An electrifying memoir from the pioneering cultural icon The New Yorker called “the coolest person in New York,” whose fearless creativity reshaped the worlds of art, music, and style
Fab 5 Freddy doesn’t just have a great story—he is the story. Name a seismic cultural shift, and chances are, he wasn’t just there—he was helping to make it happen. He’s among the first graffiti artists to turn subway tags into fine art, the visionary behind the first hip-hop movie, the bridge between Jean-Michel Basquiat and the downtown new wave scene, the first person to take rap global on MTV, and the opening rhyme of Blondie’s number-one smash hit “Rapture”—“Fab 5 Freddy told me everybody’s fly”—the song that propelled hip-hop from the New York streets to mainstream culture. With a spirit of joyful creativity and a deep capacity for connecting with kindred spirits (Basquiat, Haring, Lee, Flash, Warhol, and the Clash, to name a few), he shattered racial and artistic boundaries, bridging worlds and raising underground movements to pop culture dominance.
Everybody’s Fly is a fast-moving, all-access pass to Fred’s extraordinary life—one that begins in a book- and jazz-filled Brooklyn home and takes us deep into New York’s creative explosions from the 1970s into the 1990s. He didn’t just shape culture, he synthesized it—from highbrow to street, the Bronx to the East Village, punk to rap, Warhol to Wild Style. Whether he’s skipping school to wander New York City’s museums, painting subway cars that became moving masterpieces, or bringing hip-hop to downtown clubs for the first time, Fred’s genius has always been in seeing what others couldn’t—until he made them see it too.
Vibrant, rhapsodic, and compulsively readable, Everybody’s Fly is at once an intimate memoir and panoramic cultural history. It is a love letter to the art of seeing, a fascinating account of an inimitable creative life, and a celebration of what it means to shape culture.
ARC REVIEW ~ Of all the books about hip-hop that I’ve read, this one is the most comprehensive account of the birth of hip-hop I’ve read so far.
After reading this memoir I can confidently say Fab 5 Freddy is the godfather of hip-hop.
Everybody’s Fly takes readers on a vivid journey back to the B-boy days. It takes us back to a time when break dancers used to dance in the streets. Graffiti artists tagged trains, and rappers rapped in parks. In this memoir we learn how Fab 5 Freddy took graffiti art and rap music from the streets of New York to audiences around the world.
Fab 5 Freddy played a major role in shaping hip-hop culture and introducing it to the mainstream. His story shows just how much influence he had on the music and movement we hear and see today. From his beginnings as a graffiti artist, to his brief time as an MC, to creating the cult-classic film Wild Style and later hosting Yo! MTV Raps, Freddy was at the center of it all.
This isn’t your typical memoir. It’s not just Freddy telling the story of his life. It’s bigger than that. It’s the story of a movement, a culture, and a generation that completely changed music. In a lot of ways, it reads like the memoir of hip-hop itself.
The book leans heavily into his life as a graffiti artist. Freddy also takes us into the social climate in which he was raised, sharing stories about his parents and the role they played in sparking his creativity.
There’s a lot of stories packed into these pages. At times I struggled with the sheer number of names mentioned throughout the book. Freddy introduces so many people that it was hard for me to keep track of who was who. I understand why they were included. Those people played a part in his life and the story of the culture. But after a while the many names became hard to keep up with. Instead of pulling me deeper into the story, the constant stream of people sometimes slowed things down.
A lot of fascinating facts are scattered throughout the book. More than once I found myself surprised by what I was reading. One moment that stuck with me was when Freddy talked about the subway cars he used to tag in New York. He casually mentioned that many of those trains were eventually “dumped in the ocean.” That line stopped me in my tracks. I had to look it up to see if that could possibly be true.
Sure enough, I learned that more than 2,500 retired New York City subway cars were intentionally dropped into the Atlantic Ocean between 2001 and 2010. The Metropolitan Transportation Authority said the cars were cleaned first, with hazardous materials removed, before being sunk to create artificial reefs from New Jersey all the way down to Georgia. The idea was that the steel cars would become habitats for marine life, helping boost biodiversity while also saving millions in disposal costs. I have to admit, this piece of information completely blew my mind. 😲🤯😧😱
But of all the stories he shares, there is one in particular that honestly shook me to the core. As he reaches the final pages, Freddy reflects on some of the issues affecting the world today. In one paragraph he brings up the novel Parable of the Talents by Octavia Butler. The book was written back in 1998 and is considered “dystopian science fiction”, meaning, a nightmarish vision of the future. But here’s the part that stopped me cold. Freddy points out that many of the things written in Butler’s novel are eerily similar to what we’re experiencing today. There’s even the “fictional” political slogan in the book “Make America Great Again”. The parallels he mentions are so close to our current reality that it’s downright scary!
On a lighter note, I enjoyed the stories Freddy shares about Blondie and how they shouted him out in their song Rapture. Released in 1980, the song became one of the first mainstream hits to feature rap. At the time hip-hop was still brand new, and I was all in. To this day I’m not sure if the song Rapture has stayed in my memory bank because it was the first time I’d ever heard a white person rap, or because I genuinely loved the song. Probably a little bit of both. Either way, all these years later I still remember every word. As I’m writing this, I can clearly hear Debbie Harry delivering the line in her unmistakable white-girl swagger: “Fab 5 Freddy says everybody’s fly…”
And now, 46 years later, that very line has become the title of Freddy’s book.
In the end, Everybody’s Fly may not be a perfect memoir, but it’s an important one. Yes, at times the details slow the story down and the long list of names can be hard to keep up with. But what Freddy gives us is something special. We get a firsthand look at the birth and rise of hip-hop. His story is proof that staying true to who you are can take you further than you can imagine.
Thanks to Viking Publishing for gifting me an ARC via Netgalley in exchange for an honest review.
This is such an amazing account of such an amazing time in such an amazing place. Our man Fab Five Freddy (aka, Frederick Brathwaite) was in the dead center of pretty much everything that was going down in the '70's and '80's in New York City: Subway graffiti, the burgeoning Hip-Hop Scene, breakdancing, Punk, New Wave...any medium you can think of, Fab was expressing himself. And we knew the deaths of Andy Warhol, Jean-Michel Basquiat, and Keith Haring (and, after the Tomkins Square police riot, the death of the art movement set in the East Village and Lower East Side) were on the horizon, and yet Fab can still make us feel his distress at these events.
Nobody has ever been cooler than Fab Five Freddy, nobody will ever be cooler that Fab Five Freddy. The man is a legend.
Freddy's story spans the rise of so many vibrant and diverse styles and artists, it's amazing. If you thought all there was to Fab 5 Freddy was hosting Yo! MTV Raps, then you're in for an educational experience and surprise. He came up along with a couple of masters...Basquiat, Haring, Debbie Harry, Chris Stein...and I'm talking the folks outside of rap. This is a great read that focuses more on the art side of Freddy and less so on the rap/hip-hop man. If you didn't know, now you know. Recommended!
I loved this book! I knew so little about Fab 5 Freddy, and was astonished by how influential he is. I highly recommend reading this as an audio book. Fab 5 Freddy's narration is excellent.
“I had this flash of recognition, a major moment of vindication: Yes! There is a connection here between the aesthetics and feel of punk and the rambunctious energy of hood culture.” (p.87)
“A day or so later, when I heard the rough mix of the B-side version, Bill had added a strange robotic sound that had been run through a vocoder at the end of the song. I initially thought it was me, but I later learned it was the voice of Roger Trilling, Bill's manager, who was goofing around, saying, "Ahhh, this stuff is really fresh!" Liking what I heard, I said, "Why not, let's keep it," so we did. It's turned out to be one of the most sampled and scratched sounds in all of hip-hop!” (p.233)
“For inspiration, I'd been spending long, delightful stretches at the Strand Bookstore, poring over art books and discovering artists I had previously overlooked. The work of William Blake, the visionary English Romantic poet and painter, hit my radar hard. I dug his poetry and the way he connected his rhymes to his imagery-it was totally enlightening to me.” (p.282-283)
I didn’t know much about Fab 5 Freddy except for the lines in Rapture, one of the defining songs of my youth! But this book was a revelation. Fred is one of those people who was in the middle of everything and it’s simply incredible! Fred sees things that are going to break out before they do and he is able to amplify it. And that would be my one issue with the book, especially in the middle section. Fred knows everyone and is in the midst of everything and I started to get overwhelmed and confused on who was who! Imagine living this life! This is a great memoir of a brilliant artist and cultural icon. Thanks for writing this book, Fred. I enjoyed getting to know you.
This is about the evolution of Hip Hop from the streets of uptown NYC block parties to breakdancing by one of the great graffiti artists of the time,who had his finger on the pulse of avante garde hipsters like Blondie and Futura 2000 who all basically created and defined the genre. The Hip Hop movement was all presented to the world in the documentary Wild Style,which Fred co-produced with Charlie Ahern. Half the audiobook is interviews with some of the key players in a kind of podcast style. I only wish Fred would have chronicled Hip Hop up to the presemt,but perhaps he'll make a sequal.
Listen to the audiobook. Fab's a great narrator and the last third is him reminiscing with friends. It says a lot that he is still tight with people he first met when he was a teenager. His life is way more fascinating than I expected. He clearly loves collaborating and supporting other artists. Truly a renaissance man. I remember the panic over graffiti back in the '70s. Now, I look at every freight train I pass and which someone would decorate the containers. We could be a nation of rolling art.
Back in March I was lucky to have the opportunity to go to Fab 5 Freddy’s book release at the Cooper Union, where he was interviewed by the famous author Marlon James. I was captivated. Here was an icon from my childhood dishing out all kinds of stories about the NYC graffiti and music scene of the late 70s and 80s, as well as the birth of hip hop. I had to buy the book and it did not disappoint.
4.25 rating! Fab 5 Freddy was the first person I knew of when I started watching MTV (particularly Yo! MTV Raps)! This memoir was so fun to read! Freddy has lived an interesting and full life and it was a wild ride. I liked that he included full interviews with some of his collaborators and now famous friends at the end of the book, which is very usual for a memoir but very welcome by me. Fab 5 Freddy, this memoir is fly!
Absolutely wonderful story. Brings back a lot of memories of seeing Fab 5 Freddy on Yo MTV raps a very very long time ago. What an incredible life he’s experienced and such a nice person.