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Everybody's Fly: A Life of Art, Music, and Changing the Culture
An electrifying memoir from the pioneering cultural icon The New Yorker called “the coolest person in New York,” whose fearless creativity reshaped the worlds of art, music, and style
Fab 5 Freddy doesn’t just have a great story—he is the story. Name a seismic cultural shift, and chances are, he wasn’t just there—he was helping to make it happen. He’s among the first graffiti artists to turn subway tags into fine art, the visionary behind the first hip-hop movie, the bridge between Jean-Michel Basquiat and the downtown new wave scene, the first person to take rap global on MTV, and the opening rhyme of Blondie’s number-one smash hit “Rapture”—“Fab 5 Freddy told me everybody’s fly”—the song that propelled hip-hop from the New York streets to mainstream culture. With a spirit of joyful creativity and a deep capacity for connecting with kindred spirits (Basquiat, Haring, Lee, Flash, Warhol, and the Clash, to name a few), he shattered racial and artistic boundaries, bridging worlds and raising underground movements to pop culture dominance.
Everybody’s Fly is a fast-moving, all-access pass to Fred’s extraordinary life—one that begins in a book- and jazz-filled Brooklyn home and takes us deep into New York’s creative explosions from the 1970s into the 1990s. He didn’t just shape culture, he synthesized it—from highbrow to street, the Bronx to the East Village, punk to rap, Warhol to Wild Style. Whether he’s skipping school to wander New York City’s museums, painting subway cars that became moving masterpieces, or bringing hip-hop to downtown clubs for the first time, Fred’s genius has always been in seeing what others couldn’t—until he made them see it too.
Vibrant, rhapsodic, and compulsively readable, Everybody’s Fly is at once an intimate memoir and panoramic cultural history. It is a love letter to the art of seeing, a fascinating account of an inimitable creative life, and a celebration of what it means to shape culture.
Fab 5 Freddy doesn’t just have a great story—he is the story. Name a seismic cultural shift, and chances are, he wasn’t just there—he was helping to make it happen. He’s among the first graffiti artists to turn subway tags into fine art, the visionary behind the first hip-hop movie, the bridge between Jean-Michel Basquiat and the downtown new wave scene, the first person to take rap global on MTV, and the opening rhyme of Blondie’s number-one smash hit “Rapture”—“Fab 5 Freddy told me everybody’s fly”—the song that propelled hip-hop from the New York streets to mainstream culture. With a spirit of joyful creativity and a deep capacity for connecting with kindred spirits (Basquiat, Haring, Lee, Flash, Warhol, and the Clash, to name a few), he shattered racial and artistic boundaries, bridging worlds and raising underground movements to pop culture dominance.
Everybody’s Fly is a fast-moving, all-access pass to Fred’s extraordinary life—one that begins in a book- and jazz-filled Brooklyn home and takes us deep into New York’s creative explosions from the 1970s into the 1990s. He didn’t just shape culture, he synthesized it—from highbrow to street, the Bronx to the East Village, punk to rap, Warhol to Wild Style. Whether he’s skipping school to wander New York City’s museums, painting subway cars that became moving masterpieces, or bringing hip-hop to downtown clubs for the first time, Fred’s genius has always been in seeing what others couldn’t—until he made them see it too.
Vibrant, rhapsodic, and compulsively readable, Everybody’s Fly is at once an intimate memoir and panoramic cultural history. It is a love letter to the art of seeing, a fascinating account of an inimitable creative life, and a celebration of what it means to shape culture.
336 pages, Kindle Edition
Published March 10, 2026
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Displaying 1 - 29 of 29 reviews
March 5, 2026
ARC REVIEW ~ Of all the books about hip-hop that I’ve read, this one is the most comprehensive account of the birth of hip-hop I’ve read so far.
After reading this memoir I can confidently say Fab 5 Freddy is the godfather of hip-hop.
Everybody’s Fly takes readers on a vivid journey back to the B-boy days. It takes us back to a time when break dancers used to dance in the streets. Graffiti artists tagged trains, and rappers rapped in parks. In this memoir we learn how Fab 5 Freddy took graffiti art and rap music from the streets of New York to audiences around the world.
Fab 5 Freddy played a major role in shaping hip-hop culture and introducing it to the mainstream. His story shows just how much influence he had on the music and movement we hear and see today. From his beginnings as a graffiti artist, to his brief time as an MC, to creating the cult-classic film Wild Style and later hosting Yo! MTV Raps, Freddy was at the center of it all.
This isn’t your typical memoir. It’s not just Freddy telling the story of his life. It’s bigger than that. It’s the story of a movement, a culture, and a generation that completely changed music. In a lot of ways, it reads like the memoir of hip-hop itself.
The book leans heavily into his life as a graffiti artist. Freddy also takes us into the social climate in which he was raised, sharing stories about his parents and the role they played in sparking his creativity.
There’s a lot of stories packed into these pages. At times I struggled with the sheer number of names mentioned throughout the book. Freddy introduces so many people that it was hard for me to keep track of who was who. I understand why they were included. Those people played a part in his life and the story of the culture. But after a while the many names became hard to keep up with. Instead of pulling me deeper into the story, the constant stream of people sometimes slowed things down.
A lot of fascinating facts are scattered throughout the book. More than once I found myself surprised by what I was reading. One moment that stuck with me was when Freddy talked about the subway cars he used to tag in New York. He casually mentioned that many of those trains were eventually “dumped in the ocean.” That line stopped me in my tracks. I had to look it up to see if that could possibly be true.
Sure enough, I learned that more than 2,500 retired New York City subway cars were intentionally dropped into the Atlantic Ocean between 2001 and 2010. The Metropolitan Transportation Authority said the cars were cleaned first, with hazardous materials removed, before being sunk to create artificial reefs from New Jersey all the way down to Georgia. The idea was that the steel cars would become habitats for marine life, helping boost biodiversity while also saving millions in disposal costs. I have to admit, this piece of information completely blew my mind. 😲🤯😧😱
But of all the stories he shares, there is one in particular that honestly shook me to the core. As he reaches the final pages, Freddy reflects on some of the issues affecting the world today. In one paragraph he brings up the novel Parable of the Talents by Octavia Butler. The book was written back in 1998 and is considered “dystopian science fiction”, meaning, a nightmarish vision of the future. But here’s the part that stopped me cold. Freddy points out that many of the things written in Butler’s novel are eerily similar to what we’re experiencing today. There’s even the “fictional” political slogan in the book “Make America Great Again”. The parallels he mentions are so close to our current reality that it’s downright scary!
On a lighter note, I enjoyed the stories Freddy shares about Blondie and how they shouted him out in their song Rapture. Released in 1980, the song became one of the first mainstream hits to feature rap. At the time hip-hop was still brand new, and I was all in. To this day I’m not sure if the song Rapture has stayed in my memory bank because it was the first time I’d ever heard a white person rap, or because I genuinely loved the song. Probably a little bit of both. Either way, all these years later I still remember every word. As I’m writing this, I can clearly hear Debbie Harry delivering the line in her unmistakable white-girl swagger: “Fab 5 Freddy says everybody’s fly…”
And now, 46 years later, that very line has become the title of Freddy’s book.
In the end, Everybody’s Fly may not be a perfect memoir, but it’s an important one. Yes, at times the details slow the story down and the long list of names can be hard to keep up with. But what Freddy gives us is something special. We get a firsthand look at the birth and rise of hip-hop. His story is proof that staying true to who you are can take you further than you can imagine.
Thanks to Viking Publishing for gifting me an ARC via Netgalley in exchange for an honest review.
Publication Date: March 10, 2026
After reading this memoir I can confidently say Fab 5 Freddy is the godfather of hip-hop.
Everybody’s Fly takes readers on a vivid journey back to the B-boy days. It takes us back to a time when break dancers used to dance in the streets. Graffiti artists tagged trains, and rappers rapped in parks. In this memoir we learn how Fab 5 Freddy took graffiti art and rap music from the streets of New York to audiences around the world.
Fab 5 Freddy played a major role in shaping hip-hop culture and introducing it to the mainstream. His story shows just how much influence he had on the music and movement we hear and see today. From his beginnings as a graffiti artist, to his brief time as an MC, to creating the cult-classic film Wild Style and later hosting Yo! MTV Raps, Freddy was at the center of it all.
This isn’t your typical memoir. It’s not just Freddy telling the story of his life. It’s bigger than that. It’s the story of a movement, a culture, and a generation that completely changed music. In a lot of ways, it reads like the memoir of hip-hop itself.
The book leans heavily into his life as a graffiti artist. Freddy also takes us into the social climate in which he was raised, sharing stories about his parents and the role they played in sparking his creativity.
There’s a lot of stories packed into these pages. At times I struggled with the sheer number of names mentioned throughout the book. Freddy introduces so many people that it was hard for me to keep track of who was who. I understand why they were included. Those people played a part in his life and the story of the culture. But after a while the many names became hard to keep up with. Instead of pulling me deeper into the story, the constant stream of people sometimes slowed things down.
A lot of fascinating facts are scattered throughout the book. More than once I found myself surprised by what I was reading. One moment that stuck with me was when Freddy talked about the subway cars he used to tag in New York. He casually mentioned that many of those trains were eventually “dumped in the ocean.” That line stopped me in my tracks. I had to look it up to see if that could possibly be true.
Sure enough, I learned that more than 2,500 retired New York City subway cars were intentionally dropped into the Atlantic Ocean between 2001 and 2010. The Metropolitan Transportation Authority said the cars were cleaned first, with hazardous materials removed, before being sunk to create artificial reefs from New Jersey all the way down to Georgia. The idea was that the steel cars would become habitats for marine life, helping boost biodiversity while also saving millions in disposal costs. I have to admit, this piece of information completely blew my mind. 😲🤯😧😱
But of all the stories he shares, there is one in particular that honestly shook me to the core. As he reaches the final pages, Freddy reflects on some of the issues affecting the world today. In one paragraph he brings up the novel Parable of the Talents by Octavia Butler. The book was written back in 1998 and is considered “dystopian science fiction”, meaning, a nightmarish vision of the future. But here’s the part that stopped me cold. Freddy points out that many of the things written in Butler’s novel are eerily similar to what we’re experiencing today. There’s even the “fictional” political slogan in the book “Make America Great Again”. The parallels he mentions are so close to our current reality that it’s downright scary!
On a lighter note, I enjoyed the stories Freddy shares about Blondie and how they shouted him out in their song Rapture. Released in 1980, the song became one of the first mainstream hits to feature rap. At the time hip-hop was still brand new, and I was all in. To this day I’m not sure if the song Rapture has stayed in my memory bank because it was the first time I’d ever heard a white person rap, or because I genuinely loved the song. Probably a little bit of both. Either way, all these years later I still remember every word. As I’m writing this, I can clearly hear Debbie Harry delivering the line in her unmistakable white-girl swagger: “Fab 5 Freddy says everybody’s fly…”
And now, 46 years later, that very line has become the title of Freddy’s book.
In the end, Everybody’s Fly may not be a perfect memoir, but it’s an important one. Yes, at times the details slow the story down and the long list of names can be hard to keep up with. But what Freddy gives us is something special. We get a firsthand look at the birth and rise of hip-hop. His story is proof that staying true to who you are can take you further than you can imagine.
Thanks to Viking Publishing for gifting me an ARC via Netgalley in exchange for an honest review.
Publication Date: March 10, 2026
March 24, 2026
Goddamnit...I NEED MORE STARS!
This is such an amazing account of such an amazing time in such an amazing place.
Our man Fab Five Freddy (aka, Frederick Brathwaite) was in the dead center of pretty much everything that was going down in the '70's and '80's in New York City: Subway graffiti, the burgeoning Hip-Hop Scene, breakdancing, Punk, New Wave...any medium you can think of, Fab was expressing himself. And we knew the deaths of Andy Warhol, Jean-Michel Basquiat, and Keith Haring (and, after the Tomkins Square police riot, the death of the art movement set in the East Village and Lower East Side) were on the horizon, and yet Fab can still make us feel his distress at these events.
Nobody has ever been cooler than Fab Five Freddy, nobody will ever be cooler that Fab Five Freddy. The man is a legend.
This is such an amazing account of such an amazing time in such an amazing place.
Our man Fab Five Freddy (aka, Frederick Brathwaite) was in the dead center of pretty much everything that was going down in the '70's and '80's in New York City: Subway graffiti, the burgeoning Hip-Hop Scene, breakdancing, Punk, New Wave...any medium you can think of, Fab was expressing himself. And we knew the deaths of Andy Warhol, Jean-Michel Basquiat, and Keith Haring (and, after the Tomkins Square police riot, the death of the art movement set in the East Village and Lower East Side) were on the horizon, and yet Fab can still make us feel his distress at these events.
Nobody has ever been cooler than Fab Five Freddy, nobody will ever be cooler that Fab Five Freddy. The man is a legend.
August 20, 2026
So much of this book felt like it was echoing parts of my life. I just loved it! I laughed. I cry. It felt so close. Things I knew. People have actually met. But just chapters of the collective growing up in America in the 80s 90s, etc. and how it all happened. I just loved it.
March 28, 2026
I loved this book! I knew so little about Fab 5 Freddy, and was astonished by how influential he is.
I highly recommend reading this as an audio book. Fab 5 Freddy's narration is excellent.
I highly recommend reading this as an audio book. Fab 5 Freddy's narration is excellent.
July 9, 2026
Even if you aren’t the hippest of the hip or inclined toward art or music; you have surely heard of Fab 5 Freddy (Fred Brathwaite). Fab 5 Freddy is an icon and legend having been one of, if not THE, mover and shakers behind the cultural movements of graffiti art, hip hop going mainstream and break-dancing; with splashes of punk rock, film-making and television thrown in (host of MTV’s Yo! Mtv Raps). Brathwaite rose from the not-so-nicest parts of New York to become one of the biggest artists and cultural pioneers hobnobbing with everyone from jazz and hip-hop greats to Blondie, Andy Warhol, Jean Paul Basquiat, Madonna, Lee, RFK Jr and everyone and everyone in between. Everything in hip hop, graffiti and underground movements today, at least in the US, are a result of his fingertips, mind, and drive. Fab 5 Freddy shares his life story (along with co-writer Mark Rozzo) in, “Everybody’s Fly: A Life of Art, Music and Changing the Culture”.
“Everybody’s Fly” joins an endless list of celebrity memoirs which often don’t make for the best book club choice as they are usually a gossipy, narcissism- dripping, poorly written, self-pity fest that is completely out of touch from the real world. However, occasionally, there comes along golden memoirs that prove the writing chops of these celebrities. “Everybody’s Fly” is one of these pieces that puts to shame most other celebrity memoirs. Brathwaite dives into his life with a colorful and vivid tapestry format of storytelling that only an artist can weave; allowing readers to instantly feel not only drawn into the pages but into the life of Fab 5 Freddy. Even though Braithwaite begins “Everybody Fly” with a look at his childhood and upbringing; this is mostly an overview from how his parents and childhood influenced his art and civil views versus truly intimate familiar stories. This theme continues throughout the text as “Everybody’s Fly” is a career memoir versus a true autobiography. Even so, readers still glimpse Brathwaite’s psyche and persona and feel a connection on a deeper spatial level.
Brathwaite explores his entire artistic career in graffiti, music, film-making, and art highlighting his personal career advancements and how his interests blossomed. But “Everybody’s Fly” is much more than just a Fab 5 Freddy portrait as it also takes a social history macro and micro view at the movements of street art, break-dancing, DJs and hip-hop, punk music, etc; correlating them to the civil and political happenings of the 60s, 70s and 80s making “Everybody’s Fly” more of a cultural art book. “Everybody’s Fly” is captivating and engrossing but also easily accessible meaning readers do not have to be artists or culture aficionados to understand what is happening: Brathwaite explains it with ease.
95% of “Everybody’s Fly” is a name-dropping fest with Brathwaite flashing the names of other famous friends, work buddies, people he met, individuals he ran into, etc. This is always annoying on a minimum level and with the amount Brathwaite pours into “Everybody’s Fly” – would usually make a reader want to throw the memoir out the window. However, Braithwaite manages to not make this pathetically obnoxious and maintains a humble chord clearly trying to get credit due to other artists involved in the art movements versus just brag about knowing these folks. Even so, by the end of “Everybody’s Fly”, it really is too much and is super repetitive. Enough already.
Similarly, Brathwaite basically takes the credit for being the ring leader in all things underground art and hip-hop and claiming New York City to be the only home for these movements. Again, Fan 5 Freddy was DEFINITELY a pioneer and is going down in art and culture history books but relax, my man. You didn’t do EVERYTHING and start art. My ex-boyfriend of 9 years (still my current best friend) was a graffiti artist here in Los Angeles and his work has been featured in MOCA exhibits; confirmed many of the tid-bits I mentioned to him (he is now reading this, himself) and agreed that Fab 5 was a godfather to the B Boy movements but that things were already happening here on the West Coast with many thinking Fab 5 sold out hip-hop.
Like all celeb memoirs, “Everybody’s Fly” mentions drug use but doesn’t romanticize it and in fact does the opposite of showing the horrible sides like the overdose of Jean Paul Basquiat.
Brathwaite concludes “Everybody’s Fly” with a history meets art lesson and explains the interweaving of all underground movements and their importance. Brathwaite is undeniably intelligent, soulful, well-spoken and “just gets it”.
Although not perfect – but pretty close! – “Everybody’s Fly” is a pivotal memoir that breaks down the career of legendary art pioneer Fab 5 Freddy and meshes a celebrity autobiography with a social and cultural history piece making it a must-read for anyone remotely interested in hip hop, street art, break-dancing and even punk (they more closely connected than you may think!). Brathwaite can add book writing to long list of resume successes.
“Everybody’s Fly” joins an endless list of celebrity memoirs which often don’t make for the best book club choice as they are usually a gossipy, narcissism- dripping, poorly written, self-pity fest that is completely out of touch from the real world. However, occasionally, there comes along golden memoirs that prove the writing chops of these celebrities. “Everybody’s Fly” is one of these pieces that puts to shame most other celebrity memoirs. Brathwaite dives into his life with a colorful and vivid tapestry format of storytelling that only an artist can weave; allowing readers to instantly feel not only drawn into the pages but into the life of Fab 5 Freddy. Even though Braithwaite begins “Everybody Fly” with a look at his childhood and upbringing; this is mostly an overview from how his parents and childhood influenced his art and civil views versus truly intimate familiar stories. This theme continues throughout the text as “Everybody’s Fly” is a career memoir versus a true autobiography. Even so, readers still glimpse Brathwaite’s psyche and persona and feel a connection on a deeper spatial level.
Brathwaite explores his entire artistic career in graffiti, music, film-making, and art highlighting his personal career advancements and how his interests blossomed. But “Everybody’s Fly” is much more than just a Fab 5 Freddy portrait as it also takes a social history macro and micro view at the movements of street art, break-dancing, DJs and hip-hop, punk music, etc; correlating them to the civil and political happenings of the 60s, 70s and 80s making “Everybody’s Fly” more of a cultural art book. “Everybody’s Fly” is captivating and engrossing but also easily accessible meaning readers do not have to be artists or culture aficionados to understand what is happening: Brathwaite explains it with ease.
95% of “Everybody’s Fly” is a name-dropping fest with Brathwaite flashing the names of other famous friends, work buddies, people he met, individuals he ran into, etc. This is always annoying on a minimum level and with the amount Brathwaite pours into “Everybody’s Fly” – would usually make a reader want to throw the memoir out the window. However, Braithwaite manages to not make this pathetically obnoxious and maintains a humble chord clearly trying to get credit due to other artists involved in the art movements versus just brag about knowing these folks. Even so, by the end of “Everybody’s Fly”, it really is too much and is super repetitive. Enough already.
Similarly, Brathwaite basically takes the credit for being the ring leader in all things underground art and hip-hop and claiming New York City to be the only home for these movements. Again, Fan 5 Freddy was DEFINITELY a pioneer and is going down in art and culture history books but relax, my man. You didn’t do EVERYTHING and start art. My ex-boyfriend of 9 years (still my current best friend) was a graffiti artist here in Los Angeles and his work has been featured in MOCA exhibits; confirmed many of the tid-bits I mentioned to him (he is now reading this, himself) and agreed that Fab 5 was a godfather to the B Boy movements but that things were already happening here on the West Coast with many thinking Fab 5 sold out hip-hop.
Like all celeb memoirs, “Everybody’s Fly” mentions drug use but doesn’t romanticize it and in fact does the opposite of showing the horrible sides like the overdose of Jean Paul Basquiat.
Brathwaite concludes “Everybody’s Fly” with a history meets art lesson and explains the interweaving of all underground movements and their importance. Brathwaite is undeniably intelligent, soulful, well-spoken and “just gets it”.
Although not perfect – but pretty close! – “Everybody’s Fly” is a pivotal memoir that breaks down the career of legendary art pioneer Fab 5 Freddy and meshes a celebrity autobiography with a social and cultural history piece making it a must-read for anyone remotely interested in hip hop, street art, break-dancing and even punk (they more closely connected than you may think!). Brathwaite can add book writing to long list of resume successes.
March 27, 2026
Freddy's story spans the rise of so many vibrant and diverse styles and artists, it's amazing. If you thought all there was to Fab 5 Freddy was hosting Yo! MTV Raps, then you're in for an educational experience and surprise. He came up along with a couple of masters...Basquiat, Haring, Debbie Harry, Chris Stein...and I'm talking the folks outside of rap. This is a great read that focuses more on the art side of Freddy and less so on the rap/hip-hop man. If you didn't know, now you know. Recommended!
June 16, 2026
A great read for all fans of the golden era of hip hop, told by none other than a legend himself. I was fortunate to hear Freddy speak here in Los Angeles at the festival of books earlier this year, and got a signed copy of this.
Surprisingly I most enjoyed the first half of this book where he dives into his youth and his love for graffiti and all forms of art. The vivid descriptions of 1980s NYC evokes the deep down feeling I have to experience that time. Grungy but simultaneously full of character, the beginnings of hip hop, the trains, and the absence of the internet.
Hearing him describe Yo MTV Raps and how it was something you couldn’t miss, that everyone who was tapped in just had to be there, is something not possible in today’s era. Things are posted online right after airing, and things don’t have a moment anymore. It’s always on to the next thing, because there is constant accessibility. I would KILL for a day out of the week where that wasn’t possible.
Last thing I’d like to mention is this fantastic quote aimed at those who claim rap is too violent:
“Our American cultural history is soaked in violence—often glorified in our most popular Hollywood films, made by some of our most celebrated filmmakers. But the moment those recorded voices belong to people of color, rapping over a hard beat? That's when the outrage kicks in. It drives the naysayers mad.”
Surprisingly I most enjoyed the first half of this book where he dives into his youth and his love for graffiti and all forms of art. The vivid descriptions of 1980s NYC evokes the deep down feeling I have to experience that time. Grungy but simultaneously full of character, the beginnings of hip hop, the trains, and the absence of the internet.
Hearing him describe Yo MTV Raps and how it was something you couldn’t miss, that everyone who was tapped in just had to be there, is something not possible in today’s era. Things are posted online right after airing, and things don’t have a moment anymore. It’s always on to the next thing, because there is constant accessibility. I would KILL for a day out of the week where that wasn’t possible.
Last thing I’d like to mention is this fantastic quote aimed at those who claim rap is too violent:
“Our American cultural history is soaked in violence—often glorified in our most popular Hollywood films, made by some of our most celebrated filmmakers. But the moment those recorded voices belong to people of color, rapping over a hard beat? That's when the outrage kicks in. It drives the naysayers mad.”
March 30, 2026
“I had this flash of recognition, a major moment of vindication: Yes! There is a connection here between the aesthetics and feel of punk and the rambunctious energy of hood culture.” (p.87)
“A day or so later, when I heard the rough mix of the B-side version, Bill had added a strange robotic sound that had been run through a vocoder at the end of the song. I initially thought it was me, but I later learned it was the voice of Roger Trilling, Bill's manager, who was goofing around, saying, "Ahhh, this stuff is really fresh!" Liking what I heard, I said, "Why not, let's keep it," so we did. It's turned out to be one of the most sampled and scratched sounds in all of hip-hop!” (p.233)
“For inspiration, I'd been spending long, delightful stretches at the Strand Bookstore, poring over art books and discovering artists I had previously overlooked. The work of William Blake, the visionary English Romantic poet and painter, hit my radar hard. I dug his poetry and the way he connected his rhymes to his imagery-it was totally enlightening to me.” (p.282-283)
“A day or so later, when I heard the rough mix of the B-side version, Bill had added a strange robotic sound that had been run through a vocoder at the end of the song. I initially thought it was me, but I later learned it was the voice of Roger Trilling, Bill's manager, who was goofing around, saying, "Ahhh, this stuff is really fresh!" Liking what I heard, I said, "Why not, let's keep it," so we did. It's turned out to be one of the most sampled and scratched sounds in all of hip-hop!” (p.233)
“For inspiration, I'd been spending long, delightful stretches at the Strand Bookstore, poring over art books and discovering artists I had previously overlooked. The work of William Blake, the visionary English Romantic poet and painter, hit my radar hard. I dug his poetry and the way he connected his rhymes to his imagery-it was totally enlightening to me.” (p.282-283)
July 26, 2026
Freddy comes across kind of like the Forrest Gump of any important cultural happenings in the late 1970s and 1980s. He's talking about the fun and wild stuff he used to get up to with his friends but his friends are Jean-Michel Basquiat, Keith Haring, Blondie, Andy Warhol, Max Roach, Grandmaster Flash, and any number of less famous people who were nonetheless extremely influential for the next 40 years or so of American (and global) culture by pioneering and popularizing hip-hop.
The best parts are when he articulates the connections between different art/literary/musical movements. He compares hip-hop culture to everything from pop art, beat poetry and William S. Burroughs cut-up style writing, Dada, punk, jazz, etc. and it always makes perfect sense and shows his knowledge and sincere appreciation of so many forms of art.
The best parts are when he articulates the connections between different art/literary/musical movements. He compares hip-hop culture to everything from pop art, beat poetry and William S. Burroughs cut-up style writing, Dada, punk, jazz, etc. and it always makes perfect sense and shows his knowledge and sincere appreciation of so many forms of art.
April 4, 2026
I didn’t know much about Fab 5 Freddy except for the lines in Rapture, one of the defining songs of my youth! But this book was a revelation. Fred is one of those people who was in the middle of everything and it’s simply incredible! Fred sees things that are going to break out before they do and he is able to amplify it. And that would be my one issue with the book, especially in the middle section. Fred knows everyone and is in the midst of everything and I started to get overwhelmed and confused on who was who! Imagine living this life! This is a great memoir of a brilliant artist and cultural icon. Thanks for writing this book, Fred. I enjoyed getting to know you.
May 13, 2026
I was really impressed with Fab 5 Freddy’s story. Although I was somewhat familiar with his origins, I wasn’t aware of everything he was involved in, especially during those early days of hip hop. I really appreciate the texture and tone of the book. It allowed me to clearly visualize and feel the various NYC and foreign city settings, train yards and tunnels, clubs and parties, art establishments and museums, as well as the diverse groups of people he interacted with. He served a very important role in the development and exposure of pop art and hip hop culture, and he deserves to be recognized for it.
March 30, 2026
This is about the evolution of Hip Hop from the streets of uptown NYC block parties to breakdancing by one of the great graffiti artists of the time,who had his finger on the pulse of avante garde hipsters like Blondie and Futura 2000 who all basically created and defined the genre. The Hip Hop movement was all presented to the world in the documentary Wild Style,which Fred co-produced with Charlie Ahern. Half the audiobook is interviews with some of the key players in a kind of podcast style. I only wish Fred would have chronicled Hip Hop up to the presemt,but perhaps he'll make a sequal.
April 23, 2026
Listen to the audiobook. Fab's a great narrator and the last third is him reminiscing with friends. It says a lot that he is still tight with people he first met when he was a teenager. His life is way more fascinating than I expected. He clearly loves collaborating and supporting other artists. Truly a renaissance man.
I remember the panic over graffiti back in the '70s. Now, I look at every freight train I pass and which someone would decorate the containers. We could be a nation of rolling art.
I remember the panic over graffiti back in the '70s. Now, I look at every freight train I pass and which someone would decorate the containers. We could be a nation of rolling art.
April 30, 2026
Back in March I was lucky to have the opportunity to go to Fab 5 Freddy’s book release at the Cooper Union, where he was interviewed by the famous author Marlon James. I was captivated. Here was an icon from my childhood dishing out all kinds of stories about the NYC graffiti and music scene of the late 70s and 80s, as well as the birth of hip hop. I had to buy the book and it did not disappoint.
May 6, 2026
4.25 rating! Fab 5 Freddy was the first person I knew of when I started watching MTV (particularly Yo! MTV Raps)! This memoir was so fun to read! Freddy has lived an interesting and full life and it was a wild ride. I liked that he included full interviews with some of his collaborators and now famous friends at the end of the book, which is very usual for a memoir but very welcome by me. Fab 5 Freddy, this memoir is fly!
June 11, 2026
This was much better than I expected. I think few people who are mostly familiar with Fred Brathwaithe aka Fab 5 Freddy from Yo MTV Raps! would have any idea what a remarkable, multifaceted life he has lived, and how he has been at the center of so many cultural trends. One could read this book as a cultural history of 1970s and 1980s New York street culture, instead of as a biography of the man himself. Either way, more people will enjoy this book than I think expect that they would.
July 8, 2026
I loved this book!! Freddy was such a mover and connector between the nascent hip hop scene and the downtown punk/new wave scene.
He is a charismatic narrator, and sounds so cool-like Samuel L Jackson in Do The Right Thing. His intelligence and capacity to mix in different circles is uncanny.
Also some major name drops, such as Warhol, Basquiat, Madonna, when NYC was at its most vibrant and creative-before gentrification and Tr*mp ruined everything.
He is a charismatic narrator, and sounds so cool-like Samuel L Jackson in Do The Right Thing. His intelligence and capacity to mix in different circles is uncanny.
Also some major name drops, such as Warhol, Basquiat, Madonna, when NYC was at its most vibrant and creative-before gentrification and Tr*mp ruined everything.
August 10, 2026
I love hip hop, and I love all things "old" NYC (1970s-early 90s) and this book is all about both of those things. I knew about Freddy's early hip hop roots and in the last few years, learned of his activity in the art world. What I didn't know is that he connected rap, film, art, street culture all together with his friends. He didn't invent the phrase Hip Hop, but he did champion it as rap + culture. What a wonderful read and it flew by. Easily my non-fiction book of the year.
September 16, 2026
This was such a great book. It was very easy to get into and told the history of hip hop and graffiti and its ties to punk and the East Village underground art scene in New York in the late 70s with Basquiat, Keith Haring, Andy Warhol, Lady Pink, Blondie, Sylvia Robinson, and others who were big influences at that time. I highly recommend it if you have any interest in any of that. I read a lot of hip hop history books, and this was definitely one of the best and most enjoyable I've read.
July 8, 2026
Loved it. Great insight into the life of Fab 5 Freddy, 1970’s/1980’s New York downtown art/social scene, graffiti, and the early years of hip hop, told from the point of view of one who was there. Fascinating guy who has lived an incredible life. Great read.
March 10, 2026
fun and interesting memoir about an area, the hiphop scene, I knew very little about before reading this book. 5 stars. tysm for the arc.
March 29, 2026
I wish I could give this book 11 stars. A brilliant history of hip hop, art, and NYC.
April 16, 2026
Dopeness. I just finished
April 20, 2026
Freddy sums up city life from the ‘70s-‘90s with a degree of accuracy I’ve rarely seen.
May 5, 2026
Absolutely wonderful story.
Brings back a lot of memories of seeing Fab 5 Freddy on Yo MTV raps a very very long time ago.
What an incredible life he’s experienced and such a nice person.
Brings back a lot of memories of seeing Fab 5 Freddy on Yo MTV raps a very very long time ago.
What an incredible life he’s experienced and such a nice person.
June 12, 2026
3.5 ⭐️
June 22, 2026
Love this book. It’s basically about me without mentioning me. Fab is the center of everything important in the last 50 years.
July 5, 2026
2026 best autobiography on my book shelve . A must for not only the ardent readers but all art ?music culture historians . Wow Fab Five Ready is Sooo Fresh .mmm , mmm . NYC .
July 31, 2026
It's so good! He was there for everything. Loved reading this book.
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