This is the first in-depth look at Reginald Le Borg, the quintessential Hollywood contract director, who worked constantly during the 1940s and 50s at such studios as Universal, PRC, and Monogram, making a series of beautiful and resonant films under severe constraints of time and budget. Here, in a book-length interview recorded a year before his death in 1989, Le Borg looks back at all his work― Destiny, Calling Doctor Death, Weird Woman, The Flight That Disappeared, Jungle Woman, Diary of A Madman, San Diego I Love You, and many others, and discusses his impatience with "fans" who don't bother to screen his more interesting non-Gothic films, describes studio life during the 1940s, and gives the reader insights into his personal life. With stills and a thorough filmography.
Wheeler Winston Dixon is an American filmmaker, scholar and author, and an expert on film history, theory and criticism.
His scholarship has particular emphasis on François Truffaut, Jean-Luc Godard, American experimental cinema and horror films. He has written extensively on numerous aspects of film, including his books A Short History of Film and A History of Horror. From 1999 through the end of 2014, he was co-editor of the Quarterly Review of Film and Video. He is regarded as a top reviewer of films. In addition, he is notable as an experimental American filmmaker with films made over several decades, and the Museum of Modern Art exhibited his works in 2003. He has taught at a number of schools of higher learning.