On a positive note, the main story line that takes the primary character, Cyril, to Rome and the Vatican where he eventually interacts with the story's villain was really quite good. Then a humongous tangent, similar to that in booklet 2 taking place before Rome, recurs with seemingly no more connection to the main story than before. And, also as before, the tangent involved images that were quite unpleasant. I have to ask... why place these sad, haunting scenes into these tiny short books, and have them take up such a significant part of these books (approximately 1/2) when they have nothing to do with the actual story? I still want to see what happens with the actual story - the villain tied to the Vatican, the threat of plague, etc. - but need to take a break from the unnecessary and, on my part anyway, unappreciated images of these side-happenings by reading something light and happy. I'll get back to you, Cyril, to see how your mission unfolds....