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The Devil Take the Blues
"Slick’s gumbo of folklore, music, racial tension, and sultry Southern nights will please fans of the film Sinners, as this work similarly updates traditional Southern Gothic elements for a tale that feels both timeless and fresh."—
Kirkus Reviews
"I love this novel. It's powerful and original, funny and tragic--and most of all, true."—Mark Spencer, author of Ghost Walking
"Your novel is the best I've read in a long time."—Terri Valentine, author of Louisiana Caress
During the 1920s, Beatrice Corbin just wants to keep her general store afloat and keep an eye on her younger, newly married sister, Agnes, in the small town of Azoma, Louisiana. Until, she is approached by the Devil, Frank Charbonneau, and learns that her sister will be murdered. At first, she doesn't believe Frank until one of his predictions comes true. To save her sister, she makes a bet with him, staking her soul on the wager that she can find her sister's would-be killer in seven weeks. Meanwhile Agnes is hiding her own secret, and Beatrice ignores her growing feelings for a Black blues musician, with whom Frank has also made a deal.
Unbeknownst to Beatrice, the true target is someone in her own family. As her time runs out, Beatrice becomes desperate and unknowingly pushes Agnes toward her inevitable fate. And everyone knows that the Devil doesn't play fair...but in this case, is he?
"I love this novel. It's powerful and original, funny and tragic--and most of all, true."—Mark Spencer, author of Ghost Walking
"Your novel is the best I've read in a long time."—Terri Valentine, author of Louisiana Caress
During the 1920s, Beatrice Corbin just wants to keep her general store afloat and keep an eye on her younger, newly married sister, Agnes, in the small town of Azoma, Louisiana. Until, she is approached by the Devil, Frank Charbonneau, and learns that her sister will be murdered. At first, she doesn't believe Frank until one of his predictions comes true. To save her sister, she makes a bet with him, staking her soul on the wager that she can find her sister's would-be killer in seven weeks. Meanwhile Agnes is hiding her own secret, and Beatrice ignores her growing feelings for a Black blues musician, with whom Frank has also made a deal.
Unbeknownst to Beatrice, the true target is someone in her own family. As her time runs out, Beatrice becomes desperate and unknowingly pushes Agnes toward her inevitable fate. And everyone knows that the Devil doesn't play fair...but in this case, is he?
354 pages, Kindle Edition
Published October 13, 2025
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January 29, 2026Hi Everyone! Thank you so much for taking the time to read my book! If you like
• Southern Gothic stories
• Stories that remind you of the film “Sinners”
• Bittersweet endings
• Faustian bargains
• Lyrical, haunting writing
Then this is for you!
• Southern Gothic stories
• Stories that remind you of the film “Sinners”
• Bittersweet endings
• Faustian bargains
• Lyrical, haunting writing
Then this is for you!
July 16, 2025
This one is an extraordinary book. The story of poor Beatrice, handsome Angelo, horrible Tim and ominous Frank got me hooked from page one and didn’t let me off the hook until the last sentence.
First of all I liked the clear plotting. The small set of characters is artfully intertwined and easy to identify with. We also have a strong historic approach. The rural southern 20s are a great backdrop that is painted with a great attention to detail. In general Slick has a clear writing voice that is able to catch the slang and atmosphere of the „peculiar“ south. As the title suggests, Blues music is central for the book. And with it comes a natural focus on racial prejudice and Black culture in America. It is not an easy challenge as the book has to walk the fine line between being historically plausible and avoiding hurtful language. The author clearly tries her best to walk this line and to be true and respectful when it comes to African American history and the Blues. One can argue if this balancing act always works out, especially as Slick is not an own voice, but she manages to avoid a lot of problematic tropes and clearly has the right goal in mind.
The Blues is what got me intrigued and is most present in opening quotes from Blues records that accompany most of the chapters. The topic goes deeper though. The whole book is fundamentally informed by a worldview that is rooted in Pre War Blues. While the book still utilizes some clichés, Slick is able to present a much more complex picture of the Blues than is usually expected. For her Blues is more than downtrodden „authentic“ Black geniuses expressing their pain - a story that is too often repeated and tend to cater to expectations of a White audience.
Her approach is way more true to the actual music and culture of the 20s, what becomes particularly strong when it comes to the eponymous devil. She decides to not use the problematic myth of Robert Johnson and even addresses it critically. Instead she lets the devil itself act and narrate in a complicated way. In this book the devil is in some ways an entity that represents mundane humanity. He represents our desires, ethical conflicts, our pain and is in some ways more humane than most humans. The result is a multifaceted ethical perspective inspired more by Legba than Lucifer, what makes the book fresh and interesting until the last page.
A clear recommendation for everyone interested in (Black) American History who is looking more for an entertaining read than a history lesson.
First of all I liked the clear plotting. The small set of characters is artfully intertwined and easy to identify with. We also have a strong historic approach. The rural southern 20s are a great backdrop that is painted with a great attention to detail. In general Slick has a clear writing voice that is able to catch the slang and atmosphere of the „peculiar“ south. As the title suggests, Blues music is central for the book. And with it comes a natural focus on racial prejudice and Black culture in America. It is not an easy challenge as the book has to walk the fine line between being historically plausible and avoiding hurtful language. The author clearly tries her best to walk this line and to be true and respectful when it comes to African American history and the Blues. One can argue if this balancing act always works out, especially as Slick is not an own voice, but she manages to avoid a lot of problematic tropes and clearly has the right goal in mind.
The Blues is what got me intrigued and is most present in opening quotes from Blues records that accompany most of the chapters. The topic goes deeper though. The whole book is fundamentally informed by a worldview that is rooted in Pre War Blues. While the book still utilizes some clichés, Slick is able to present a much more complex picture of the Blues than is usually expected. For her Blues is more than downtrodden „authentic“ Black geniuses expressing their pain - a story that is too often repeated and tend to cater to expectations of a White audience.
Her approach is way more true to the actual music and culture of the 20s, what becomes particularly strong when it comes to the eponymous devil. She decides to not use the problematic myth of Robert Johnson and even addresses it critically. Instead she lets the devil itself act and narrate in a complicated way. In this book the devil is in some ways an entity that represents mundane humanity. He represents our desires, ethical conflicts, our pain and is in some ways more humane than most humans. The result is a multifaceted ethical perspective inspired more by Legba than Lucifer, what makes the book fresh and interesting until the last page.
A clear recommendation for everyone interested in (Black) American History who is looking more for an entertaining read than a history lesson.
October 31, 2025
The Devil went down to...Louisiana.
Set in the 1920s, this novel tests the boundaries of many social and political issues. It doesn't shy away from including the Blues, the KKK, interracial romance, and women's rights (or lack thereof).
Frank is the devil. Normally, he would be the sort of character you might hate. But not so here. At least not for this reader. I admired how he loved Beatrice and cared about her happiness in this world, even if it wasn't with him. He was willing to do so much for her and her sister, but Beatrice had tunnel vision and couldn't see the larger picture. He even tells Beatrice that, instead of trying to save her sister or find her future killer, she should spend time with Agnes before her time on earth expires. Beatrice has a mind of her own and doesn't listen to him. Maybe if she had taken a step back, things would have turned out differently. Agnes was young, and while she knew she wanted out of her marriage to Tim, she also didn't know how to listen, which led her into situations she could have easily avoided. Of course, this is also a time when men did whatever they wanted and did not protect women.
While I am not a big proponent of the Blues, it plays a prominent role in this book. I enjoyed the various song lyrics at the beginning of each chapter from different Blues artists. As the author says in her notes at the end, you just have to pick up an instrument and start singing. I feel like I learned something about this musical style and its history. Angelo is a Blues musician who made a deal with the devil. It was a wise move at the moment; otherwise, he would have ended up six feet under. I found the relationship between Angelo, Beatrice, and Frank interesting. Frank loves Beatrice, Beatrice loves Angelo, and it seems like Angelo loves Beatrice, but there are racial issues that complicate things, especially in the South.
I felt like the story started slowly, but I was quickly invested in the outcome. While we don't know who is going to kill Agnes until that moment, there are plenty of hints sprinkled throughout the chapters. There are some crazy twists at the end to give it something of a happy ending. I also enjoyed watching the characters grow, especially Frank. There are a few other characters to round out the story, giving it depth and creating diversion and tension.
I highly recommend picking this book up, and we give it 5 paws up.
Set in the 1920s, this novel tests the boundaries of many social and political issues. It doesn't shy away from including the Blues, the KKK, interracial romance, and women's rights (or lack thereof).
Frank is the devil. Normally, he would be the sort of character you might hate. But not so here. At least not for this reader. I admired how he loved Beatrice and cared about her happiness in this world, even if it wasn't with him. He was willing to do so much for her and her sister, but Beatrice had tunnel vision and couldn't see the larger picture. He even tells Beatrice that, instead of trying to save her sister or find her future killer, she should spend time with Agnes before her time on earth expires. Beatrice has a mind of her own and doesn't listen to him. Maybe if she had taken a step back, things would have turned out differently. Agnes was young, and while she knew she wanted out of her marriage to Tim, she also didn't know how to listen, which led her into situations she could have easily avoided. Of course, this is also a time when men did whatever they wanted and did not protect women.
While I am not a big proponent of the Blues, it plays a prominent role in this book. I enjoyed the various song lyrics at the beginning of each chapter from different Blues artists. As the author says in her notes at the end, you just have to pick up an instrument and start singing. I feel like I learned something about this musical style and its history. Angelo is a Blues musician who made a deal with the devil. It was a wise move at the moment; otherwise, he would have ended up six feet under. I found the relationship between Angelo, Beatrice, and Frank interesting. Frank loves Beatrice, Beatrice loves Angelo, and it seems like Angelo loves Beatrice, but there are racial issues that complicate things, especially in the South.
I felt like the story started slowly, but I was quickly invested in the outcome. While we don't know who is going to kill Agnes until that moment, there are plenty of hints sprinkled throughout the chapters. There are some crazy twists at the end to give it something of a happy ending. I also enjoyed watching the characters grow, especially Frank. There are a few other characters to round out the story, giving it depth and creating diversion and tension.
I highly recommend picking this book up, and we give it 5 paws up.
October 2, 2025
This is the perfect book for the fans of the movie "Sinners", because just like the movie this story show us the blues music like a way to bring human emotions. The devil loves the music, and will help the talent Angelo to achieve success. Frank is the devil but he can be more human that other men in this book. Because on the contrary of the other is not want the supermacy of white race, he is not racist. Yes, he kinda forces a bargain to Beatrice. But since the begin he will try to help her and her sister.
Angelo seems like the start. The one that the girl loves. The one that have music in his blood. But it was Frank that really made me love this book. He learn to love humanity even they hate so much. And he accepts that we can force somebody to love you, sometimes love somebody is set that person free.
Angelo seems like the start. The one that the girl loves. The one that have music in his blood. But it was Frank that really made me love this book. He learn to love humanity even they hate so much. And he accepts that we can force somebody to love you, sometimes love somebody is set that person free.
October 22, 2025
In the 1920s in a small southern town where racism runs rampant and the KKK has taken a foothold, there are two things that Beatrice cares about. Her only priorities are making sure her sister Agnes is safe, and keeping her general store in business. When it is predicted that Agnes will be murdered, there is nothing Beatrice won't do to find and stop the would-be killer, even if she has to make a deal with the devil himself.
The devil, recently released from a trap, is more than happy to oblige. For Beatrice, it's a race against the clock. She has 7 weeks to find out who will kill her sister or she will not only lose her, but herself as well.
Atmospheric and dark, the writing style pulled me in from page one. It wasn't long before I began to worry for Agnes as much as Beatrice did. This gothic, historical fiction spins a tale of hot southern nights when moonshine, magic, and blues music fill the humid evening air, and the devil appears in human form seeking a good time. It's a tale of grief and loneliness with a bit of romance and forbidden love in a time and place when Anti-miscegenation laws could lead to imprisonment or being murdered for "consorting" with someone outside of your race. The author envisions a devil who is as charming as you've ever been warned about, with a passion for music and vulnerable to human emotion.
4 out of 5 stars
My thanks to the author for the paperback copy.
The devil, recently released from a trap, is more than happy to oblige. For Beatrice, it's a race against the clock. She has 7 weeks to find out who will kill her sister or she will not only lose her, but herself as well.
Atmospheric and dark, the writing style pulled me in from page one. It wasn't long before I began to worry for Agnes as much as Beatrice did. This gothic, historical fiction spins a tale of hot southern nights when moonshine, magic, and blues music fill the humid evening air, and the devil appears in human form seeking a good time. It's a tale of grief and loneliness with a bit of romance and forbidden love in a time and place when Anti-miscegenation laws could lead to imprisonment or being murdered for "consorting" with someone outside of your race. The author envisions a devil who is as charming as you've ever been warned about, with a passion for music and vulnerable to human emotion.
4 out of 5 stars
My thanks to the author for the paperback copy.
October 4, 2025
I was immediately intrigued by the cover design and further pulled in by the description of Devil Take the Blues. I did have some sprinklings of doubt in the first chapter when describing the inventory of the store and it was a very long list of items. My nitpicking aside, I was absolutely into the narrative. There are times where the writing style is a bit too metaphor-heavy for my liking, but I very much enjoyed the storytelling and especially Frank’s point-of-view. I would be taken by Frank 1000%. I also found that his view of the characters related to mine view closely. I did not care for Agnes until Frank started warming to her and I really wanted Angelo to go away.
I would very much read anything else this author releases and think it’s a great fiction debut.
Thank you Hell or Highwater Books and Ariel Slick for providing this book for review consideration via NetGalley.
I would very much read anything else this author releases and think it’s a great fiction debut.
Thank you Hell or Highwater Books and Ariel Slick for providing this book for review consideration via NetGalley.
October 10, 2025
I am a sucker for paranormal books whenever it’s not in a fantasy setting, so when I saw The Devil Take the Blues by Ariel Slick, I had to do whatever the internet equivalent is in jumping for this copy. Happily, I was accepted!
Beatrice Corbin is a stubborn lady who doesn’t want to be yoked to anyone; she’s seen the trouble it brings others, and is happy to run her store without having to pass it off to a man on the occasion of marriage. After hearing her fortune from an old woman named Shirley, she’s petrified at the thought of losing her sister Agnes, who she realises will soon die. Her terror leads her to make a deal with the devil (Frank Charbonneau) to try to save Agnes’s life and stop the killer before he destroys her sister. To complicate matters, Beatrice has populated a joint where black performers play—and is entranced by Angelo Davis, the piano player, who seeks a pact with the devil on his own terms.
My thoughts will be Utterly Disjointed, but here they are:
•It takes a deft hand to make the Devil not only a likeable character but essentially the most “moral” of the cast, but the author succeeded.
•I actually rooted more for Frank and Beatrice than I did Beatrice and Angelo, because I felt the former pair’s connection was more compelling. She and Frank had similar backgrounds; they were both afraid to give themselves to love, they’re both fiercely loyal, they both will do whatever they can to make the one they love happy, and they were both unwilling to be put in someone else’s control and subjugated. With Beatrice and Angelo, their connection is really propelled by sex and lust, essentially. She’s instantly attracted to him because she likes his music and then…yeah. She just immediately wants to have sex with him and somehow that developed into love, even though most of the book is spent with them apart and they don’t really seem to have had many conversations with each other. Shorter than two months is fast for love, especially if the people aren’t with each other the whole time. I can understand how Frank falls for her instantaneously; she freed him from his confines where he was trapped for nearly a century, and his love for her grew and developed as he got to know her personality better. I’m not sure at all where her love for Angelo comes from other than he’s a really talented piano player. DON’T GET ME WRONG! I liked Angelo and felt his pain and turmoil and wanted him to succeed and make it big to be untouchable by the bigots; I just wound up liking Frank more with Beatrice—he was just such a fun character. Too bad they all three couldn’t have skipped off hand-in-hand into the sunset together! I can’t say much more without spoilers but the ending was definitely satisfying.
•The setting of Louisiana lived and breathed on the page, and the characters were believable. The way they spoke reminded me of my family; they’re not from that far south (just Kentucky) but there was a familiarity in some of the phrases that felt like home and made me nostalgic.
•I enjoyed the tie of domestic abuse with the KKK and how the “charming” people of the town and the ones who are typically seen as arbiters of justice were the ones deeply involved in the organisation. I also liked the sly references to modern day tragedies, like Trayvon Martin.
•I loved poor Agnes. She was just a baby, just a little kid, facing abuse and neglect her whole life while Beatrice had to be like a second mother to her.
•The last 50 pages or so somehow kept the tension going all the way straight to the end; if anything, I got antsier as the end grew nearer, which is always fun as a reader.
•I wonder if Tim’s name being “Stevenson” is a nod to D.C. Stephenson, the infamous Grand Dragon leader of the Indiana Klan whose misdeeds (kidnapping, raping, and murdering a schoolteacher) led to the collapse of the KKK in the state in the 20s. That’s quite a feat given that Indiana had the biggest population of the KKK of all the states.
I would wholeheartedly—earnestly—recommend this to anyone looking for a historical fiction with a frisson of the paranormal coursing through it. People who enjoy the blues would also benefit from reading it. It’s just a quick read in the best possible way, and one starts to really feel for Angelo, Frank, Beatrice, and Agnes.
I received an advance review copy for free from BookSirens, and I am leaving this review voluntarily
Beatrice Corbin is a stubborn lady who doesn’t want to be yoked to anyone; she’s seen the trouble it brings others, and is happy to run her store without having to pass it off to a man on the occasion of marriage. After hearing her fortune from an old woman named Shirley, she’s petrified at the thought of losing her sister Agnes, who she realises will soon die. Her terror leads her to make a deal with the devil (Frank Charbonneau) to try to save Agnes’s life and stop the killer before he destroys her sister. To complicate matters, Beatrice has populated a joint where black performers play—and is entranced by Angelo Davis, the piano player, who seeks a pact with the devil on his own terms.
My thoughts will be Utterly Disjointed, but here they are:
•It takes a deft hand to make the Devil not only a likeable character but essentially the most “moral” of the cast, but the author succeeded.
•I actually rooted more for Frank and Beatrice than I did Beatrice and Angelo, because I felt the former pair’s connection was more compelling. She and Frank had similar backgrounds; they were both afraid to give themselves to love, they’re both fiercely loyal, they both will do whatever they can to make the one they love happy, and they were both unwilling to be put in someone else’s control and subjugated. With Beatrice and Angelo, their connection is really propelled by sex and lust, essentially. She’s instantly attracted to him because she likes his music and then…yeah. She just immediately wants to have sex with him and somehow that developed into love, even though most of the book is spent with them apart and they don’t really seem to have had many conversations with each other. Shorter than two months is fast for love, especially if the people aren’t with each other the whole time. I can understand how Frank falls for her instantaneously; she freed him from his confines where he was trapped for nearly a century, and his love for her grew and developed as he got to know her personality better. I’m not sure at all where her love for Angelo comes from other than he’s a really talented piano player. DON’T GET ME WRONG! I liked Angelo and felt his pain and turmoil and wanted him to succeed and make it big to be untouchable by the bigots; I just wound up liking Frank more with Beatrice—he was just such a fun character. Too bad they all three couldn’t have skipped off hand-in-hand into the sunset together! I can’t say much more without spoilers but the ending was definitely satisfying.
•The setting of Louisiana lived and breathed on the page, and the characters were believable. The way they spoke reminded me of my family; they’re not from that far south (just Kentucky) but there was a familiarity in some of the phrases that felt like home and made me nostalgic.
•I enjoyed the tie of domestic abuse with the KKK and how the “charming” people of the town and the ones who are typically seen as arbiters of justice were the ones deeply involved in the organisation. I also liked the sly references to modern day tragedies, like Trayvon Martin.
•I loved poor Agnes. She was just a baby, just a little kid, facing abuse and neglect her whole life while Beatrice had to be like a second mother to her.
•The last 50 pages or so somehow kept the tension going all the way straight to the end; if anything, I got antsier as the end grew nearer, which is always fun as a reader.
•I wonder if Tim’s name being “Stevenson” is a nod to D.C. Stephenson, the infamous Grand Dragon leader of the Indiana Klan whose misdeeds (kidnapping, raping, and murdering a schoolteacher) led to the collapse of the KKK in the state in the 20s. That’s quite a feat given that Indiana had the biggest population of the KKK of all the states.
I would wholeheartedly—earnestly—recommend this to anyone looking for a historical fiction with a frisson of the paranormal coursing through it. People who enjoy the blues would also benefit from reading it. It’s just a quick read in the best possible way, and one starts to really feel for Angelo, Frank, Beatrice, and Agnes.
I received an advance review copy for free from BookSirens, and I am leaving this review voluntarily
October 13, 2025
3.5 Stars
Thank you to the author for reaching out to me to provide an ARC for me to read and enjoy.
Ariel had me a gothic and horror. I don’t get to read as many southern books as I would want either so this was intriguing read that way as well. For me the pace was a bit slow, it did feel like it fit the southern aspect, I just needed it a bit quicker and a little bit shorter. The mystery part that our main character had to solve, I had figured out so quick, I wanted to shake her to see who the murderer was. I did like that the type of horror wasn’t the in your face gore but instead the horrors of what humans do to each other with not thought of people as humans and living lives. It was crazy. I also haven’t read any Klan books so this did open my eyes to that and what people living near it had to deal with air ones straight up targeted by them.
As for characters I did really enjoy them. Frank was my favourite. He just flowed well and continued to surprise me emotionally since he was the devil. You normally want to paint the devil as a villain and I don’t think he was. Bea was pretty kick ass, and being a woman in the 20’s knowing her worth and not letting others walk all over her or make her decisions even if there were repercussions was very admirable. Agnes was so meek and tried to break out of having people control her whether it be Bea or Tim but no one would help her help herself or hey just continued to tell her what to do. I think the ending was interesting for her because no one will tell her how to live her life now.
I would recommend this book to others.
Thank you to the author for reaching out to me to provide an ARC for me to read and enjoy.
Ariel had me a gothic and horror. I don’t get to read as many southern books as I would want either so this was intriguing read that way as well. For me the pace was a bit slow, it did feel like it fit the southern aspect, I just needed it a bit quicker and a little bit shorter. The mystery part that our main character had to solve, I had figured out so quick, I wanted to shake her to see who the murderer was. I did like that the type of horror wasn’t the in your face gore but instead the horrors of what humans do to each other with not thought of people as humans and living lives. It was crazy. I also haven’t read any Klan books so this did open my eyes to that and what people living near it had to deal with air ones straight up targeted by them.
As for characters I did really enjoy them. Frank was my favourite. He just flowed well and continued to surprise me emotionally since he was the devil. You normally want to paint the devil as a villain and I don’t think he was. Bea was pretty kick ass, and being a woman in the 20’s knowing her worth and not letting others walk all over her or make her decisions even if there were repercussions was very admirable. Agnes was so meek and tried to break out of having people control her whether it be Bea or Tim but no one would help her help herself or hey just continued to tell her what to do. I think the ending was interesting for her because no one will tell her how to live her life now.
I would recommend this book to others.
October 13, 2025
“𝕻𝖆𝖎𝖓 𝖎𝖘 𝖕𝖆𝖎𝖓. 𝕷𝖎𝖋𝖊 𝖎𝖘 𝖑𝖎𝖋𝖊. 𝕯𝖊𝖆𝖙𝖍 𝖎𝖘 𝖉𝖊𝖆𝖙𝖍.”
🎶
Thank you to the author for sending me an advanced copy of this powerful book. I went in expecting a work of horror, but I was surprised to experience that the horror of the story was not the devil himself, but rooted in the brutal realities that many have endured throughout history and the disgusting nature of humans. The characters were thoughtfully crafted, each contributing meaningful depth to the narrative. It was compelling to read their individual journeys unfold and ultimately intertwine. One of my favorite scenes was the ending, I won’t go into detail due to spoilers, but it was nice seeing specific characters wrap things up. A lot of horror authors leave a story open ended, but this one left me satisfied.
🎶
Thank you to the author for sending me an advanced copy of this powerful book. I went in expecting a work of horror, but I was surprised to experience that the horror of the story was not the devil himself, but rooted in the brutal realities that many have endured throughout history and the disgusting nature of humans. The characters were thoughtfully crafted, each contributing meaningful depth to the narrative. It was compelling to read their individual journeys unfold and ultimately intertwine. One of my favorite scenes was the ending, I won’t go into detail due to spoilers, but it was nice seeing specific characters wrap things up. A lot of horror authors leave a story open ended, but this one left me satisfied.
October 13, 2025
Sensational
Have you ever been able to taste, smell and feel the whole book? Well, you will now if you haven't. I became one with the plot and setting.
The character Beatrice was my favorite and I was able to picture her down to the-T. I'm like her, I didn't want to have to give up what my family gave me. I even kept my last name.
Please go on this journey, you'll be transported in time and go with the struggles and the joy of all. I felt at any time we might run into Tiana from the Princess and the Frog.
I love anytime Southern Gothic and I finally got my dream come true for it!
I want to say thank you to NetGalley for being able to read the ARC AND thank you to Ariel Slick.
She is so kind and actually talks to us ❤️❤️❤️ Love her!
Please give the book a buy and I hope soon I can get a special edition hard cover! I picture it having foiled edges and a beautiful picture of that humid-sticky air you can feel!
https://arielslickwrites.omailroute.n...
Have you ever been able to taste, smell and feel the whole book? Well, you will now if you haven't. I became one with the plot and setting.
The character Beatrice was my favorite and I was able to picture her down to the-T. I'm like her, I didn't want to have to give up what my family gave me. I even kept my last name.
Please go on this journey, you'll be transported in time and go with the struggles and the joy of all. I felt at any time we might run into Tiana from the Princess and the Frog.
I love anytime Southern Gothic and I finally got my dream come true for it!
I want to say thank you to NetGalley for being able to read the ARC AND thank you to Ariel Slick.
She is so kind and actually talks to us ❤️❤️❤️ Love her!
Please give the book a buy and I hope soon I can get a special edition hard cover! I picture it having foiled edges and a beautiful picture of that humid-sticky air you can feel!
https://arielslickwrites.omailroute.n...
October 4, 2025
3.5 - thank you to the author for sending me this ARC 🙏
July 25, 2025
NetGalley and Hell or Highwater Books provided a free copy of The Devil Take the Blues: a Southern Gothic Novel in exchange for an honest review.
Circa 1920. The fly spot of a town called Azoma, Louisiana.
Beatrice runs and owns the store she inherited from her profligate father only because she refuses to contemplate marriage, at which point the store would become her husband’s property—cuz we girls couldn’t own stuff outright back in the day, and Beatrice isn’t about to give up anything for something as silly as love. Her beloved sister Agnes is married to an up-and-coming fellow named Tim, who is running for mayor and aspires to more, relying on the help of the friendly sheet-wearers in the local KKK. When he isn’t pounding respect into Agnes, he’s recruiting more racists into the Klan.
Things change for Beatrice when two strangers come to town. One is a black musician—a genius, actually, who plays the Blues like a man possessed. The other stranger, a tall, handsome man, happens to be white and well-dressed, as well as erudite. He wears a dark suit and a bowler hat. Could it be…Satan?
Oh, yes. It could. And the Devil finds Beatrice enchanting. But Beatrice is enchanted by the musician and vice versa, which, as you can probably predict, does not sit well with the conservative white folks in Azuma. In addition, the Devil is frustrated to no end by Beatrice’s failure to succumb immediately to his charms. Things get complicated when an old woman—maybe a seer, maybe just crazy—tells Beatrice that Agnes will be murdered in seven weeks.
Beatrice asks the Devil, for she is aware of his true identity, and he confirms the situation. And thereby hangs a Faustian tale.
Another reviewer described the writing as lyrical, and it is indeed that. Take your time and enjoy the music. The author has woven tunes and chords, song and refrain throughout the story. The Blues, you’ll find, truly is the Devil’s music.
Speaking of whom, Frank Charbonneau, which is the Devil’s name in the book for the purposes of contracts and financial deals, turns out to be charming, of course. Wait a minute—does charbonneau sort of mean ‘a good fire?’ My handy computer tells me the origin is more like “charcoal maker.” Either way, it makes me smile, as do so many other devilish little plays on words and fables in this book.
Not only are there plenty of amusements for the word nerd in me, but the Devil’s character is drawn to absolute perfection. Or so I am told. Not that I would know. Anyway, moving on.
The Devil Take the Blues propels readers on a unique journey—you may figure out parts of it, but you’ll be surprised and you’ll be amused and you’ll be entertained. Beyond those things, you will find truth and wisdom and cause for hope. Solid writing, wonderfully built plot, distinct and interesting characters.
An enthusiastic 5 stars for Devil Take the Blues by Ariel Slick.
Circa 1920. The fly spot of a town called Azoma, Louisiana.
Beatrice runs and owns the store she inherited from her profligate father only because she refuses to contemplate marriage, at which point the store would become her husband’s property—cuz we girls couldn’t own stuff outright back in the day, and Beatrice isn’t about to give up anything for something as silly as love. Her beloved sister Agnes is married to an up-and-coming fellow named Tim, who is running for mayor and aspires to more, relying on the help of the friendly sheet-wearers in the local KKK. When he isn’t pounding respect into Agnes, he’s recruiting more racists into the Klan.
Things change for Beatrice when two strangers come to town. One is a black musician—a genius, actually, who plays the Blues like a man possessed. The other stranger, a tall, handsome man, happens to be white and well-dressed, as well as erudite. He wears a dark suit and a bowler hat. Could it be…Satan?
Oh, yes. It could. And the Devil finds Beatrice enchanting. But Beatrice is enchanted by the musician and vice versa, which, as you can probably predict, does not sit well with the conservative white folks in Azuma. In addition, the Devil is frustrated to no end by Beatrice’s failure to succumb immediately to his charms. Things get complicated when an old woman—maybe a seer, maybe just crazy—tells Beatrice that Agnes will be murdered in seven weeks.
Beatrice asks the Devil, for she is aware of his true identity, and he confirms the situation. And thereby hangs a Faustian tale.
Another reviewer described the writing as lyrical, and it is indeed that. Take your time and enjoy the music. The author has woven tunes and chords, song and refrain throughout the story. The Blues, you’ll find, truly is the Devil’s music.
Speaking of whom, Frank Charbonneau, which is the Devil’s name in the book for the purposes of contracts and financial deals, turns out to be charming, of course. Wait a minute—does charbonneau sort of mean ‘a good fire?’ My handy computer tells me the origin is more like “charcoal maker.” Either way, it makes me smile, as do so many other devilish little plays on words and fables in this book.
Not only are there plenty of amusements for the word nerd in me, but the Devil’s character is drawn to absolute perfection. Or so I am told. Not that I would know. Anyway, moving on.
The Devil Take the Blues propels readers on a unique journey—you may figure out parts of it, but you’ll be surprised and you’ll be amused and you’ll be entertained. Beyond those things, you will find truth and wisdom and cause for hope. Solid writing, wonderfully built plot, distinct and interesting characters.
An enthusiastic 5 stars for Devil Take the Blues by Ariel Slick.
October 13, 2025
In a small town in Louisiana in the 1920s, Beatrice Corbin is trying to keep the family business afloat & keep an eye on her sister, Agnes who is married to a respectable man of the town. When a tarot reading predicts that Agnes will be murdered in two months, Beatrice knows she has to protect her. Salvation seems to arrive in the form of Frank Charbonneau, Lucifer himself, who falls for Beatrice & wants to marry her. Beatrice agrees although she has already fallen for a Black blues musician named Angelo. Beatrice wagers the Devil that she will marry him for now but if she finds her sister's would-be killer & prevents her death in seven weeks, then the deal is off. Frank agrees, but as Beatrice desperately tries to save her sister, will the Devil be in the details, is he playing fair or playing her?
This is a book that I won't forget in a hurry! It has a slow pace but this book weaves an intoxicating spell around you before you even realise it - it sneaks up on you like Charbonneau in serpent mode.. It's October in England & yet I swear I could feel the humid heat of Louisiana & hear the cicadas in the background. The narrative alternates between Frank & Beatrice, & Frank's shapeshifting ways allows the reader to overhear the conversations of others such as Angelo & Agnes which adds another dimension to the story. In fact Frank turns out to be the most interesting character by far, the Devil who falls in love & whilst he supposedly cannot interfere with the fate of humans, finds himself torn in wanting to help those he grows to care about.
There are some heavy themes covered in the book which is to be expected considering when & where it is set: racism, the vestiges of slavery. & misogyny, to name a few. I thought it was well written & I really enjoyed it, I did think that Beatrice was a little slow on the uptake regarding one particular situation - I thought it was obvious from the start. 4.5 stars (rounded down)
My thanks to NetGalley & publisher, Hell or Highwater Books (IBPA), for the opportunity to read an ARC.
This is a book that I won't forget in a hurry! It has a slow pace but this book weaves an intoxicating spell around you before you even realise it - it sneaks up on you like Charbonneau in serpent mode.. It's October in England & yet I swear I could feel the humid heat of Louisiana & hear the cicadas in the background. The narrative alternates between Frank & Beatrice, & Frank's shapeshifting ways allows the reader to overhear the conversations of others such as Angelo & Agnes which adds another dimension to the story. In fact Frank turns out to be the most interesting character by far, the Devil who falls in love & whilst he supposedly cannot interfere with the fate of humans, finds himself torn in wanting to help those he grows to care about.
There are some heavy themes covered in the book which is to be expected considering when & where it is set: racism, the vestiges of slavery. & misogyny, to name a few. I thought it was well written & I really enjoyed it, I did think that Beatrice was a little slow on the uptake regarding one particular situation - I thought it was obvious from the start. 4.5 stars (rounded down)
My thanks to NetGalley & publisher, Hell or Highwater Books (IBPA), for the opportunity to read an ARC.
August 11, 2025
The Devil Take the Blues by Ariel Slick is a sweltering, dark story regarding your soul. Beatrice and Agnes are two sisters who lead quite different lives. Agnes has married a well-to-do man with ambitions of becoming mayor of their small town in Louisiana. Beatrice has decided to keep herself single so she can run her family’s store.
Beatrice loves her sister dearly and has vowed to protect Agnes all her life. When she learns that Agnes may be in trouble, Beatrice agrees to make a deal with the devil. Frank Charbonneau is the devil. Frank’s deal includes Beatrice becoming his wife, and in return, he will save the life of Beatrice’s sister, Agnes. With a deal like that, what could possibly go wrong?
Slick’s novel is edgy. She dares to take on the topics of racism and injustice with a story about the deep south of the 1920s. Her historical representation of Louisiana in the twenties is close to spot on. Louisiana in the twenties was just one of many southern places where money talked, blues music wafted in the air, and the KKK was rising in popularity. Slick incorporates these characteristics flawlessly, giving readers a clear setting for The Devil Take the Blues.
The author hands out a multi-level story with a small cast of characters. Beatrice, Agnes, Frank, Tim, and Angelo are the core characters, and with this small number of characters, readers know who is who and what is happening. She also has characters using slang that is appropriate for the region. “Hotter than a devil’s-“ and “Lookee here- a band is coming to town” are two of my favorites. Ariel Slick tackles a deep story with grace and dignity.
Slick uses music as the backdrop to her entire story. The blues genre is intertwined into her character dialogue, actions, and the format of her writing. Almost every chapter has a few lines from songs written and performed by blues singers like Bessie Smith, Lonnie Johnson, Furry Lewis, and others. Frank is a lover of blues music. He breaks a deal with not just Beatrice, but a blues musician. Slick even writes a scene that readers will connect with songs like The Devil Went Down to Georgia.
Ariel Slick’s The Devil Take the Blues has a plot that is full of twists and turns. Fate is tempted at all corners. The setting is perfect, as Louisiana is known for myths like the one of Robert Johnson, which the author mentions. It is also a place where great musicians have come from. I would recommend this book for adult readers. There is violence, intimidation, talk of the devil, and racism, which are themes young readers may struggle with.
Beatrice loves her sister dearly and has vowed to protect Agnes all her life. When she learns that Agnes may be in trouble, Beatrice agrees to make a deal with the devil. Frank Charbonneau is the devil. Frank’s deal includes Beatrice becoming his wife, and in return, he will save the life of Beatrice’s sister, Agnes. With a deal like that, what could possibly go wrong?
Slick’s novel is edgy. She dares to take on the topics of racism and injustice with a story about the deep south of the 1920s. Her historical representation of Louisiana in the twenties is close to spot on. Louisiana in the twenties was just one of many southern places where money talked, blues music wafted in the air, and the KKK was rising in popularity. Slick incorporates these characteristics flawlessly, giving readers a clear setting for The Devil Take the Blues.
The author hands out a multi-level story with a small cast of characters. Beatrice, Agnes, Frank, Tim, and Angelo are the core characters, and with this small number of characters, readers know who is who and what is happening. She also has characters using slang that is appropriate for the region. “Hotter than a devil’s-“ and “Lookee here- a band is coming to town” are two of my favorites. Ariel Slick tackles a deep story with grace and dignity.
Slick uses music as the backdrop to her entire story. The blues genre is intertwined into her character dialogue, actions, and the format of her writing. Almost every chapter has a few lines from songs written and performed by blues singers like Bessie Smith, Lonnie Johnson, Furry Lewis, and others. Frank is a lover of blues music. He breaks a deal with not just Beatrice, but a blues musician. Slick even writes a scene that readers will connect with songs like The Devil Went Down to Georgia.
Ariel Slick’s The Devil Take the Blues has a plot that is full of twists and turns. Fate is tempted at all corners. The setting is perfect, as Louisiana is known for myths like the one of Robert Johnson, which the author mentions. It is also a place where great musicians have come from. I would recommend this book for adult readers. There is violence, intimidation, talk of the devil, and racism, which are themes young readers may struggle with.
March 2, 2026
Certified Southern gumbo. A Southern Gothic story with strong historical roots. I loved everything about this book. The Devil Take the Blues played out like a full movie in my head, scene after scene coming to life as I read. Ariel Slick truly has a way with words.
The Devil Take the Blues by Ariel Slick takes place in 1920 Azoma, Louisiana, during the height of the Jim Crow era. Racism runs deep, Prohibition controls the parishes, and secrets hide behind every closed door.
Beatrice comes face to face with the devil himself Mr. Frank Charbonneau. When she finds out her sister Agnes is in danger, she makes a deal for her soul to track down Agnes’s killer. She has seven days to uncover the truth and win her soul back.
What follows is a mix of murder, forbidden love, and temptation. Beatrice struggles with her growing feelings for Frank while also risking everything for Angelo, a blues musician she isn’t “supposed” to love in the Deep South. As the story unfolds, dark secrets come to light, and Beatrice becomes so focused on solving the murder, and on her heart, that she misses the truth right in front of her. The ending honestly left me stunned in the best way. And the moment with Ms. Shirley (Angelo’s grandmother) had me tearing up.
You’re told not to trust the devil, but it’s impossible not to fall for Frank. He’s protective, intense, and somehow makes you question what “evil” really means.
The Southern atmosphere, the blues references and quotes from musicians at the beginning of chapters, and the Louisiana folklore (Papa Legba, The Axe Man) woven into the story give it such a strong vibe. I enjoyed how Beatrice and Frank tell their stories in a POV delivery almost like Louis and Lestat from Interview with a Vampire. The book gives a Sinners and Crossroads aesthetic. If you love morally gray characters, forbidden romance, and a little supernatural edge, this one’s worth picking up. I’ll definitely be adding it to my shelf.
The Devil Take the Blues by Ariel Slick takes place in 1920 Azoma, Louisiana, during the height of the Jim Crow era. Racism runs deep, Prohibition controls the parishes, and secrets hide behind every closed door.
Beatrice comes face to face with the devil himself Mr. Frank Charbonneau. When she finds out her sister Agnes is in danger, she makes a deal for her soul to track down Agnes’s killer. She has seven days to uncover the truth and win her soul back.
What follows is a mix of murder, forbidden love, and temptation. Beatrice struggles with her growing feelings for Frank while also risking everything for Angelo, a blues musician she isn’t “supposed” to love in the Deep South. As the story unfolds, dark secrets come to light, and Beatrice becomes so focused on solving the murder, and on her heart, that she misses the truth right in front of her. The ending honestly left me stunned in the best way. And the moment with Ms. Shirley (Angelo’s grandmother) had me tearing up.
You’re told not to trust the devil, but it’s impossible not to fall for Frank. He’s protective, intense, and somehow makes you question what “evil” really means.
The Southern atmosphere, the blues references and quotes from musicians at the beginning of chapters, and the Louisiana folklore (Papa Legba, The Axe Man) woven into the story give it such a strong vibe. I enjoyed how Beatrice and Frank tell their stories in a POV delivery almost like Louis and Lestat from Interview with a Vampire. The book gives a Sinners and Crossroads aesthetic. If you love morally gray characters, forbidden romance, and a little supernatural edge, this one’s worth picking up. I’ll definitely be adding it to my shelf.
May 4, 2026
#netgalley #arc #thedeviltaketheblues Beatrice and Agnes are sisters living in a small town in the Louisiana in the 1920s. Agnes is the younger and recently married, leaving Beatrice alone to operate their family's general store. One day, two incidents will change the trajectory of her life. Beatrice accidently breaks an old bottle of whiskey in her store, and on her walk home from work, she steps in to assist an elderly black woman, Shirley, who is being harassed by a white man. Shirley invites Beatrice to her home where she receives an ominous premonition. Her sister will be dead soon, and this is Beatrice's worst fear realized. After seeing one of the other premonitions come true, Beatrice decides she has no other choice than to make a cross-roads deal with the devil to try and alter her sister's fate. As Agnes's time runs out, Beatrice will do whatever it takes to alter her sister's destiny, including sacrificing her own happiness. Frank on the other hand, has been bottled up (literally) for 80 years and is ready to make some new music, and some new deals. When he falls in love with Beatrice after she sets him free, Frank and Beatrice will each fall in love, for better or for worse, with the talented Angelo, a black musician traveling the "Chitlin Circuit" seeking his fame and fortune.
Told alternatingly from Beatrice and the charming Frank's (the devil) point of views, this book was emotional and thought-provoking and poses many of the age old questions about life and challenges the ideas of the nature of good vs. evil,(from the devil himself) and how it relates to the racism in the deep south during the 1920s. It also explores the humble beginnings of jazz and feels like a dedication the overlooked men and women who pioneered the new "sound" during this time. Highly recommend, I would read more by this author. TWs: racism, spousal abuse, evil hooded men (you know the ones), lynching
Told alternatingly from Beatrice and the charming Frank's (the devil) point of views, this book was emotional and thought-provoking and poses many of the age old questions about life and challenges the ideas of the nature of good vs. evil,(from the devil himself) and how it relates to the racism in the deep south during the 1920s. It also explores the humble beginnings of jazz and feels like a dedication the overlooked men and women who pioneered the new "sound" during this time. Highly recommend, I would read more by this author. TWs: racism, spousal abuse, evil hooded men (you know the ones), lynching
September 6, 2025
This is a beautifully crafted gothic novel that transported me straight into 1920s Louisiana. The historical setting is richly detailed and meticulously researched, making it easy to imagine life during Prohibition, the rise of the KKK, and the harsh realities of segregation.
What impressed me most was the respectful and thoughtful way the author honored African American history. Through characters like Shirley, Angelo, and the blues musicians, we see both the suffering and resilience of a community that used music as a form of resistance and expression. The blues, often called “the devil’s music,” is portrayed here as a deeply human response to grief, injustice, and survival.
Frank, the Devil, is another highlight of the story. Far from being a caricature of evil, he is humanized through his presence in the world yet remains a balancing force, tied to temptation and desire, but not solely responsible for the tragedies that unfold. The novel reminds us that much of the pain comes not from supernatural forces, but from human cruelty, violence, and prejudice.
The characters are vivid and layered: Béatrice, torn between duty and desire; Agnès, a tragic figure whose fate embodies the tension between destiny and choice; Angelo, whose music carries the soul of his community; and Shirley, whose wisdom and sacrifice form the novel’s moral core. Together, they make this a deeply moving, atmospheric, and unforgettable story.
The ending is bittersweet, offering love, sacrifice, and survival, while acknowledging that every gain comes with loss. It left me reflective, touched, and fully satisfied.
A powerful, immersive, and respectful gothic tale I highly recommend.
What impressed me most was the respectful and thoughtful way the author honored African American history. Through characters like Shirley, Angelo, and the blues musicians, we see both the suffering and resilience of a community that used music as a form of resistance and expression. The blues, often called “the devil’s music,” is portrayed here as a deeply human response to grief, injustice, and survival.
Frank, the Devil, is another highlight of the story. Far from being a caricature of evil, he is humanized through his presence in the world yet remains a balancing force, tied to temptation and desire, but not solely responsible for the tragedies that unfold. The novel reminds us that much of the pain comes not from supernatural forces, but from human cruelty, violence, and prejudice.
The characters are vivid and layered: Béatrice, torn between duty and desire; Agnès, a tragic figure whose fate embodies the tension between destiny and choice; Angelo, whose music carries the soul of his community; and Shirley, whose wisdom and sacrifice form the novel’s moral core. Together, they make this a deeply moving, atmospheric, and unforgettable story.
The ending is bittersweet, offering love, sacrifice, and survival, while acknowledging that every gain comes with loss. It left me reflective, touched, and fully satisfied.
A powerful, immersive, and respectful gothic tale I highly recommend.
October 11, 2025
Thanks to Netgallery for this ARC.
This was a great Southern Gothic story that has Sinners vibes, it follows the dual perspectives of Beatrice and Frank. Beatrice Corbin is a woman who just wants to run her general store and keep a watchful eye on her newly married, younger sister Agnes in her small town of Azoma, Louisiana, she loves Jazz and blues, her life starts to change after she breaks a bottle of whiskey belonging to her late father. Soon she meets Frank Charbonneau who predicts her sister's murder, she doesn't buy it till another of his predictions comes true. In a desperate bid to stop it she makes a bet with him, her soul at stake to find her sister's would be killer in the seven weeks time frame. Setting off to do this not aware that her sister is keeping a secret, Beatrice also tried to ignore her growing feelings for a black musician who has also made a deal with Frank.
We also get Frank's view, a devil giving human form who after we freed from his imprisonment feels a strong connection to Beatrice and in trying to win her heart. He can't interfere with the fate set for Agnes but as he spends more time in this human form he begins to feel human emotions which causes him to feel sympathy for Agnes but also jealously towards Angelo because how Beatrice feels for him. We learn bits about him but also he love for music, blues in particular. We also see him watching the corruption in this small town and the rise of the klan in it.
I found the time period interesting and watching how the Ku Klux Klan twists it's way into the lives of the small town
This was a great Southern Gothic story that has Sinners vibes, it follows the dual perspectives of Beatrice and Frank. Beatrice Corbin is a woman who just wants to run her general store and keep a watchful eye on her newly married, younger sister Agnes in her small town of Azoma, Louisiana, she loves Jazz and blues, her life starts to change after she breaks a bottle of whiskey belonging to her late father. Soon she meets Frank Charbonneau who predicts her sister's murder, she doesn't buy it till another of his predictions comes true. In a desperate bid to stop it she makes a bet with him, her soul at stake to find her sister's would be killer in the seven weeks time frame. Setting off to do this not aware that her sister is keeping a secret, Beatrice also tried to ignore her growing feelings for a black musician who has also made a deal with Frank.
We also get Frank's view, a devil giving human form who after we freed from his imprisonment feels a strong connection to Beatrice and in trying to win her heart. He can't interfere with the fate set for Agnes but as he spends more time in this human form he begins to feel human emotions which causes him to feel sympathy for Agnes but also jealously towards Angelo because how Beatrice feels for him. We learn bits about him but also he love for music, blues in particular. We also see him watching the corruption in this small town and the rise of the klan in it.
I found the time period interesting and watching how the Ku Klux Klan twists it's way into the lives of the small town
October 13, 2025
⭐️⭐️⭐️✨️
"She was as hard and soft as starlight. No explanation to it. No reason, no method, no logic. I loved her."
This was a very lyrically written book, oftentimes beautiful-other times it felt like it dragged a bit. We follow Beatrice, a woman in her mid twenties who would do anything to protect her teenage sister, and we also follow the Devil in human form, all during the 1920s.
I found Beatrice to be a strong character, who stuck with her gut feeling. Reading from Lucien, the Devils, POV however, was much more fun to me. He was written to be very sly, unserious, and even mysterious. I also enjoyed how each chapter began with lyrics to a song, I can feel the respect the author has for music through this book. I have seen others compare it to the movie Sinners, which I can totally see.
While I did enjoy this book, it seemed like a lot was being thrown at the reader, especially in the beginning. What confused me first in the first chapters was how the sisters were described as being white, (Constantly referring to themselves as white women) but their father as half Indian and her mother as full. If they were white passing, it was never stated or perhaps I missed it.
If you enjoy lyrical writing and a story seeped in history and music, then this is for you!
Thank you to Netgalley, the Author Ariel Slick, and the publisher, Hell or Highwater books for the ARC.
"She was as hard and soft as starlight. No explanation to it. No reason, no method, no logic. I loved her."
This was a very lyrically written book, oftentimes beautiful-other times it felt like it dragged a bit. We follow Beatrice, a woman in her mid twenties who would do anything to protect her teenage sister, and we also follow the Devil in human form, all during the 1920s.
I found Beatrice to be a strong character, who stuck with her gut feeling. Reading from Lucien, the Devils, POV however, was much more fun to me. He was written to be very sly, unserious, and even mysterious. I also enjoyed how each chapter began with lyrics to a song, I can feel the respect the author has for music through this book. I have seen others compare it to the movie Sinners, which I can totally see.
While I did enjoy this book, it seemed like a lot was being thrown at the reader, especially in the beginning. What confused me first in the first chapters was how the sisters were described as being white, (Constantly referring to themselves as white women) but their father as half Indian and her mother as full. If they were white passing, it was never stated or perhaps I missed it.
If you enjoy lyrical writing and a story seeped in history and music, then this is for you!
Thank you to Netgalley, the Author Ariel Slick, and the publisher, Hell or Highwater books for the ARC.
October 30, 2025
Adell LaShawn quote: “Every bargain has a backbeat, and the beat always collects.”
Pull quote: “The swamp keeps receipts.”
Main characters: Beatrice Corbin. Agnes Corbin.
Setting: Azoma, Louisiana. 1920s.
Antagonists: The town’s secrets. Power in the wrong hands. A whisper about the Devil that sounds like a song.
Beatrice is trying to keep her store open and protect her newly married sister. The heat sits heavy. The music carries promises that feel like warnings. Slick leans into true Southern Gothic: family duty, church murmurs, juke joints after dark, and a past that walks like a man. The atmosphere is thick and the tension comes in slow, then bites hard.
Why it resonated with me
I love folklore that moves like a hymn. Beatrice reads as a protector who still has to choose herself. That tug between care and survival mirrors the line I talk about in my own work.
What worked for me
• Setting that breathes: cypress, river fog, porch light dread
• Music on the page that feels physical
• Sister dynamic with real stakes
• A final act that lands
What to consider
• Slow burn early
• Dialect and period details are rich; some readers may need a beat to settle in
Content notes
Violence. Domestic control. Religious zeal used as power. Racism and sexism of the era. Occult talk. Death.
Bottom line
A moody Southern Gothic that sings and cuts. I turned the last page feeling like the night air was still in my lungs.
ARC provided via NetGalley. This is my honest review.
Pull quote: “The swamp keeps receipts.”
Main characters: Beatrice Corbin. Agnes Corbin.
Setting: Azoma, Louisiana. 1920s.
Antagonists: The town’s secrets. Power in the wrong hands. A whisper about the Devil that sounds like a song.
Beatrice is trying to keep her store open and protect her newly married sister. The heat sits heavy. The music carries promises that feel like warnings. Slick leans into true Southern Gothic: family duty, church murmurs, juke joints after dark, and a past that walks like a man. The atmosphere is thick and the tension comes in slow, then bites hard.
Why it resonated with me
I love folklore that moves like a hymn. Beatrice reads as a protector who still has to choose herself. That tug between care and survival mirrors the line I talk about in my own work.
What worked for me
• Setting that breathes: cypress, river fog, porch light dread
• Music on the page that feels physical
• Sister dynamic with real stakes
• A final act that lands
What to consider
• Slow burn early
• Dialect and period details are rich; some readers may need a beat to settle in
Content notes
Violence. Domestic control. Religious zeal used as power. Racism and sexism of the era. Occult talk. Death.
Bottom line
A moody Southern Gothic that sings and cuts. I turned the last page feeling like the night air was still in my lungs.
ARC provided via NetGalley. This is my honest review.
November 20, 2025
The concept of this book is really intriguing, and it starts off quite strong, with various events and subplots well-woven into the main plot. Moreover, the setting and its description really set the mood and are immersive, thanks to the writing style of the author, who clearly knows how to play with words. The characters are intriguing and well-characterised, thus drawing you into the story.
However, the longer I read, the more small issues I found, which unfortunately hindered the reading experience. First, the characters. While well-characterised, their development tends to stay on the surface and is often unjustified or unexplained — I found myself reading of characters suddenly rebelling without them having given any indication of going there, for example. As a result, they're relationships and their changes often felt sudden and not believable. I guess that this is also due to some confusion in the timeline: it's rarely clear how long it has passed from one event to the other, thus making the development of the story and its characters unsteady and confusing. So, the plot suffered too.
Overall, this is a nice read, with lots of potential that needed a bit more depth and attention to the details, also because the subplots and themes presented are quite a few, and at times they feel more thrown together than carefully put down in a thought-through way.
Thanks to the author, the publisher and NetGalley for allowing me to read the ARC.
However, the longer I read, the more small issues I found, which unfortunately hindered the reading experience. First, the characters. While well-characterised, their development tends to stay on the surface and is often unjustified or unexplained — I found myself reading of characters suddenly rebelling without them having given any indication of going there, for example. As a result, they're relationships and their changes often felt sudden and not believable. I guess that this is also due to some confusion in the timeline: it's rarely clear how long it has passed from one event to the other, thus making the development of the story and its characters unsteady and confusing. So, the plot suffered too.
Overall, this is a nice read, with lots of potential that needed a bit more depth and attention to the details, also because the subplots and themes presented are quite a few, and at times they feel more thrown together than carefully put down in a thought-through way.
Thanks to the author, the publisher and NetGalley for allowing me to read the ARC.
November 3, 2025
This book is perfect for anyone who loved the movie Sinners. The setting is a small southern town in Louisiana in the 1920s, where racism is rampant, and the devil is roaming.
We mainly follow Beatrice, a young woman, who will do anything to save her sister after it’s been predicted she will die..even make a deal with the Devil.
Our devil, Frank, is in a human form, and striking deals. Frank marries Beatrice on a wager, and gives her 7 weeks to stop her sister’s murder or surrender her soul.
.
.
This book is not one of my typical genres, but I thoroughly enjoyed it. The characters were complex and the plot was intriguing. I was rooting for Beatrice the whole time, and even found myself feeling bad for the devil the closer she got to discovering her sister’s would-be killer. The writing was so lyrical and descriptive, that is was easy to immerse myself in it. There were also so many good lines/convos about the blues, and I loved that music was such a huge part of the book. The blues were built on pain, and there was certainly a lot of pain during these times.
I would definitely check triggering warnings before reading. This book is raw and deals with some very hard themes (though historically accurate).
*Thank you to the author for providing me an e-arc in exchange for my honest review*
We mainly follow Beatrice, a young woman, who will do anything to save her sister after it’s been predicted she will die..even make a deal with the Devil.
Our devil, Frank, is in a human form, and striking deals. Frank marries Beatrice on a wager, and gives her 7 weeks to stop her sister’s murder or surrender her soul.
.
.
This book is not one of my typical genres, but I thoroughly enjoyed it. The characters were complex and the plot was intriguing. I was rooting for Beatrice the whole time, and even found myself feeling bad for the devil the closer she got to discovering her sister’s would-be killer. The writing was so lyrical and descriptive, that is was easy to immerse myself in it. There were also so many good lines/convos about the blues, and I loved that music was such a huge part of the book. The blues were built on pain, and there was certainly a lot of pain during these times.
I would definitely check triggering warnings before reading. This book is raw and deals with some very hard themes (though historically accurate).
*Thank you to the author for providing me an e-arc in exchange for my honest review*
September 11, 2025
I love a good story about a devil causing trouble on earth in human form. Throw in a historical setting and I’m all in. But set in the 1920s Deep South? Definitely not the prettiest time in American history. The blues theme was such a cool, unique touch too as I haven’t read anything quite like it before in a book.
I really enjoyed how each character handled their deal with the devil, and it just goes to show… you better be very specific with what you’re asking for. I caught myself smiling when the devil held up his end of the bargain… but in a way the character didn’t expect. That bit of sly humor was one of my favorite parts.
The pacing and, I believe to be unintentional mid chapter paragraph, POV switches felt a little choppy here and there, but honestly, it didn’t ruin the experience for me. Overall, this was a fun read, and if you love southern gothic fiction, definitely keep an eye out for it when it drops.
I really enjoyed how each character handled their deal with the devil, and it just goes to show… you better be very specific with what you’re asking for. I caught myself smiling when the devil held up his end of the bargain… but in a way the character didn’t expect. That bit of sly humor was one of my favorite parts.
The pacing and, I believe to be unintentional mid chapter paragraph, POV switches felt a little choppy here and there, but honestly, it didn’t ruin the experience for me. Overall, this was a fun read, and if you love southern gothic fiction, definitely keep an eye out for it when it drops.
October 13, 2025
*I received a free ARC in exchange for my honest review.*
I read somewhere “if you liked Sinners, you’ll love this book” (or something like that), so of course I was interested. I can see why this book would be compared to that movie. The overall vibe, the importance of blues and jazz, a dark and terrifying man comes out of nowhere and promises the world.
I can say that this book is beautifully written - more lyrical than anything else - with a focus on feeling and atmosphere. Slick does a lovely job of creating characters that have depth and complexity (even the Devil!). I can see a lot of people loving this book for that.
I struggled with getting into the book, if I’m being honest. It wanted to be a lot of things, but the plot took a long time to reel me in. I think it took me about halfway to feel like I was really getting into it. And when I got into it, I started flying through the book. But when I got to the part where the seven-week mystery is solved, I was really disappointed. That particular resolution didn’t feel like it went with the rest of the story, and it took me out again. I thought the ending was lovely, but about half of the book just didn’t work for me.
I read somewhere “if you liked Sinners, you’ll love this book” (or something like that), so of course I was interested. I can see why this book would be compared to that movie. The overall vibe, the importance of blues and jazz, a dark and terrifying man comes out of nowhere and promises the world.
I can say that this book is beautifully written - more lyrical than anything else - with a focus on feeling and atmosphere. Slick does a lovely job of creating characters that have depth and complexity (even the Devil!). I can see a lot of people loving this book for that.
I struggled with getting into the book, if I’m being honest. It wanted to be a lot of things, but the plot took a long time to reel me in. I think it took me about halfway to feel like I was really getting into it. And when I got into it, I started flying through the book. But when I got to the part where the seven-week mystery is solved, I was really disappointed. That particular resolution didn’t feel like it went with the rest of the story, and it took me out again. I thought the ending was lovely, but about half of the book just didn’t work for me.
October 13, 2025
For two days this book consumed me. For 48 hours, I had the Devil on my mind. If you are at the crossroads of life and you have two choices; one that is righteous and one that is evil, which would you choose?
Everything about The Devil Take the Blues is important. The music, the characters and most importantly the setting. The various messages that Ariel has embedded in the words are all vital, especially when assessing the current events in the States. I can say so much about this novel, but I'd be giving away the whole story and what's the fun in that?
Slick brings you straight to the 1920's and into the humid heat of the deep South. Her writing is atmospheric and sinks its hooks into you within the first few chapters. I willingly let this fictional tale take over my thoughts and I hope you will do the same, because this is an amazing piece of literature.
A big thank you to the author for personally reaching out to me to read and review this book!
Everything about The Devil Take the Blues is important. The music, the characters and most importantly the setting. The various messages that Ariel has embedded in the words are all vital, especially when assessing the current events in the States. I can say so much about this novel, but I'd be giving away the whole story and what's the fun in that?
Slick brings you straight to the 1920's and into the humid heat of the deep South. Her writing is atmospheric and sinks its hooks into you within the first few chapters. I willingly let this fictional tale take over my thoughts and I hope you will do the same, because this is an amazing piece of literature.
A big thank you to the author for personally reaching out to me to read and review this book!
August 23, 2025
⭐️⭐️⭐️⭐️ 4 Stars
The Devil Take the Blues was a dark, atmospheric story with haunting vibes that hooked me right away. I loved the way Ariel Slick blended music, history, and the supernatural—it gave the whole book a raw, soulful edge that really stood out.
The characters were layered and messy, which I enjoyed, but some parts felt just a little uneven, keeping it from being a full 5-star read for me. Still, the emotional weight of the story and the way grief, music, and the devil’s bargains intertwined left me thinking about it long after I finished.
If you like Southern gothic, supernatural bargains, or stories that weave blues music into something both eerie and heartfelt, this one is worth picking up.
The Devil Take the Blues was a dark, atmospheric story with haunting vibes that hooked me right away. I loved the way Ariel Slick blended music, history, and the supernatural—it gave the whole book a raw, soulful edge that really stood out.
The characters were layered and messy, which I enjoyed, but some parts felt just a little uneven, keeping it from being a full 5-star read for me. Still, the emotional weight of the story and the way grief, music, and the devil’s bargains intertwined left me thinking about it long after I finished.
If you like Southern gothic, supernatural bargains, or stories that weave blues music into something both eerie and heartfelt, this one is worth picking up.
September 28, 2025
received this book for free.
I received an advance review copy for free, and I am leaving this review voluntarily
The Devil Take The Blues was probably one of my favorite books I've read this year. As a fan of historical fiction I was intrigued from the start. I mean a women making a deal with the Devil to save her sister from murder was just a small part of what made the story engrossing.
Full of interesting characters that you will both love and hate, some I was surprised by the progression of my feelings.
I unfortunately am not great at writing reviews of books but trust me on this one, if you have any interest after reading the description of the book you will not be left disappointed.
I received an advance review copy for free, and I am leaving this review voluntarily
The Devil Take The Blues was probably one of my favorite books I've read this year. As a fan of historical fiction I was intrigued from the start. I mean a women making a deal with the Devil to save her sister from murder was just a small part of what made the story engrossing.
Full of interesting characters that you will both love and hate, some I was surprised by the progression of my feelings.
I unfortunately am not great at writing reviews of books but trust me on this one, if you have any interest after reading the description of the book you will not be left disappointed.
October 12, 2025
This book was absolutely amazing!! If you love southern folklore, this book is for you!💙
Can the devil feel love? How far are you willing to go to save your family?
We follow Beatrice and Frank whose path become intertwined. The story takes place in the 1920’s Louisiana. Has the same vibes as Sinners. It includes talking about racism, magic, the Devil, music, finding love and so much more. It was so beautifully written and each chapter had me wanting to read more. The ending was so unexpected and I absolutely am in love with this book.
Thank you so much NetGalley and Ariel Slick for allowing me to ARC read your book!!😊
Can the devil feel love? How far are you willing to go to save your family?
We follow Beatrice and Frank whose path become intertwined. The story takes place in the 1920’s Louisiana. Has the same vibes as Sinners. It includes talking about racism, magic, the Devil, music, finding love and so much more. It was so beautifully written and each chapter had me wanting to read more. The ending was so unexpected and I absolutely am in love with this book.
Thank you so much NetGalley and Ariel Slick for allowing me to ARC read your book!!😊
May 2, 2026
This one really leans into that Southern Gothic vibe—dark, heavy, and a bit unsettling in a good way. The atmosphere is probably the strongest part; you can almost feel the heat, the tension, and all the history hanging over the characters.
It’s not a fast read and doesn’t rush the story, which worked for me most of the time, though it did drag slightly in places. The focus is more on mood and the characters than on big plot twists.
Overall, I enjoyed it. It’s the kind of book you pick up for the feeling rather than the action—definitely worth it if you like slower, more atmospheric reads.
It’s not a fast read and doesn’t rush the story, which worked for me most of the time, though it did drag slightly in places. The focus is more on mood and the characters than on big plot twists.
Overall, I enjoyed it. It’s the kind of book you pick up for the feeling rather than the action—definitely worth it if you like slower, more atmospheric reads.
October 13, 2025
The Devil Take the Blues is a take on the classic 'make a deal with the devil' plot with added romance set in historical Louisiana. It centers around a young woman trying to keep her sister alive and she will do whatever it takes.
I enjoyed the southern gothic feeling and the historical accuracy of the writing. The characters were well written and I enjoyed most of them even when I wasn't fully following the plot of the story. Overall, I felt it was a good read if you're looking for historical fiction from the south.
I received a free ARC in exchange for my honest review
I enjoyed the southern gothic feeling and the historical accuracy of the writing. The characters were well written and I enjoyed most of them even when I wasn't fully following the plot of the story. Overall, I felt it was a good read if you're looking for historical fiction from the south.
I received a free ARC in exchange for my honest review
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