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265 pages, Hardcover
First published August 1, 2015
“The best pimps keep a steel lid on their emotions…”
”He approached writing with the same principle he had used for pimping; both were essentially acts of strategic storytelling. Beck reasoned that the narrative had to be entertaining and fascinating, but it also had to be logical and tightly organized. ‘And, you had to answer, just as you do the whore, all the questions before they are asked. And, you can’t be heavy-handed with it. You have to do it in a casual way. But I didn’t know this was what they call painless exposition that the writing craft speaks about. For every principle I used in Pimp, there is a literary name.’…Beck’s first person confessional followed in a long African American autobiographical tradition, from the slave narratives of Frederick Douglass and Harriet Jacobs to the recent memoirs of Malcolm X and Claude Brown, in addressing the racial inequalities of American society. Beck narrates in gritty detail his life as a pimp both to warn young blacks about the dangers of a criminal life and to hold American society accountable for producing the pimp in the first place.”
"Ain’t it a bitch? Ninety-eight percent of the black people back there in Hell will be born and die and never know the joys of this earthly Heaven. There ain’t but two passports the white folks honor. A white skin and a bale of scratch. I sure got to pimp good and cop my scratch passport. Well at least I get a Cinderella crack at Heaven."Iceberg Slim went on to act out, then write, several other novels of the street, among his most famous Mama Black Widow and Trick Baby, as well as a collection of essays, vignettes and thoughts called The Naked Soul of Iceberg Slim, modelled on W.E.B. Dubois’s The Souls of Black Folk. Beck’s books sold millions of copies, though allegedly Holloway House scammed his contract, enriching themselves while shortchanging the author.
"[Beck’s] next destination was Cleveland. Much like Milwaukee, Chicago, and Detroit, Cleveland had developed its own distinctive black community adjacent to downtown. During the first Great Migration, the Cleveland Real Estate Board started the widespread practice of using restrictive housing covenants to keep African Americans out of white neighborhoods.* Because of these restrictions, African Americans were crowded into a Black Belt that was located in the city’s Central District. It was bordered on the west by the Cuyahoga River and bordered on the east by Fifty-Fifth Street; Euclid Avenue enclosed it to the north, while Woodland Avenue was the main dividing line to the south. In this small rectangular expanse of the city, African Americans often slept in overcrowded kitchenette apartments,, storefronts, garages, and even train boxcars that were divided up to accommodate multiple families.* As in other Midwest industrial cities, blacks had initially come to Cleveland for the plentiful jobs. In the early twentieth century, it was the fifth largest industrial city in America, producing metals, automobile parts, varnishes, and garments. Black men were for the most part excluded from unionized labor and skilled trades; they were employed as barbers, servants, porters, elevator operators, and laborers on construction projects. They did the rough work in railroad yards, foundries, blast furnaces, and iron works factories. Much of this work was temporary and insecure; black men were often the last to be hired and the first to be fired. Black women were typically employed in household service, laundry work, and occasionally in box-making factories, where noxious fumes and dangerous machines made for unsafe and unpleasant work.*Gifford’s thesis about the early-to mid-twentieth century has echoes today in the twenty-first century, if we would only hear it.
As a result of these geographical and economic conditions, Cleveland’s Central District developed a thriving vice scene. Brothels, saloons, gambling houses, and speakeasies operated all over the black section. Among city leaders and police, there was an unspoken agreement to allow these vice industries to operate with impunity, as these criminal enterprises reaffirmed racist assumptions about the connection between blacks and immoral behaviors. It was also a way for civil authorities to monitor closely prostitution, gambling, and drinking without allowing them to spill over into “respectable” white neighborhoods.*”