first, and seeing the difference decades of consistent art development can make. Is the beginning art amateurish? Yes. It looks like someone who learned to draw via those 'how to draw manga' books, with faces and body-types showing very little distinction. Everyone has absurd anime hair colours, and, in spite of being a fantasy world where people wander through the woods a lot and stay at ye-olde-inns, there seems to be a great deal of t-shirts and turtlenecks worn.
Yet I will say, it's all pretty much clear enough to read. Fischbach knew how to structure panels and place word balloons, which is more than I can sometimes say for professional industry comics. Character designs are consistent, everything is colourful in a way that draws the eyes, and even if everyone has the same anime face, at least their clothing and hair makes them easily distinguishable.
The story is equally sloppy. If there is one theme that I think can define Twokinds, beyond 'final-fantasy-esque fantasy world', it's 'racism'. The setting involves humans (you know what a human is), basitins (they're kind of generically furry non-animal specific folk) and keidran (who are furries - they come in the varieties of cats, canines, and a few others). Humans have some degree of tolerance for the basitin, and the basitin seem to think likewise, but everyone hates the keidran, and their treatment of them is analogous to any and every form of racial prejudice that has existed in earth history. Keidran are treated as animal and killed on sight, they're enslaved, they're warred with, etc. The story proper involves Trace, formerly 'the high templar', who was the most powerful evil wizard in the land and the biggest keidran hater of them all, waking up in a forest with no memories as a naive, good-natured chap who immediately runs into a keidran tiger-girl named flora being menaced by some generic goon. They form an attachment very quickly, and their romance becomes the central crux of much of the comic.
If I sound harsh in my review of all of this, it's because I want to highlight how humble and stumbling the BEGINNING of this is, compared to it's present. Twokinds - a very popular webomic which has been running for twenty-two years - did not come out of the gate as a brilliant work of art. It began where a lot of artist and writers might begin: with obvious influences, shaky grasp of cliched story-telling, and a modest art level. But Fischbach stuck with it, kept going, and has shown what other aspiring comic-creators can do if they just keep at it and stay true to their passion. And THAT is one of the things I love most about webcomics: sticking with them, and seeing them grow into something great and unique.
January 23, 2024
natani is probably the worst transmasc rep in all of furry history. he deserves better
ok um, because someone is gonna ask for context. he's super hypersexualized. like his binder explodes and it's like DAMN DOUBLE DEE BOOBIES!!!
despite All That some furry transmascs do see him as a formative brain changing character, after all he was and probably still is (unfortunately) the most prominent transmasc character in furry media (90% of TK fans see him as a sexy boobie woman). there's a part that kinda goes hard about natani doing some self-reflection and having gender feelings and shit but that's like the one part of the narrative where he's taken seriously.
and apparently now they she/her him and retcon his entire transness. fuck!! i haven't followed twokinds since i was a naive kid searching up "Cool Furry Comics Online" and there's now better transmasc furry rep elsewhere.
oh and also this comic is horny as hell for enslaving furry women. and transformation fetish. so uh if you like that go ahead ig, although the similarities between furry enslavement and antebellum america are kind of hard to ignore even if you just read it as isekai type shit.
like why tf does the story try to play off eric vaughan as a good guy wtf. he's a slaveowner. he keeps kathrin as a slave and their relationship is super creepy??? like wtf girl what did a lifetime of slavery do to you. why does she prance about naked like that. like yeah i get this is a totally not porn type of webcomic but still what the Fuck how did i read this as a freshman highschooler and not freak the fuck out. me just reading with one braincell
markiplier's brother how could you have done this. haha markiplier's brother wrote this lol
ok um, because someone is gonna ask for context. he's super hypersexualized. like his binder explodes and it's like DAMN DOUBLE DEE BOOBIES!!!
despite All That some furry transmascs do see him as a formative brain changing character, after all he was and probably still is (unfortunately) the most prominent transmasc character in furry media (90% of TK fans see him as a sexy boobie woman). there's a part that kinda goes hard about natani doing some self-reflection and having gender feelings and shit but that's like the one part of the narrative where he's taken seriously.
and apparently now they she/her him and retcon his entire transness. fuck!! i haven't followed twokinds since i was a naive kid searching up "Cool Furry Comics Online" and there's now better transmasc furry rep elsewhere.
oh and also this comic is horny as hell for enslaving furry women. and transformation fetish. so uh if you like that go ahead ig, although the similarities between furry enslavement and antebellum america are kind of hard to ignore even if you just read it as isekai type shit.
like why tf does the story try to play off eric vaughan as a good guy wtf. he's a slaveowner. he keeps kathrin as a slave and their relationship is super creepy??? like wtf girl what did a lifetime of slavery do to you. why does she prance about naked like that. like yeah i get this is a totally not porn type of webcomic but still what the Fuck how did i read this as a freshman highschooler and not freak the fuck out. me just reading with one braincell
markiplier's brother how could you have done this. haha markiplier's brother wrote this lol
July 13, 2023
Manga meets anime meets mature Avatar the Last Airbender meets Furries meets medieval battles. Sex, drugs, and rock-n-roll (okay not really, but I couldn't think of another line). Things are mostly obvious. People want to betray each other, nobody is who they seem, there are the "have and have nots" and the "I am better than you because I look like a more human fennec fox and not a real fox, tiger, or wolf." There is a guy with amnesia, a tiger who is horny as heck, an old wolf (all of 21) and some triggers of violence, magic, and sexual context. So far the nudity is "only" limited to the tiger (female of course) and since she is an "animal" it's okay. However, while there are some clichés to things, it is an interesting adventure story about friendship, differences and understanding. I am hoping that things stay moving fairly quickly in sequels. The art is delightful. Everything does have the feel and tone of a webcomic.
December 26, 2023
Definitely my kind of story in more ways then one. Nearly everything I want in a story was in this one. The characters and art were beyond amazing and I absolutely loved it all! This was a fantastic beginning and I look forward to what happens next!
March 29, 2020
I wanna read so bad. The thing is, Lotsa youtubers say it has lewd and all but idontgiveaturd. I'm a curious 12yr that JUST WANTS TO READ BOOKS
November 13, 2023
This is my new favorite book. Inspiring and fetching. ;)
January 24, 2024
Is good it kinda focus on the character's life and etc like example trace who lost his memory
This entire review has been hidden because of spoilers.
February 1, 2018
Despite its cute and furry appearance, this comic is a surprisingly profound exploration of many social issues, including race/racism, sexism, gender identity, different types of friendships/relationships, etc. A friend introduced me to this comic because many of our discussions on these topics reminded him of events that occur in the comic (and also because one of the main characters shares my first name). Very highly recommended for its fresh perspective on modern social issues.
August 31, 2015
freaking love it!!
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