Content warnings: this book contains implied sexual violence and some fairly visceral descriptions of violence and death
The Fey Man is written by a Norwich author and clearly the publisher, Skerry Books, is a small press or self-publishing outfit, so I was a little pessimistic about the whole thing, but a colleague lent it to me. I was pleasantly surprised by the quality of the world and story building in The Fey Man. It is the first of a series, and feels like it, but that doesn’t make it any less fun to read.
The Fey Man is a fantastical version of the Arthur legends (with a legendary king who is supposed to rise again, a wizard who helped him, and a magical sword that will supposedly save the day) as well as the story of Thomas Rymour (or Thomas the Rhymer from our world’s legends) who is carried away to Faerie and returns having gained the gift of prophecy and unable to tell a lie, but discovers that he had been away for 100 years and everybody he knew and loved is dead. The Fey Man is the story of what it is like to live with prophecies, enforced honesty and a 100-year gap in your history, always trying to return to the addictive world of Faerie. It’s also the story of three powers dividing a continent called Tir, two groups of elfs (yes, it’s elfs in this rather than elves) from the West and East with very different cultures, and the humans stuck in the middle, as they deal with the threat of war and the fear of ancient magic. Thomas is recruited by the Eastern Elfs to help them find a way into Faerie so they can bargain for the Sword of Emyr, a powerful weapon that they believe can destroy the magical monoliths the Western Elfs are using to control dragons for their armies.
It’s a political fantasy with a quest element, and honestly I really enjoyed it. The plot sounds slightly convoluted when explained but makes sense when read, and Kelly evokes a sense of wonder as Thomas and his companions travel through Tir that raises The Fey Man above a lot of faux-LOTR fare. The characters are interesting and very different from one another, though it takes a long time to introduce them all, and the ladies are pretty uniformly badasses in various and varied ways, often martial, but not always. My favourite bit was when they finally make it to Faerie – I love portrayals of properly frightening versions of fey, and this had some great inventions, like the dual nature of the fey across the year, relatively benevolent for half the year and horrifying monstrosities for the rest of it. In many ways, I grew a bit disheartened when the story left Faerie and returned to the war of the real world, which seems appropriate somehow! There was a lot of the setting (such as the death religion of the Eastern Elfs) that intrigued me and I wish to know more about, and there is a lot to enjoy here.
It did feel, especially near the end, as though the proof reading could have done with another pass. For the most part it wasn’t an issue but there were a few missed words at the end that made it hard to follow what was going on. The beginning is also pretty confusing – you have to take an awful lot in straight away, with names and places being thrown at you very quickly. However, stick with it – Thomas is a likeably flawed protagonist and the story is a good combination of political fantasy and grail quest, especially as it quickly becomes clear that obtaining the Macguffin is only part of the solution, which leaves plenty for the rest of the series to explore.