I started reading A Love Worth Forever with extremely high expectations fully expecting it to be a 4–5 star read for me. People talked about how character driven it is, that it’s a slow burn, and how respectful the MMC is. By all objective measures, this book should have been perfect for me. I was disappointed that it never really resonated.
I ultimately stopped around the halfway mark (about 55%), not because the book was bad, but because it wasn’t quite capturing my attention the way I had hoped. This is a well-written story—it just wasn’t the right fit for my personal tastes.
Our FMC, Nhuri, has recently left everything behind to escape an abusive relationship and start over. She has a lot going on—juggling multiple difficult jobs, caring for her sister who has lupus, and trying to rebuild a life with the support of a small but meaningful social circle. The MMC, Shyriq, is a wealthy owner of a distillery. As they get to know each other, casual flirting gradually turns into a job opportunity and the possibility of a relationship.
There were many things this book did well. Most notably, Shyriq is written as a genuinely kind and respectful character, particularly in how he navigates the potentially tricky power dynamic created by both his wealth and the fact that he wants to both employ and date Nhuri. I found Shyriq, Nhuri, and Nhuri’s sister to be interesting and compelling characters.
There were a few reasons the story didn’t fully land for me. First, BriAnn Danae does an excellent job narrating the audiobook in a voice and dialect that feels authentic to the characters and their community. It adds a strong sense of place and identity to the story. Personally, I sometimes struggle to fully settle into narrative voices that are culturally very different from my own, which made it harder for me to stay immersed in the audiobook. This is very much a personal reading experience issue rather than a flaw in the book, and I suspect many listeners will find the dialect a major strength.
Second, Nhuri’s character felt somewhat emotionally flat to me. In theory she has just left a long-term abusive relationship, but she often seemed surprisingly composed and emotionally regulated given that context. While she states that she is romantically interested in Shyriq, that interest didn’t always feel fully reflected in her thoughts and behavior. Although the romance is clearly intended to be a slow burn, it sometimes read more like a relationship developing without much spark.
Finally, while I think Lacy Laurel’s narration fit the tone of the book extremely well and was well performed, the measured pacing combined with the NetGalley audiobook player’s limited playback speed options made the listening experience feel slower for me personally. The available 1.25x and 1.5x playback speeds didn’t quite land in the right place for this performance. This isn’t a fault with the narration, just a limitation of the NetGalley audiobook app.
While this book wasn’t quite for me, it is well crafted and I can easily see it being a favorite for many other readers, particularly those who enjoy character-driven romance with thoughtful, respectful relationships rooted in dialectical terroir and a strong sense of community.