3.5 stars.
***WARNING- THIS BOOK MAY CONTAIN POSSIBLE TRIGGERS FOR VICTIMS OF SEXUAL ABUSE.***
Plot- 7.5/10
Characters- 8/10
Writing- 8.5/10
World Building- 8/10
TOTAL- 7.9/10
Review- Slip was the 9th David Estes book that I have read, and while it may not have been my favourite, I still enjoyed it. One thing I can say with certainty is that Slip is the most thought-provoking book that Estes has written yet. The novel stayed in my head long after I finished reading it.
Slip is set in a scary dystopian America where the population is controlled by equalizing the death rate and the birth rate. Prospective parents must get a Death Match and wait for him/her to die before giving birth to a child. Unauthorized children, called UnBees, or Slips, when older, are hunted down and killed, as well as their parents. Our lead character, Benson is a Slip who's in a bit of a predicament, because his father just happens to be the head of the department of population control (PopCon).
The plot in this book is a bit all over the place. It starts with Benson when he is a child, detailing how he grew up as a Slip in his household with his parents. I found that while this was interesting, it lasted for too long- the scenes reinforced the same points multiple times (Benson is a young Slip who doesn't know what's going on), so much so that I found myself slowly getting detached from the story. Then, we immediately skipped to Benson at 16 years old, which left quite a gap where we didn't get any information. I think the book could have benefited from a shorter introduction, and possibly some chapters giving us background of Benson's life between the ages of 8 and 16.
Once the plot got going though, it really got going. It took me forever to really get hooked into the story, but at some point just about halfway through, it finally grabbed me. Estes then went back to his roots from the Dweller series and provided a lot of suspense, engrossing action scenes, and surprising twists that I admittedly did not see coming. The latter half was plotted brilliantly, so I am indeed quite happy that I decided to persevere and push through the slow beginning. Patience is a virtue.
Much like with the story line, it took me ages to really start relating to the characters. I didn't really care for Benson as a kid. The only thing I ever learned about him through the entire first section was that he was a Slip who had no idea what was up and wanted to swim well to impress his father. But again, somewhere near the halfway mark, I began to warm up to him. In YA male characters, I tend to really love guy characters who strike the perfect balance between strength and sensitivity. In the latter half, Benson was the pillar of strength as he went through grueling ordeals and suffered through tremendous losses. But especially in scenes with Luce (a friend of Benson's), the author exposed his emotional and sensitive side. Benson had moments where he got embarrassed, and humiliated, and he had scenes where he was essentially brought back down to Earth and presented as just another genuine teenage boy. Here is one such scene.
"He pulls at one of the sleeves of his t-shirt, stretching the material until it starts to tear.
"'Let me guess, you're picturing your shirt as the cyborg's face?' Luce says.
"'Something like that,' Benson says, although really he was hoping he'd be strong enough to rip off a strip so he wouldn't look like a pathetic wimp. Thankfully, the material tears away easily. It's not a perfect strip, but it'll do.
"'Show off those guns,' Luce says, gesturing to his now-exposed bicep.
"Benson wonders whether his face will stay warm for the rest of his life, however short that may be. Trying to hide his embarrassment, he goes to work wiping away the dried blood around the wound and on her cheek."
Those moments, however innocuous they may seem, do wonders to help me feel something for a character. And luckily enough I was able to become more attached to Benson in the end.
Luce, while she's not a particularly stand-out character herself, serves two purposes. One is to serve as Benson's other half, thus aiding in his character development, and another is to bring up a dark theme that David tries to incorporate into his book. Luce is a girl who has been sexually abused in the past, and she retells those moments to Benson. I personally found this very moving, BUT there is the possibility that this could act as a trigger for real-life victims of sexual abuse. Now, each person will react to Luce's story in different ways, but I do feel an obligation as a reviewer to notify you all of the mature content that is presented in the book.
Harrison Kelly was probably one of my least favourite characters in the book for one reason. He was flawless. Nothing makes a character more gripping than a fatal flaw. And Harrison Kelly doesn't really have one. He's the perfect guy- good looks, good morals, good athleticism, highly intelligent, highly popular, etc. He's got it all. So it was a bit hard to relate to a perfect character. Hopefully in the next installment his character becomes a bit more gripping.
Michael Kelly, Benson's father, was a very compelling character. What are you supposed to do when you are the head of the PopCon department and your kid is a Slip? He constantly found himself surrounded by problems, and I really felt pity for him and his life. I thought he was a great addition to the story and also added a unique perspective from the government.
The most controversial character in this book would have to be the Destroyer. He works for the government and is highly aggressive- he is a ruthless young adult who is skilled in taking down Slips and UnBees and serves as one of the main antagonists in the book. But the most important thing about his character is his psychopathic sexual behaviour. The Destroyer looks at women like toys that he can play with, and whenever he gets angry at them, he physically takes advantage of them against their own will and abuses them until he is satisfied. While not overly graphic, these scenes are rather appalling. I understood that these scenes were used by the author as a hate tool against the Destroyer, and in that way, this strategy worked. But I can't say how other people, especially victims of sexual abuse, will be ok with it.
These scenes, while not extremely graphic, are, in my opinion, shocking enough that some victims of sexual abuse might be affected in a negative way. There is no warning about or mention of rape scenes in the description of the book or at the beginning. Unfortunately there is no book rating system like there is for movies, and especially since not too many people have read Slip, readers do not have a way to find out that there are possible triggers in this book except through these reviews. Hopefully potential readers will have a chance to read theses reviews first so that they are aware of the content in this book. The last thing I would want is for an abuse victim to go into Slip thinking it's just a dystopian book and be blind-sided and hurt by some select scenes in this book.
The world building was really dark, and the writing did a good job of reflecting that. Typically the one complaint I've had about David's writing was that it was a little too peppy and happy. Here, he does a great job of keeping the tone dark and suspenseful. The world building was pretty good. I do have some questions though- how did the government determine that the ideal population was 504 million? It seems like an impossible task given the amount of resources you'd have to account for. How did the public accept the idea of killing unauthorized children that quickly? Why isn't an option to abort if a child is accidental mentioned? Wouldn't that cut down the number of UnBees? Anyway, I hope some more secrets about the world building are exposes in Grip. I also noted some similarities between Slip and Unwind by Neal Shusterman- both feature a dystopian America where kids are persecuted regularly. As well, the political propaganda spread throughout the book is a clear homage to Shusterman and his Unwind series, as he does the same thing in that series.
Overall, Slip was a really thought provoking novel that, while it took a long time to get into, stayed in my head even when I wasn't read it. I do again caution that there is material in Slip that is not for everyone, and I sincerely hope that no readers are thrown off guard and are affected by it in a negative way. I hope to read the next installment soon.