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The House of Teeth #1
Innamorata
Not yet published
Expected 17 Mar 26A visionary and atmospheric gothic fantasy about necromancy, vengeance, and soul-consuming love, the first in a duology from the #1 New York Times bestselling author of A Study in Drowning and Lady Macbeth
Once there was an island where the dead walked the earth, and seven noble houses ruled by the arcane secrets of necromancy.
A conqueror’s blade brought them low, burning their libraries, killing their lords, and extinguishing their eldritch magic.
But defiant against the new order stands the House of Teeth and its last living members: beautiful Marozia, the heiress to the House, and her cousin, the uncanny Lady Agnes.
Though she has not spoken a word in seven years, Agnes is the true carrier of the House’s legacy. And she has her orders. She must recapture the secrets of death magic and avenge her family’s fallen honor. She must arrange the betrothal of her beloved cousin Marozia to Liuprand, heir to the conqueror’s throne, for access to the forbidden library in his grotesquely grand castle.
Revenge burns in Agnes’s heart but so do stranger passions—and it is Liuprand, the golden prince, who speaks to her soul. This passion is as treasonous as it is powerful, poisoning the kingdom’s roots and threatening to tear the already shattered realm in two.
For Agnes’s final order is the gravest: She must not fall in love.
Once there was an island where the dead walked the earth, and seven noble houses ruled by the arcane secrets of necromancy.
A conqueror’s blade brought them low, burning their libraries, killing their lords, and extinguishing their eldritch magic.
But defiant against the new order stands the House of Teeth and its last living members: beautiful Marozia, the heiress to the House, and her cousin, the uncanny Lady Agnes.
Though she has not spoken a word in seven years, Agnes is the true carrier of the House’s legacy. And she has her orders. She must recapture the secrets of death magic and avenge her family’s fallen honor. She must arrange the betrothal of her beloved cousin Marozia to Liuprand, heir to the conqueror’s throne, for access to the forbidden library in his grotesquely grand castle.
Revenge burns in Agnes’s heart but so do stranger passions—and it is Liuprand, the golden prince, who speaks to her soul. This passion is as treasonous as it is powerful, poisoning the kingdom’s roots and threatening to tear the already shattered realm in two.
For Agnes’s final order is the gravest: She must not fall in love.
560 pages, Hardcover
Expected publication March 17, 2026
65 people are currently reading
19866 people want to read
About the author
Ava Reid
11 books7,886 followersAva Reid is the #1 New York Times bestselling author of gothic fantasies, including A Study in Drowning, Juniper & Thorn, and Lady Macbeth. She lives in California.
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Displaying 1 - 30 of 229 reviews
December 12, 2025
Never has a book left me feeling the way this one has. On one hand, the story and its execution are quite brilliant, on the other, it’s very unsettling to read.
This book is DARK. It’s gory; it’s creepy. It wants to make you uncomfortable; it wants to get under your skin. Yet, the story is so well told that it almost endears you to it. This is largely due to Ava Reid’s writing, which is beautiful and haunting. She can so easily ensnare you in a single, vividly told moment, while simultaneously laying brick-by-brick a story that you can’t fully appreciate until you reach its conclusion.
Would I recommend this book? Yes, but not to everyone. If you’re looking for a dark, gothic-horror read with betrayal, revenge, and politics that feels somewhat reminiscent of the tv series House of the Dragon, with a sprinkle of necromancy, then this is the story for you. Please check the content warnings though!
Edited to add: Day number 68 of not being able to stop thinking about this book. Will this book ever release its hold on me? Probably not.
Thank you NetGalley and Del Rey for the e-arc in exchange for my honest review.
This book is DARK. It’s gory; it’s creepy. It wants to make you uncomfortable; it wants to get under your skin. Yet, the story is so well told that it almost endears you to it. This is largely due to Ava Reid’s writing, which is beautiful and haunting. She can so easily ensnare you in a single, vividly told moment, while simultaneously laying brick-by-brick a story that you can’t fully appreciate until you reach its conclusion.
Would I recommend this book? Yes, but not to everyone. If you’re looking for a dark, gothic-horror read with betrayal, revenge, and politics that feels somewhat reminiscent of the tv series House of the Dragon, with a sprinkle of necromancy, then this is the story for you. Please check the content warnings though!
Edited to add: Day number 68 of not being able to stop thinking about this book. Will this book ever release its hold on me? Probably not.
Thank you NetGalley and Del Rey for the e-arc in exchange for my honest review.
December 6, 2025
A towering, gothic feast of ruin, longing, and forbidden power.
Ava Reid has crafted a novel that feels less like a story and more like a cursed relic you were never meant to touch—beautiful, treacherous, and humming with old magic. Innamorata is a gothic fantasy that doesn’t just flirt with darkness; it marries it, buries it, resurrects it, and invites you to kneel before it.
From the very first page, the book sinks its claws into you with an atmosphere so thick you could bottle it. Reid’s world—an island once ruled by necromantic houses now crushed under a conqueror’s heel—is horrifyingly alive. Everything feels haunted: the crumbling estates, the restless history, even the silences between characters. It’s the kind of setting where the walls seem to breathe and the shadows feel just a little too curious.
But it’s Lady Agnes who steals the show.
Agnes is one of the most mesmerizing, unnerving heroines I’ve read in years. Her seven-year silence isn’t just a character trait—it becomes a weapon, a curse, a form of devotion, a haunting. She moves through the book like a revenant, bound by her family’s final command: reclaim death magic and avenge their destroyed house. The tragedy is that her heart betrays her long before her mission does.
The tension between fate, duty, and desire coils itself through the pages with exquisite cruelty. Her dangerous connection with Liuprand—the heir of the very man who destroyed her world—is not framed as a fairy-tale romance but as something unsettling, inevitable, and soul-deep. It smolders with the feverish intensity of a love that feels like a sin, one capable of burning down kingdoms and unraveling the self.
But what struck me most is how the book treats legacy. Every character is shaped by the ghosts of their houses—the ones who died and the ones who lived long enough to wish they hadn’t. In this world, ancestry is both armor and shackle, and revenge is a language everyone speaks whether they want to or not.
Reid’s prose is lush, decadent, and merciless. She paints horror with elegance and beauty with rot. Even at its most grotesque, the writing feels hypnotic—like a lullaby whispered in a crypt. It’s visionary, atmospheric, and unflinching in the best possible way.
And then there’s the ending.
I won’t spoil anything, but let’s just say I sat in stunned silence for a full minute. It’s shocking without being cheap, bold without being chaotic, the kind of ending that forces you to reconsider everything that came before. This is one of those rare books where the last chapters feel like stepping through a door you can’t walk back out of.
Innamorata is brutal, intoxicating, and deliciously gothic—a story of vengeance, resurrection, and the unraveling power of forbidden love. It’s the type of book you don’t read so much as surrender to.
I am aching for the sequel already.
A huge thank you to NetGalley and Del Rey, Random House Worlds, Inklore | Del Rey for sharing one of the most anticipated romantasies of 2026 in exchange for my honest thoughts.
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Ava Reid has crafted a novel that feels less like a story and more like a cursed relic you were never meant to touch—beautiful, treacherous, and humming with old magic. Innamorata is a gothic fantasy that doesn’t just flirt with darkness; it marries it, buries it, resurrects it, and invites you to kneel before it.
From the very first page, the book sinks its claws into you with an atmosphere so thick you could bottle it. Reid’s world—an island once ruled by necromantic houses now crushed under a conqueror’s heel—is horrifyingly alive. Everything feels haunted: the crumbling estates, the restless history, even the silences between characters. It’s the kind of setting where the walls seem to breathe and the shadows feel just a little too curious.
But it’s Lady Agnes who steals the show.
Agnes is one of the most mesmerizing, unnerving heroines I’ve read in years. Her seven-year silence isn’t just a character trait—it becomes a weapon, a curse, a form of devotion, a haunting. She moves through the book like a revenant, bound by her family’s final command: reclaim death magic and avenge their destroyed house. The tragedy is that her heart betrays her long before her mission does.
The tension between fate, duty, and desire coils itself through the pages with exquisite cruelty. Her dangerous connection with Liuprand—the heir of the very man who destroyed her world—is not framed as a fairy-tale romance but as something unsettling, inevitable, and soul-deep. It smolders with the feverish intensity of a love that feels like a sin, one capable of burning down kingdoms and unraveling the self.
But what struck me most is how the book treats legacy. Every character is shaped by the ghosts of their houses—the ones who died and the ones who lived long enough to wish they hadn’t. In this world, ancestry is both armor and shackle, and revenge is a language everyone speaks whether they want to or not.
Reid’s prose is lush, decadent, and merciless. She paints horror with elegance and beauty with rot. Even at its most grotesque, the writing feels hypnotic—like a lullaby whispered in a crypt. It’s visionary, atmospheric, and unflinching in the best possible way.
And then there’s the ending.
I won’t spoil anything, but let’s just say I sat in stunned silence for a full minute. It’s shocking without being cheap, bold without being chaotic, the kind of ending that forces you to reconsider everything that came before. This is one of those rare books where the last chapters feel like stepping through a door you can’t walk back out of.
Innamorata is brutal, intoxicating, and deliciously gothic—a story of vengeance, resurrection, and the unraveling power of forbidden love. It’s the type of book you don’t read so much as surrender to.
I am aching for the sequel already.
A huge thank you to NetGalley and Del Rey, Random House Worlds, Inklore | Del Rey for sharing one of the most anticipated romantasies of 2026 in exchange for my honest thoughts.
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August 20, 2025- preread 🖤 -
yall. GUESS WHO GOT THE ARC?!? i’m so excited to start this one!
>> thank you to netgalley and the publisher for an arc - all thoughts are my own <3
yall. GUESS WHO GOT THE ARC?!? i’m so excited to start this one!
>> thank you to netgalley and the publisher for an arc - all thoughts are my own <3
December 17, 2025
Thanks to NetGalley and Del Rey UK for the ARC!
🌟🌟/5
(Disclaimer: Please check out the content warnings before reading. I really can't stress this enough. Also, make sure to read this on an empty stomach.)
Ava Reid's epic fantasy 'Innamorata' has every single ingredient necessary to create an incredible gothic novel. It's got immaculate vibes, tension and a sense of dread, and wonderful prose. I was thrilled when AR said that it's the book that's most similar to 'Juniper & Thorn', which is not only my favourite of Ava's works but one of my favourite books of all time. And yet, here we are.
The first quarter was everything I hoped this book would be. I thought I'd finally get what I'd been expecting from Reid ever since I read J&T. The characters were fascinating, and I loved the richly detailed world and history, the interesting rituals/practices and the complex political landscape. I still believe that Reid is a master of metaphor and imagery and I could really appreciate that initially. Unfortunately, everything gradually went downhill.
I understand that making the reader uncomfortable is a hallmark of a gothic novel. I don't consider myself particularly squeamish and can, in most cases, tolerate gore and violence. As far as 'Innamorata' is concerned, I feel like AR went a bit too overboard with the...details. This book has almost every single content warning imaginable. I was more annoyed and bored than repulsed, though. Reading this reminded me of my terrible experience with Susan Cokal's 'The Kingdom of Little Wounds', another unnecessarily long book that goes on incessantly about diseases, bodily fluids and other anatomical horrors (that was even worse than Innamorata, imo). Even the prose started feeling too dense and repetitive, the sentences too long-winded, and the word 'quotidian' too overused after a while. Slow pacing often complements a gothic novel, but it didn't work for me here.
The premise made it sound like necromancy would be a crucial plot device but that wasn't the case at all, at least for the first book in this duology. Agnes completely forgets about her mission to find the texts about magic in the library of Castle Crudele after a certain event. I'd say that the book focuses a lot more on political intrigue than anything else, which isn't necessarily a bad thing but made the plot quite uneventful.
The 'soul-consuming love' the blurb mentions was also a huge disappointment. Agnes and Liuprand's relationship was almost entirely based on telling and not showing. Agnes herself was a compelling character but I couldn't care less about the love story. I'm always peeved when characters make declarations of undying love when said love doesn't feel believable.
I don't have too many thoughts about the ending. Perhaps I was desensitized by certain events to the point that I wasn't too shocked by it. I suppose it's fitting for a book like this. I was insanely excited for 'Innamorata' ever since it was announced and I was hoping it would rekindle my love for Ava Reid after lots of lackluster works. Although I desperately tried loving this book, it just ended up being yet another addition to the list of AR novels I was sorely disappointed by.
🌟🌟/5
(Disclaimer: Please check out the content warnings before reading. I really can't stress this enough. Also, make sure to read this on an empty stomach.)
Ava Reid's epic fantasy 'Innamorata' has every single ingredient necessary to create an incredible gothic novel. It's got immaculate vibes, tension and a sense of dread, and wonderful prose. I was thrilled when AR said that it's the book that's most similar to 'Juniper & Thorn', which is not only my favourite of Ava's works but one of my favourite books of all time. And yet, here we are.
The first quarter was everything I hoped this book would be. I thought I'd finally get what I'd been expecting from Reid ever since I read J&T. The characters were fascinating, and I loved the richly detailed world and history, the interesting rituals/practices and the complex political landscape. I still believe that Reid is a master of metaphor and imagery and I could really appreciate that initially. Unfortunately, everything gradually went downhill.
I understand that making the reader uncomfortable is a hallmark of a gothic novel. I don't consider myself particularly squeamish and can, in most cases, tolerate gore and violence. As far as 'Innamorata' is concerned, I feel like AR went a bit too overboard with the...details. This book has almost every single content warning imaginable. I was more annoyed and bored than repulsed, though. Reading this reminded me of my terrible experience with Susan Cokal's 'The Kingdom of Little Wounds', another unnecessarily long book that goes on incessantly about diseases, bodily fluids and other anatomical horrors (that was even worse than Innamorata, imo). Even the prose started feeling too dense and repetitive, the sentences too long-winded, and the word 'quotidian' too overused after a while. Slow pacing often complements a gothic novel, but it didn't work for me here.
The premise made it sound like necromancy would be a crucial plot device but that wasn't the case at all, at least for the first book in this duology. Agnes completely forgets about her mission to find the texts about magic in the library of Castle Crudele after a certain event. I'd say that the book focuses a lot more on political intrigue than anything else, which isn't necessarily a bad thing but made the plot quite uneventful.
The 'soul-consuming love' the blurb mentions was also a huge disappointment. Agnes and Liuprand's relationship was almost entirely based on telling and not showing. Agnes herself was a compelling character but I couldn't care less about the love story. I'm always peeved when characters make declarations of undying love when said love doesn't feel believable.
I don't have too many thoughts about the ending. Perhaps I was desensitized by certain events to the point that I wasn't too shocked by it. I suppose it's fitting for a book like this. I was insanely excited for 'Innamorata' ever since it was announced and I was hoping it would rekindle my love for Ava Reid after lots of lackluster works. Although I desperately tried loving this book, it just ended up being yet another addition to the list of AR novels I was sorely disappointed by.
October 31, 2025
WE ARE BACK. This is peculiar and unhinged.
The silent Lady Agnes, more akin to the dead than to the living, is the cousin to the heiress to the House of Teeth, the shadow to her beauty. When her cousin is betrothed to the Prince, heir to the conqueror’s throne, Agnes joins her cousin’s and tries to find revenge in the tomes of the library. However, their creepily close relationship is strained as the cousins of the House of Teeth learn to survive the darkness and horrors of Castle Peake.
Her silence was as much a choice as any speech had ever been. It was not withdrawal, not cowering. As she had discovered, silence was not the absence of a thing. It was a force in and of itself. She brandished it like a sword. She impressed it upon the world.
First of all, this has a richly dark and grotesque history and covenant that is made more intricate by the politics of the Houses.
The relationships (familiar, friendships, husbands, royalty) are at the heart of this depraved book. Every character is restrained, confined, and defined by who they can associate with.
Ava Reid’s writing is what makes this so callously cruel, crude, vile, and depraved. Passages of obsession, of lust, of vengeance. Certain parts made me feel filthy just reading it which is the intent. Others made my heart ache.
“I would give you all you wish for,” she whispered, “if there were not half the world between us.”
His lips pressed to her ear again. “I feel nothing between us now.”
Agnes felt herself dripping for him. “You are reckless with your desire, and all my reason is undone by your mouth.”
This is Reid returning back to their roots. This is ugly, bleak, and garish - a folktale filed with blood.
The ending was disgusting and heartbreaking. What other books can you say manage to pull that off?
P.S. this is definitely adult.
I did not realise this was a first of a duology.
I read book one six months before release and now have to wait for book two?!! RIP. Quite literally.
Arc gifted by Del Rey.
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The silent Lady Agnes, more akin to the dead than to the living, is the cousin to the heiress to the House of Teeth, the shadow to her beauty. When her cousin is betrothed to the Prince, heir to the conqueror’s throne, Agnes joins her cousin’s and tries to find revenge in the tomes of the library. However, their creepily close relationship is strained as the cousins of the House of Teeth learn to survive the darkness and horrors of Castle Peake.
Her silence was as much a choice as any speech had ever been. It was not withdrawal, not cowering. As she had discovered, silence was not the absence of a thing. It was a force in and of itself. She brandished it like a sword. She impressed it upon the world.
First of all, this has a richly dark and grotesque history and covenant that is made more intricate by the politics of the Houses.
The relationships (familiar, friendships, husbands, royalty) are at the heart of this depraved book. Every character is restrained, confined, and defined by who they can associate with.
Ava Reid’s writing is what makes this so callously cruel, crude, vile, and depraved. Passages of obsession, of lust, of vengeance. Certain parts made me feel filthy just reading it which is the intent. Others made my heart ache.
“I would give you all you wish for,” she whispered, “if there were not half the world between us.”
His lips pressed to her ear again. “I feel nothing between us now.”
Agnes felt herself dripping for him. “You are reckless with your desire, and all my reason is undone by your mouth.”
This is Reid returning back to their roots. This is ugly, bleak, and garish - a folktale filed with blood.
The ending was disgusting and heartbreaking. What other books can you say manage to pull that off?
P.S. this is definitely adult.
I did not realise this was a first of a duology.
I read book one six months before release and now have to wait for book two?!! RIP. Quite literally.
Arc gifted by Del Rey.
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July 19, 2025ava reid could bite me and i’d thank them 🦷(please appreciate the reference)
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November 6, 2025
October 20, 2025
A brilliant yet nauseating tale, INNAMORATA is Ava Reid leaning into her best type of writing: the most fucked up narrative shit you can think of, adorned with rich prose.
INNAMORATA is certainly not an easily-digestible read and those who use consumability (speed, ease of comprehension, straight-forwardness) as a main qualifier of their literary taste will spit this one right out. But for me, I want my gothic grimdark fantasies to be as difficult to stomach as possible. I absolutely loved this. I won't lie, I held my breath for a significant part of it, but Reid sticks the landing with this introduction to their first duology. If I wasn't so brain-fried from grad school, I'd be writing essays about the brilliance of this narrative and its structural pacing, its parallels, and its imagery. Ava has worked laboriously on this book, and it shines through. This just might be my new favorite of Reid's work.
I do want to warn people to be cautious going into this one. Reid has gained a great amount of attention through their gothic romances, and though there is a romantic element to this story, readers should not be expecting a genre romance by ANY means. The word grimdark is easily the most apt descriptor; I would place this on a similar level to Titus Andronicus in terms of difficult content. (Content warnings are below. If you can't handle the worst of the ones mentioned, I would skip this one.)
CW: blood & gore, violence, sexual violence, sexual assault, rape, cannibalism, necrophilia, physical assault, childbirth, torture, self-harm, dead bodies, animal death and cruelty, arranged marriage, child marriage, emesis, alcohol, drug use, hallucinations, infidelity, character death, grief
INNAMORATA is certainly not an easily-digestible read and those who use consumability (speed, ease of comprehension, straight-forwardness) as a main qualifier of their literary taste will spit this one right out. But for me, I want my gothic grimdark fantasies to be as difficult to stomach as possible. I absolutely loved this. I won't lie, I held my breath for a significant part of it, but Reid sticks the landing with this introduction to their first duology. If I wasn't so brain-fried from grad school, I'd be writing essays about the brilliance of this narrative and its structural pacing, its parallels, and its imagery. Ava has worked laboriously on this book, and it shines through. This just might be my new favorite of Reid's work.
I do want to warn people to be cautious going into this one. Reid has gained a great amount of attention through their gothic romances, and though there is a romantic element to this story, readers should not be expecting a genre romance by ANY means. The word grimdark is easily the most apt descriptor; I would place this on a similar level to Titus Andronicus in terms of difficult content. (Content warnings are below. If you can't handle the worst of the ones mentioned, I would skip this one.)
CW: blood & gore, violence, sexual violence, sexual assault, rape, cannibalism, necrophilia, physical assault, childbirth, torture, self-harm, dead bodies, animal death and cruelty, arranged marriage, child marriage, emesis, alcohol, drug use, hallucinations, infidelity, character death, grief
October 7, 2025
Innamorata by Ava Reid is the first in an adult dark fantasy duology, focusing on Agnes of the House of Teeth and her cousin Marozia, as Marozia is married off to Prince Liuprand Berengar and Anges works to fulfill her deceased grandmother Adele-Blanche’s plans to bring down the House of Berengar. Written in third person multi-PoV, Agnes is our main PoV, though several other characters have chapters interspersed.
The island of Deprane was conquered by the continental nation of Seraph after a devastating plague swept the island and the nobles engaged in necromancy, raising their loved from the dead and birthing terrible monsters that ravaged the coasts of Seraph. A Seraphine noble, Berengar conquered the island and slaughtered everyone who engaged in necromancy, burning libraries to ensure the knowledge was lost forever, and implementing strict rules to prevent it from happening again. Each House is responsible for a part of the body, and everyone who dies is subject to an elaborate desecration of dismemberment, with the relevant pieces going to each house. The House of Blood gets the blood, the House of Teeth gets the teeth, etc. The staging is dark and gothic, with plenty of crumbling edifices and moody skies galore.
I enjoyed the macabre mood of the setting for the first half of the book or so, but Reid’s writing is so unnecessarily overwrought that it started to lose its impact and I became bored by the countless elaborate comparisons and depictions, and the flowery word choices. She used quotidian ten times. Ten.
Not every paragraph needs to be a poem or some tortured ode, and language that would have been beautiful in scarcity became florid in abundance. Her phrasing lost its impact and I had to fight the urge to skim whenever the author launched into another rhapsody over “his rather quotidian doublet with navy and braids of gold” or “the rose before its rot” - a phrase employed several times.
An example, when Agnes first views Castle Crudele, the seat of House Berengar:
“It was a colossal thing, and — christened with the blood of his enemies — Berengar Who-Fights-Alone had seen his castle rise like mushrooms in a rainstorm in the age immediately following his conquest. It was a palace that had no infancy, no floundering juvenile years, only the maturity that had bleached its walls with accumulations of salt, scruffy and pale as a septuagenarian’s beard.”
Every paragraph is like that: bloated, overdone, elaborate. Reid is very concerned with imagery, and she is able to turn a beautiful phrase, but her writing gets lost under the weight of her word choices and insistence that each selection be perfectly polished.
Marozia and Agnes are cousins of an age - daughters of twins - who are raised together in a strange sort of creepy symbiosis, with Marozia the bright sun and Agnes the ascetic shadow. Marozia is raised to be the heiress to the House of Teeth as she was the daughter of the elder twin, despite being born after Agnes, and is beautiful, accomplished, vibrant and dominant. She is Mistress of the House of Teeth upon Adele-Blanche’s death and wed to the Prince.
Agnes is raised to be Adele-Blanche’s instrument, tasked with recovering the knowledge of necromancy from the royal palace after Marozia is wed to the Prince, and raising Adele-Blanche from the dead (despite the desecration). Agnes speaks to no one, having been silent since her grandmother had her body mutilated in service to this goal, and consumes only bread and watered wine, regularly poisoning herself with mandrake and henbane and experiencing visions.
This section sums up their dynamic in the first portion of the book:
“Instinctually, Agnes drew her arms around her cousin, pulling Marozia to her chest. The notches of Marozia’s spine prodded at her breasts. Agnes slowed her breathing until they were inhaling and exhaling in tandem.
“And then, as she did every night, Marozia took Agnes tenderly by the wrist and drew her hand upward towards her mouth. Agnes felt a shiver dance across her skin, first cold, and then warm, settling into a heavy need at the bottom of her belly. Marozia put Agnes’s thumb to her lips and sucked until they were lulled into twin slumbers.”
After they move to Castle Crudele, they start to separate as Liuprand comes between them. He’s portrayed as a shining golden monument of a man while his father King Nicephorus the Sluggard is the opposite. Despite marrying Marozia, he is drawn to Agnes. Agnes is mutilated by the King in an attempt to get her to break her silence, and then is made Mistress of the House of Teeth and sent to wed the Lord Fredegar Master of the House of Blood. This stripping of Marozia’s title causing an irreparable breach between the cousins.
Unfortunately, shortly after their wedding, Fredegar is killed by his son Unruoching. Agnes breaks her silence to scream and call for Liuprand, and after Liuprand kills Unruoching for patricide in front of Unruoching’s wife and son (launching a fresh generation cycle of vengeance), they sleep together, kicking off a whole set of consequences.
The back half of the book covers Agnes’s flowering as she rejects the silence, asceticism, and mission of Adele-Blanche and becomes her own person. She secretly weds Liuprand as the Seraph people believe the bond of love is separate and more sacred than a bond of marriage, and they conduct their affair over the years. He is forced by the King to impregnate Marozia, and Marozia bears twin children: a girl, Meriope, who Marozia loves fiercely and rears in her image; and a boy, Tisander, who is reared by Agnes after Marozia rejects him. Meriope is betrothed from infancy to Unruoching’s son Gamelyn, to repair the damage done when Liuprand killed Unruoching. Gamelyn is both of the House of Blood and the House of Eyes through his mother Ygraine, and the crown needs their loyalty to persist.
Flowerly language, stupid choices, and hatred ensue. The day of the betrothal arrives and Ygraine, her father lord Thrasamund, his son Childeric, her son Gamelyn, all arrive. Gamelyn marries Meriope, and Ygraine and Marozia start plotting, because Ygraine hates Agnes for refusing to plead for mercy for Unruoching, and Marozia has figured out that Agnes and Liuprand love each other. Liuprand gets drunk and beats Childeric to a pulp after he asks Agnes to wed him, causing a fresh rift. Marozia throttles Agnes in a rage. Eyes and Blood leave in outrage, but Agnes agrees to wed Childeric even after he has been disabled to try and repair the rift. When they return, Agnes is caught by Thrasamund in the tower chamber where she and Liuprand tryst, and her throat is cut. When Liuprand arrives, they force him to copulate with her corpse - an event which is vividly described. They throw her body in the empty vault instead of desecrating it, and the book ends with:
“Agnes was expired, extinct, forever gone, and her soul had departed from her stiffly preserved body. That much without a doubt was known.”
“The only inexorable fact was this: that, in the darkness of her makeshift tomb, while her body was held in the otherwise imperturbable rictus of death, something stirred, at last, in the Lady Agnes’s once barren womb.”
This whole book is full of messy, toxic people, overblown imagery, and predictable backstabbing. Normally that isn’t enough to break a book for me, but I draw the line at cannibalism. There are several mentions of Agnes being forced to engage in the cannibalism of her infant brother by Adele-Blanche. The first mention is opaque enough to obscure what happened but it is reinforced several times later on.
“The not-child’s fleshy arms were riddled with bite marks.”
“Agnes could still taste the blood of her infant brother on her tongue.”
“…she would never cease to taste newborn flesh on her tongue.”
I found Juniper and Thorn distasteful for its use of adult cannibalism and find this book disgusting for its use of infant cannibalism.
Another line draw moment which I’m assuming will be a key plot point for book 2 is the necrophilia resulting in strange after-death conception.
Reid wants to craft this grand Shakespearean tragedy redolent with the macabre and the gothic, but it falls flat under its own weight. I didn’t find any of the characters compelling, and had no reaction to Agnes’s death other than a mild relief that the book was finally over. The excessively elaborate prose, the odd repetition of uncommonly used words and phrases, and the naming conventions bludgeoned my interest to a death more final than Adele-Blanche’s.
The plot felt like an aside to the imagery, and what plot (that wasn’t cribbed from other works) did manage to claw its way to the surface was heavy-handed in its foreshadowing. The pacing was consistent, though slow, having to also battle segments of text like:
““Offal-Eater,” he yelled, over the sound of this frenzied feasting, “would you eat a kitchen cat?”
Offal-Eater paused, a string of intestines hanging from his mouth. “Yes, yes,” he said, “and again, yes.”
…So it went on like that, almost interminably. Truss wrangled a kitchen cat and Offal-Eater ripped its abdomen open with his teeth. He drank its blood and ate it, bones and all, before proceeding to vomit up its fur and skin. A fetal puppy could not be procured so easily, but Mordaunt swore he would marshal one up before the day was through.”
The entire book reads as pretentious and gross, and I do not recommend it at all. I am honestly surprised that an editor didn’t take Reid aside and say maybe lay off the baby cannibalism. Instead of being impressed with her knowledge and smiling at the multiple references to other works (having a mad character call two others Rosencrantz and Guildenstern is excessively on the nose for a book partially inspired by Hamlet), I rolled my eyes and skimmed my way past the last quarter of the book in a combination of boredom, annoyance, and desperation to be done. This is my final attempt at reading Ava Reid, and have added her to my never-buy list.
The island of Deprane was conquered by the continental nation of Seraph after a devastating plague swept the island and the nobles engaged in necromancy, raising their loved from the dead and birthing terrible monsters that ravaged the coasts of Seraph. A Seraphine noble, Berengar conquered the island and slaughtered everyone who engaged in necromancy, burning libraries to ensure the knowledge was lost forever, and implementing strict rules to prevent it from happening again. Each House is responsible for a part of the body, and everyone who dies is subject to an elaborate desecration of dismemberment, with the relevant pieces going to each house. The House of Blood gets the blood, the House of Teeth gets the teeth, etc. The staging is dark and gothic, with plenty of crumbling edifices and moody skies galore.
I enjoyed the macabre mood of the setting for the first half of the book or so, but Reid’s writing is so unnecessarily overwrought that it started to lose its impact and I became bored by the countless elaborate comparisons and depictions, and the flowery word choices. She used quotidian ten times. Ten.
Not every paragraph needs to be a poem or some tortured ode, and language that would have been beautiful in scarcity became florid in abundance. Her phrasing lost its impact and I had to fight the urge to skim whenever the author launched into another rhapsody over “his rather quotidian doublet with navy and braids of gold” or “the rose before its rot” - a phrase employed several times.
An example, when Agnes first views Castle Crudele, the seat of House Berengar:
“It was a colossal thing, and — christened with the blood of his enemies — Berengar Who-Fights-Alone had seen his castle rise like mushrooms in a rainstorm in the age immediately following his conquest. It was a palace that had no infancy, no floundering juvenile years, only the maturity that had bleached its walls with accumulations of salt, scruffy and pale as a septuagenarian’s beard.”
Every paragraph is like that: bloated, overdone, elaborate. Reid is very concerned with imagery, and she is able to turn a beautiful phrase, but her writing gets lost under the weight of her word choices and insistence that each selection be perfectly polished.
Marozia and Agnes are cousins of an age - daughters of twins - who are raised together in a strange sort of creepy symbiosis, with Marozia the bright sun and Agnes the ascetic shadow. Marozia is raised to be the heiress to the House of Teeth as she was the daughter of the elder twin, despite being born after Agnes, and is beautiful, accomplished, vibrant and dominant. She is Mistress of the House of Teeth upon Adele-Blanche’s death and wed to the Prince.
Agnes is raised to be Adele-Blanche’s instrument, tasked with recovering the knowledge of necromancy from the royal palace after Marozia is wed to the Prince, and raising Adele-Blanche from the dead (despite the desecration). Agnes speaks to no one, having been silent since her grandmother had her body mutilated in service to this goal, and consumes only bread and watered wine, regularly poisoning herself with mandrake and henbane and experiencing visions.
This section sums up their dynamic in the first portion of the book:
“Instinctually, Agnes drew her arms around her cousin, pulling Marozia to her chest. The notches of Marozia’s spine prodded at her breasts. Agnes slowed her breathing until they were inhaling and exhaling in tandem.
“And then, as she did every night, Marozia took Agnes tenderly by the wrist and drew her hand upward towards her mouth. Agnes felt a shiver dance across her skin, first cold, and then warm, settling into a heavy need at the bottom of her belly. Marozia put Agnes’s thumb to her lips and sucked until they were lulled into twin slumbers.”
After they move to Castle Crudele, they start to separate as Liuprand comes between them. He’s portrayed as a shining golden monument of a man while his father King Nicephorus the Sluggard is the opposite. Despite marrying Marozia, he is drawn to Agnes. Agnes is mutilated by the King in an attempt to get her to break her silence, and then is made Mistress of the House of Teeth and sent to wed the Lord Fredegar Master of the House of Blood. This stripping of Marozia’s title causing an irreparable breach between the cousins.
Unfortunately, shortly after their wedding, Fredegar is killed by his son Unruoching. Agnes breaks her silence to scream and call for Liuprand, and after Liuprand kills Unruoching for patricide in front of Unruoching’s wife and son (launching a fresh generation cycle of vengeance), they sleep together, kicking off a whole set of consequences.
The back half of the book covers Agnes’s flowering as she rejects the silence, asceticism, and mission of Adele-Blanche and becomes her own person. She secretly weds Liuprand as the Seraph people believe the bond of love is separate and more sacred than a bond of marriage, and they conduct their affair over the years. He is forced by the King to impregnate Marozia, and Marozia bears twin children: a girl, Meriope, who Marozia loves fiercely and rears in her image; and a boy, Tisander, who is reared by Agnes after Marozia rejects him. Meriope is betrothed from infancy to Unruoching’s son Gamelyn, to repair the damage done when Liuprand killed Unruoching. Gamelyn is both of the House of Blood and the House of Eyes through his mother Ygraine, and the crown needs their loyalty to persist.
Flowerly language, stupid choices, and hatred ensue. The day of the betrothal arrives and Ygraine, her father lord Thrasamund, his son Childeric, her son Gamelyn, all arrive. Gamelyn marries Meriope, and Ygraine and Marozia start plotting, because Ygraine hates Agnes for refusing to plead for mercy for Unruoching, and Marozia has figured out that Agnes and Liuprand love each other. Liuprand gets drunk and beats Childeric to a pulp after he asks Agnes to wed him, causing a fresh rift. Marozia throttles Agnes in a rage. Eyes and Blood leave in outrage, but Agnes agrees to wed Childeric even after he has been disabled to try and repair the rift. When they return, Agnes is caught by Thrasamund in the tower chamber where she and Liuprand tryst, and her throat is cut. When Liuprand arrives, they force him to copulate with her corpse - an event which is vividly described. They throw her body in the empty vault instead of desecrating it, and the book ends with:
“Agnes was expired, extinct, forever gone, and her soul had departed from her stiffly preserved body. That much without a doubt was known.”
“The only inexorable fact was this: that, in the darkness of her makeshift tomb, while her body was held in the otherwise imperturbable rictus of death, something stirred, at last, in the Lady Agnes’s once barren womb.”
This whole book is full of messy, toxic people, overblown imagery, and predictable backstabbing. Normally that isn’t enough to break a book for me, but I draw the line at cannibalism. There are several mentions of Agnes being forced to engage in the cannibalism of her infant brother by Adele-Blanche. The first mention is opaque enough to obscure what happened but it is reinforced several times later on.
“The not-child’s fleshy arms were riddled with bite marks.”
“Agnes could still taste the blood of her infant brother on her tongue.”
“…she would never cease to taste newborn flesh on her tongue.”
I found Juniper and Thorn distasteful for its use of adult cannibalism and find this book disgusting for its use of infant cannibalism.
Another line draw moment which I’m assuming will be a key plot point for book 2 is the necrophilia resulting in strange after-death conception.
Reid wants to craft this grand Shakespearean tragedy redolent with the macabre and the gothic, but it falls flat under its own weight. I didn’t find any of the characters compelling, and had no reaction to Agnes’s death other than a mild relief that the book was finally over. The excessively elaborate prose, the odd repetition of uncommonly used words and phrases, and the naming conventions bludgeoned my interest to a death more final than Adele-Blanche’s.
The plot felt like an aside to the imagery, and what plot (that wasn’t cribbed from other works) did manage to claw its way to the surface was heavy-handed in its foreshadowing. The pacing was consistent, though slow, having to also battle segments of text like:
““Offal-Eater,” he yelled, over the sound of this frenzied feasting, “would you eat a kitchen cat?”
Offal-Eater paused, a string of intestines hanging from his mouth. “Yes, yes,” he said, “and again, yes.”
…So it went on like that, almost interminably. Truss wrangled a kitchen cat and Offal-Eater ripped its abdomen open with his teeth. He drank its blood and ate it, bones and all, before proceeding to vomit up its fur and skin. A fetal puppy could not be procured so easily, but Mordaunt swore he would marshal one up before the day was through.”
The entire book reads as pretentious and gross, and I do not recommend it at all. I am honestly surprised that an editor didn’t take Reid aside and say maybe lay off the baby cannibalism. Instead of being impressed with her knowledge and smiling at the multiple references to other works (having a mad character call two others Rosencrantz and Guildenstern is excessively on the nose for a book partially inspired by Hamlet), I rolled my eyes and skimmed my way past the last quarter of the book in a combination of boredom, annoyance, and desperation to be done. This is my final attempt at reading Ava Reid, and have added her to my never-buy list.
This entire review has been hidden because of spoilers.
November 13, 2025
The Most Ava Reid Book ever, with everything that entails.
In many ways I loved this. I appreciate a big swing, and Reid is cracking a bat at this thing. The story is dark, the prose is purple, the vibes are indulgent almost to the point of camp. If you enjoy the kind of atmosphere of, like, 'the pungent sweetness of a rose just before its petals wither' and 'the cold unforgiving bleak stone of the castle' (not real quotes, but they might as well be), you will enjoy this. Bloodborne is my favorite game, and Reid has discussed taking inspiration from it for Innamorata; I appreciated the nods to similar themes of monstrous femininity and motherhood. All my love for the relationship between Agnes and Marozia, whose codependency and strangeness was the most interesting part of the book.
But also...where are the editors?? The writing is extremely repetitive (you WILL know the word quotidian) and borderline nonsensical, the romance is distracting and generic, and I cannot overstate the amount of fatphobia in this book, which is cruel to a degree that is legitimately shocking. Agnes is not as beautiful as her cousin but she is ALSO not ugly, but most importantly she IS thin. And also has a huge rack.
Innamorata is spiritually most similar to Juniper & Thorn (and likewise much more in the tradition of gothic fiction than grimdark - in fact would not recommend to grimdark readers), and in the same way people will love it or hate it depending on how well they resonate with the ideas Reid is presenting. This worked better for me than J&T because I prefer this sandbox we're playing in, but I still wouldn't recommend it to everyone.
In many ways I loved this. I appreciate a big swing, and Reid is cracking a bat at this thing. The story is dark, the prose is purple, the vibes are indulgent almost to the point of camp. If you enjoy the kind of atmosphere of, like, 'the pungent sweetness of a rose just before its petals wither' and 'the cold unforgiving bleak stone of the castle' (not real quotes, but they might as well be), you will enjoy this. Bloodborne is my favorite game, and Reid has discussed taking inspiration from it for Innamorata; I appreciated the nods to similar themes of monstrous femininity and motherhood. All my love for the relationship between Agnes and Marozia, whose codependency and strangeness was the most interesting part of the book.
But also...where are the editors?? The writing is extremely repetitive (you WILL know the word quotidian) and borderline nonsensical, the romance is distracting and generic, and I cannot overstate the amount of fatphobia in this book, which is cruel to a degree that is legitimately shocking. Agnes is not as beautiful as her cousin but she is ALSO not ugly, but most importantly she IS thin. And also has a huge rack.
Innamorata is spiritually most similar to Juniper & Thorn (and likewise much more in the tradition of gothic fiction than grimdark - in fact would not recommend to grimdark readers), and in the same way people will love it or hate it depending on how well they resonate with the ideas Reid is presenting. This worked better for me than J&T because I prefer this sandbox we're playing in, but I still wouldn't recommend it to everyone.
October 25, 2025
I am so insanely confused. I have never not liked an Ava Reid book so this is so upsetting but like wtf. The first half of the book really had me, the plot was promising and gothic and the characters were interesting, but then it just completely lost the plot? Like what happened to Agnes mission, did she just forget about it? And the time skip was so random. Anyway I was fine with all of that, thinking it was all going to make sense near the end but somehow it got worse. I can’t believe I read that ending scene without puking, WHY DID YOU WRITE THAT?. Anyway I read the last word and sighed, idk what the next book is going to entail. I’m so upset right now, I have no idea what to rate this. I love you Ava I promise.
Thank you for the arc NetGalley!
Thank you for the arc NetGalley!
Want to read
November 2, 2025ava reid returning to the gothic (i prayed for this (but really i have))
juniper and thorn is my favorite book by them and ive been desperately awaiting her next foray into this genre
need to sink my teeth into this asap 🦷 (please appreciate the reference)
juniper and thorn is my favorite book by them and ive been desperately awaiting her next foray into this genre
need to sink my teeth into this asap 🦷 (please appreciate the reference)
Currently reading
January 1, 2026I told myself that I wouldn't request another Ava Reid arc, but she had me at necrophilia, cannibalism, and incest. 😔😔😔
November 19, 2025
── .★ 5 stars
Beautiful, haunting, and unsettling.
I loved this book but it won’t be for everyone. It's dark, bleak, grotesque, disturbing, with lots of gore and graphic scenes (content warnings at the bottom).
Ava's writing is stunning—her prose is lyrical and lush, drawing you into its eerie, macabre world. That said, I think some readers might find it overdone at times with the flowery descriptions; I personally really enjoyed the writing and was captivated from start to finish. All characters are flawed, messy, and toxic but I could not stop reading and caring for them.
I’d describe this book as got/house of the dragon politics mixed with dark souls aesthetic and would only recommend if you’re into very dark, gothic fantasy/horror, but definitely check triggers first!!
⸝⸝
[content warnings: blood, gore, violence, torture, murder, death, body horror, sexual assault/violence, rape, abuse, child cannibalism, child death, child marriage, animal death, necrophilia, infidelity, incest/incestous behaviour]
Beautiful, haunting, and unsettling.
I loved this book but it won’t be for everyone. It's dark, bleak, grotesque, disturbing, with lots of gore and graphic scenes (content warnings at the bottom).
Ava's writing is stunning—her prose is lyrical and lush, drawing you into its eerie, macabre world. That said, I think some readers might find it overdone at times with the flowery descriptions; I personally really enjoyed the writing and was captivated from start to finish. All characters are flawed, messy, and toxic but I could not stop reading and caring for them.
I’d describe this book as got/house of the dragon politics mixed with dark souls aesthetic and would only recommend if you’re into very dark, gothic fantasy/horror, but definitely check triggers first!!
I am your servant and I am your shield. My soul has been fashioned for the purpose of loving you, and I would sooner welcome death than be stripped of this duty, this design.
⸝⸝
[content warnings: blood, gore, violence, torture, murder, death, body horror, sexual assault/violence, rape, abuse, child cannibalism, child death, child marriage, animal death, necrophilia, infidelity, incest/incestous behaviour]
December 15, 2025
Thank you so much Random House UK | Cornerstone for the arc!
„And then there was the truth within the truth, which was as poisonous as it was sweet, the secret at the heart of it all that not even the threat of the kingdom's ruin would make them regret what had been done.“
🦷 necromancy
🪦 political intrigue
🦷 body horror
🪦 toxic relationships
🦷 trigger heavy
What I liked:
- The atmosphere was outstanding, especially in Castle Peake, the home of the protagonist. I could almost feel the dampness and the mud lingering between the pages. Everything in the old castle felt dark and eroded by the constant mist and rain. The gory traditions of the House of Teeth, along with the loneliness of the protagonist and her cousin, only added to the unsettling feeling of the place.
- The protagonist Agnes is so intriguing! She isn’t the heir of the House of Teeth, that is her cousin Lady Marozia, but she is the one secretly tasked with restoring her family’s legacy. She hasn’t spoken for many years, yet she manages to command a room with a single look. She’s cunning and a bit feral, while at the same time vulnerable and burdened by her task and her horrible past. She is by far the most interesting character.
What I didn’t like:
- Some gory descriptions felt like they were included purely for shock value, rather than adding to the atmosphere or benefiting the story. Weirdly they largely disappear after the first half of the book, with the author focusing more on the characters’ horrible behavior instead.
- I wished for more complex characters besides the protagonist. Other than her, the next most intriguing character for me was her dead grandmother. The love interest lacked a bit of personality beyond his love for the main character and her cousin’s character only became prominent quite late in the book.
Be prepared for:
This book is dark, gruesome, horrifying, and the themes break many taboos. The characters endure severe trauma and are not especially likable. Their actions are often selfish and driven by the need to put themselves first because of the trauma each of them has endured. No one is without fault and everyone inflicts horrors on others. There is a lot of disgusting and depraved behavior. It’s like Game of Thrones or House of the Dragon but with necromancy. Please read the trigger warnings and take them seriously. There is an on-page child marriage, which I find especially disturbing to read, as well as forced necrophilia.
Writing style: 4/5
Characters: 4/5
Worldbuilding: 4/5
Story & Plot: 4/5
Vibes: 4/5
Will I buy a physical copy: yes already preordered
Will I read more books by the author: 100%
Where would I place it on my bookshelf: I don’t have any similar books on my shelf. I probably have to build a section for Ava Reid‘s books.
„And then there was the truth within the truth, which was as poisonous as it was sweet, the secret at the heart of it all that not even the threat of the kingdom's ruin would make them regret what had been done.“
🦷 necromancy
🪦 political intrigue
🦷 body horror
🪦 toxic relationships
🦷 trigger heavy
What I liked:
- The atmosphere was outstanding, especially in Castle Peake, the home of the protagonist. I could almost feel the dampness and the mud lingering between the pages. Everything in the old castle felt dark and eroded by the constant mist and rain. The gory traditions of the House of Teeth, along with the loneliness of the protagonist and her cousin, only added to the unsettling feeling of the place.
- The protagonist Agnes is so intriguing! She isn’t the heir of the House of Teeth, that is her cousin Lady Marozia, but she is the one secretly tasked with restoring her family’s legacy. She hasn’t spoken for many years, yet she manages to command a room with a single look. She’s cunning and a bit feral, while at the same time vulnerable and burdened by her task and her horrible past. She is by far the most interesting character.
What I didn’t like:
- Some gory descriptions felt like they were included purely for shock value, rather than adding to the atmosphere or benefiting the story. Weirdly they largely disappear after the first half of the book, with the author focusing more on the characters’ horrible behavior instead.
- I wished for more complex characters besides the protagonist. Other than her, the next most intriguing character for me was her dead grandmother. The love interest lacked a bit of personality beyond his love for the main character and her cousin’s character only became prominent quite late in the book.
Be prepared for:
This book is dark, gruesome, horrifying, and the themes break many taboos. The characters endure severe trauma and are not especially likable. Their actions are often selfish and driven by the need to put themselves first because of the trauma each of them has endured. No one is without fault and everyone inflicts horrors on others. There is a lot of disgusting and depraved behavior. It’s like Game of Thrones or House of the Dragon but with necromancy. Please read the trigger warnings and take them seriously. There is an on-page child marriage, which I find especially disturbing to read, as well as forced necrophilia.
Writing style: 4/5
Characters: 4/5
Worldbuilding: 4/5
Story & Plot: 4/5
Vibes: 4/5
Will I buy a physical copy: yes already preordered
Will I read more books by the author: 100%
Where would I place it on my bookshelf: I don’t have any similar books on my shelf. I probably have to build a section for Ava Reid‘s books.
Want to read
August 10, 2025You say the words "gothic fantasy" and im instantly summoned
December 10, 2025
I'm utterly sorry to give such a low rating to a book from one of my favourite authors but I still cannot believe I've read what I've read.
The topics mentioned in the story were absolutely disgusting to me and the whole reading process gave me exactly the opposite of enjoyment.
I have to say it was extremely atmospheric, Ava Reid knows how to add a true gothic tone to her books. However, the whole story wouldn't be anything exceptional if it wasn't for the parts I disliked the most.
Without giving many spoilers I will just say that I could never imagine she could write something like this. The characters' minds were so twisted that they were okay with doing a lot of things that are not socially or morally (judging by my morality) accepted. I feel like the author wanted to write some very dark and deeply controversial fantasy with romance but it just crossed my line far too much.
I read books to either relax after a hard day and entertain myself or to move my heart by some deeper feelings. I didn't get any of those from "Innamorata", I just felt disgusted, especially after the last scene...
With this being said, I won't be continuing with this series.
Thanks to NetGalley and the publisher for the ARC in exchange for my honest review.
The topics mentioned in the story were absolutely disgusting to me and the whole reading process gave me exactly the opposite of enjoyment.
I have to say it was extremely atmospheric, Ava Reid knows how to add a true gothic tone to her books. However, the whole story wouldn't be anything exceptional if it wasn't for the parts I disliked the most.
Without giving many spoilers I will just say that I could never imagine she could write something like this. The characters' minds were so twisted that they were okay with doing a lot of things that are not socially or morally (judging by my morality) accepted. I feel like the author wanted to write some very dark and deeply controversial fantasy with romance but it just crossed my line far too much.
I read books to either relax after a hard day and entertain myself or to move my heart by some deeper feelings. I didn't get any of those from "Innamorata", I just felt disgusted, especially after the last scene...
With this being said, I won't be continuing with this series.
Thanks to NetGalley and the publisher for the ARC in exchange for my honest review.
Read
October 17, 2025some people are going to hate this for the right reasons, it’s sagging under the weight of the attempts at gothic language, it gets lost in said language causing it to meander aimlessly far longer than any editor should allow, the fatphobia. but there will be some who hate it for the wrong reasons and ava, ava please listen to me when i say do not let the cowards stop you from writing really really deranged relationships between cousins and baby cannibalism
This entire review has been hidden because of spoilers.
September 20, 2025
Innamorata by Ava Reid – 4 stars
Well, color me haunted, Ava Reid has done it again. Innamorata is basically what happens if you throw necromancy, political scheming, and “oops I fell for the enemy prince” into a cauldron, stir with a bone wand, and serve it piping hot with a side of heartbreak.
We open on a kingdom where necromancy isn’t just frowned upon—it’s been scorched off the map by a conqueror who thought burning libraries was a personality trait. Enter the House of Teeth (yes, Teeth—subtlety has left the building), the last holdouts of the old ways. At its heart are two survivors: Marozia, a dazzling heiress who looks like she stepped out of a tragic ballad, and Lady Agnes, her silent cousin who hasn’t spoken in seven years but still manages to command every scene like she’s auditioning for “most terrifyingly captivating protagonist.”
Agnes has one job: restore her family’s legacy of death magic, marry Marozia off to the conqueror’s son Liuprand (golden boy, literally and figuratively), and—oh yeah—definitely do not fall in love with him. Naturally, the heart does what it does, and Agnes ends up pining for Mr. Too-Handsome-To-Trust, which, given that his family butchered hers, is messy with a capital M. Honestly, if forbidden romance were an Olympic sport, these two would bring home the gold.
The characters? Chef’s kiss. Agnes is feral, cunning, and somehow both ruthless and devastatingly vulnerable. Marozia is all beauty and ambition with an unpredictable streak that keeps you guessing whose side she’s actually on. And Liuprand? He’s the definition of a terrible idea wrapped in golden charisma—think “do not touch” energy but your brain and your heart immediately ignore the warning label.
The atmosphere? Pure gothic decadence. Grand grotesque castles, libraries that practically hum with forbidden secrets, and the constant reminder that bones and memory are the true currency of this world. It’s lush, it’s eerie, it’s a vibe.
Now, real talk: Reid does lean into melodrama. Sometimes the prose is so extra it feels like it’s auditioning for its own tragic opera, and the pacing can drag under the weight of all the gloom and doom. But honestly? That’s part of the fun. You don’t come to a Reid novel for light and breezy—you come for the heavy, intoxicating stuff that makes you want to reread a single paragraph three times just to soak in all the gothic angst.
Bottom line: Innamorata is a feast of necromancy, revenge, and forbidden longing. Is it a little overwrought? Absolutely. Did I eat it up anyway? You bet your cursed bone ring I did. Four stars, because Ava Reid knows how to spin a story that feels like both a dagger to the heart and a spell you can’t shake off.
Thank you Netgalley, Del Rey Publishing and the author for the ARC. All opinions are my own.
Well, color me haunted, Ava Reid has done it again. Innamorata is basically what happens if you throw necromancy, political scheming, and “oops I fell for the enemy prince” into a cauldron, stir with a bone wand, and serve it piping hot with a side of heartbreak.
We open on a kingdom where necromancy isn’t just frowned upon—it’s been scorched off the map by a conqueror who thought burning libraries was a personality trait. Enter the House of Teeth (yes, Teeth—subtlety has left the building), the last holdouts of the old ways. At its heart are two survivors: Marozia, a dazzling heiress who looks like she stepped out of a tragic ballad, and Lady Agnes, her silent cousin who hasn’t spoken in seven years but still manages to command every scene like she’s auditioning for “most terrifyingly captivating protagonist.”
Agnes has one job: restore her family’s legacy of death magic, marry Marozia off to the conqueror’s son Liuprand (golden boy, literally and figuratively), and—oh yeah—definitely do not fall in love with him. Naturally, the heart does what it does, and Agnes ends up pining for Mr. Too-Handsome-To-Trust, which, given that his family butchered hers, is messy with a capital M. Honestly, if forbidden romance were an Olympic sport, these two would bring home the gold.
The characters? Chef’s kiss. Agnes is feral, cunning, and somehow both ruthless and devastatingly vulnerable. Marozia is all beauty and ambition with an unpredictable streak that keeps you guessing whose side she’s actually on. And Liuprand? He’s the definition of a terrible idea wrapped in golden charisma—think “do not touch” energy but your brain and your heart immediately ignore the warning label.
The atmosphere? Pure gothic decadence. Grand grotesque castles, libraries that practically hum with forbidden secrets, and the constant reminder that bones and memory are the true currency of this world. It’s lush, it’s eerie, it’s a vibe.
Now, real talk: Reid does lean into melodrama. Sometimes the prose is so extra it feels like it’s auditioning for its own tragic opera, and the pacing can drag under the weight of all the gloom and doom. But honestly? That’s part of the fun. You don’t come to a Reid novel for light and breezy—you come for the heavy, intoxicating stuff that makes you want to reread a single paragraph three times just to soak in all the gothic angst.
Bottom line: Innamorata is a feast of necromancy, revenge, and forbidden longing. Is it a little overwrought? Absolutely. Did I eat it up anyway? You bet your cursed bone ring I did. Four stars, because Ava Reid knows how to spin a story that feels like both a dagger to the heart and a spell you can’t shake off.
Thank you Netgalley, Del Rey Publishing and the author for the ARC. All opinions are my own.
September 13, 2025
Ok honestly I struggled what to rate this. The book is good, it’s a dark gothic horror and the world building is so top tier. Ava’s writing style is stunning and sucks you in. The story is unique and the court intrigue and romance are well done. You can definitely feel the love they have for each other and the lengths they are willing to and do go to. Here’s where it gets tricky. TRIGGER WARNINGs , I am not squeamish. This is a book you’ll absolutely want to read the warnings and be aware of them before you start. The ending , it’s just well, I just finished bleaching my brain but the cliff hanger also has me yearning for book two and hopefully a righting to some of these wrongs. It’s DARK. Be prepared and have a cutesy hallmark style rom com to palate cleanse with after. 🤣 Also I know this is just petty but the names in this book are all just god awful. I ended up just referring to everyone as lady a, lady m, L etc 🤣 thanks to netgalley, the publisher and the author for this arc 💜
Currently reading
December 12, 2025 ༉‧₊˚. pre - read
ava reid is an author i’ve been wanting to read and the synopsis for this book sounded amazing. i’m super excited to get to read this !!
ⓘ thank you netgalley & del rey books for this arc in exchange for an honest review
ava reid is an author i’ve been wanting to read and the synopsis for this book sounded amazing. i’m super excited to get to read this !!
ⓘ thank you netgalley & del rey books for this arc in exchange for an honest review
August 28, 2025
4/5 stars
Innamorata by THE Ava Reid was my biggest pull from NetGalley so far and oh my… what a glorious, gruesome book it is. We follow Agnes, the granddaughter of the freshly deceased Mistress of Teeth, as she orchestrates her cousin’s marriage to the future king of Drepane, cementing her house’s power for generations and also seeking to bring back the depraved, necromantic customs of their land. That synopsis had me GAGGED. Alas … it was not perfect, but I’ll get to that.
The characters were so interesting and multifaceted, with the exception of the prince, Liuprand. I think Ava Reid writes the most compelling female characters, but her men leave something to be desired, especially if they are romantic leads. Liuprand was okay, but I wasn’t as connected to him as I was with Agnes and Marozia. Agnes is a mute girl crafted by the abusive hands of her grandmother for vengeance, and ONLY vengeance. She loves her beautiful and vibrant cousin Marozia as though they were twin sisters, connected by something more than blood, more than flesh. Watching their relationship evolve and change was both beautiful and heartbreaking, and I adored the dynamic here.
The romance that dominates the second half of this book was not my favourite. I could tell they were deeply in love, but … I just didn’t care as much as they did. Move it along people, we have dead bodies to reanimate! Sadly this love story heavily carries the plot from the second half, all the way to the book’s grisly and disgusting ending (which I LOVED). I could have done with less romance and sex, but Reid’s writing is so gorgeous that I can forgive it. The lush, gothic world we have here is so interesting that I can forgive almost anything.
And the ending … I cannot wait to see what everyone thinks. I loved this ending. This is the first book in a duology, and the ending is simply stunning. I read it through breakfast (worst decision ever) and was sick to my stomach, terribly sad, and also deeply satisfied. It felt so deserved and fucked up and I cannot wait to see what happens in book 2. We finished on a high note of gore and horror that this book desperately needed after a romance-heavy second half.
Overall, Ava Reid kills it again (as usual) with Innamorata. I absolutely NEED the second book but awaiting the physical release of this one will keep me going. A depraved and fucked up book, if you like gothic horror with (admittedly) some romance, you will need this book.
Innamorata releases March 17, 2026!
Thank you to NetGalley and Del Rey publishing for an early copy in exchange for an honest review!
Innamorata by THE Ava Reid was my biggest pull from NetGalley so far and oh my… what a glorious, gruesome book it is. We follow Agnes, the granddaughter of the freshly deceased Mistress of Teeth, as she orchestrates her cousin’s marriage to the future king of Drepane, cementing her house’s power for generations and also seeking to bring back the depraved, necromantic customs of their land. That synopsis had me GAGGED. Alas … it was not perfect, but I’ll get to that.
The characters were so interesting and multifaceted, with the exception of the prince, Liuprand. I think Ava Reid writes the most compelling female characters, but her men leave something to be desired, especially if they are romantic leads. Liuprand was okay, but I wasn’t as connected to him as I was with Agnes and Marozia. Agnes is a mute girl crafted by the abusive hands of her grandmother for vengeance, and ONLY vengeance. She loves her beautiful and vibrant cousin Marozia as though they were twin sisters, connected by something more than blood, more than flesh. Watching their relationship evolve and change was both beautiful and heartbreaking, and I adored the dynamic here.
The romance that dominates the second half of this book was not my favourite. I could tell they were deeply in love, but … I just didn’t care as much as they did. Move it along people, we have dead bodies to reanimate! Sadly this love story heavily carries the plot from the second half, all the way to the book’s grisly and disgusting ending (which I LOVED). I could have done with less romance and sex, but Reid’s writing is so gorgeous that I can forgive it. The lush, gothic world we have here is so interesting that I can forgive almost anything.
And the ending … I cannot wait to see what everyone thinks. I loved this ending. This is the first book in a duology, and the ending is simply stunning. I read it through breakfast (worst decision ever) and was sick to my stomach, terribly sad, and also deeply satisfied. It felt so deserved and fucked up and I cannot wait to see what happens in book 2. We finished on a high note of gore and horror that this book desperately needed after a romance-heavy second half.
Overall, Ava Reid kills it again (as usual) with Innamorata. I absolutely NEED the second book but awaiting the physical release of this one will keep me going. A depraved and fucked up book, if you like gothic horror with (admittedly) some romance, you will need this book.
Innamorata releases March 17, 2026!
Thank you to NetGalley and Del Rey publishing for an early copy in exchange for an honest review!
Want to read
July 16, 2025that cover and necromancy was all i needed give it to me now
Want to read
July 16, 2025
Want to read
June 26, 2025i'm already seated. the bookstore employees keep coming in and yelling at me saying it's not march 2026 yet, but i am simply too seated.
September 9, 2025
Got the ARC!!! Ahhhhhh- crying, screaming, throwing up! Brb- canceling all of my other plans for the day!
Innamorata was a surprising departure from Ava Reid’s previous works. While it’s marketed as a gothic fantasy, which it technically is, it felt more like a dark, twisted political drama, almost like War of the Roses meets Game of Thrones, but with disturbingly gruesome family dynamics. Each family revolves around a different body part or function, which adds an eerie and visceral layer to the world-building.
I was completely drawn in by the beginning and captivated again by the final pages. However, some plotlines felt underdeveloped or abruptly dropped Agnes’s sudden shift in motivation, for example, left me puzzled. This novel also features significantly more explicit content than Reid’s earlier books, and some of the sex scenes are graphic, even unsettling.
And that ending, what a gut punch. It was brutal and revolting, yet somehow still left me wanting more. Reid’s ability to provoke such intense reactions is undeniable.
Thank you to NetGalley and Del Rey / Random House Worlds / Inklore for the advanced copy!
Innamorata was a surprising departure from Ava Reid’s previous works. While it’s marketed as a gothic fantasy, which it technically is, it felt more like a dark, twisted political drama, almost like War of the Roses meets Game of Thrones, but with disturbingly gruesome family dynamics. Each family revolves around a different body part or function, which adds an eerie and visceral layer to the world-building.
I was completely drawn in by the beginning and captivated again by the final pages. However, some plotlines felt underdeveloped or abruptly dropped Agnes’s sudden shift in motivation, for example, left me puzzled. This novel also features significantly more explicit content than Reid’s earlier books, and some of the sex scenes are graphic, even unsettling.
And that ending, what a gut punch. It was brutal and revolting, yet somehow still left me wanting more. Reid’s ability to provoke such intense reactions is undeniable.
Thank you to NetGalley and Del Rey / Random House Worlds / Inklore for the advanced copy!
September 15, 2025
I honestly don't even know where to start. I ate it up, mostly, but let’s just say I had to choke down a few bites.
Agnes starts off as this mute, gray-swaddled wallflower, like she’s auditioning for the role of “human cardigan.” Then BAM! Trauma hits about 40ish percent and suddenly she’s blooming into this vibrant, loving, technicolor chaos agent. It’s like watching a caterpillar turn into a butterfly, except the butterfly’s got a chip on its shoulder and a penchant for drama. Her transformation is the heart of the book, and Reid nails the messy, human shift from shrinking violet to someone who’s ready to set the world on fire... or at least her deceased grandmother's plans. The tension with her cousin Marizoa relatable... Like family reunion where everyone’s smiling but someone’s definitely hiding a knife. It’s juicy, it’s layered, and it kept me flipping pages to see who’d throw the first punch.
Now, the romance with Liuprand. Hoo boy. At first, it’s all cute glances and “oh, you’re my Seraph soulmate” vibes, which sounds like it should come with a sparkly sticker and a terms-and-conditions pamphlet. Problem is, this soulmate custom is tossed in like a half-baked plot coupon and never really explained. Like, what’s the deal, Ava? Did the Seraphs get a PowerPoint on soulmate rules, or are we just supposed to nod and go with it? Anyway, the insta-love is forgivable because it’s kinda sweet for a minute. Liuprand’s got that puppy dog devotion thing going on. But then years pass, and… oof. Their love flattens out like a pancake under a steamroller. Liuprand’s entire personality becomes “Agnes’s #1 Fan,” and I’m over here begging for him to have a hobby, a quirk, something. Maybe he collects rare coins or secretly knits? Nope. Just worships Agnes. Yawn.
Speaking of Agnes, she’s a hot mess, and I don't think many will find her likable very often. She’s self-obsessed in that way that feels painfully real, like she’s starring in her own Oscar-worthy biopic. But when she goes from adoring Marizoa to basically ghosting her while Marizoa’s stuck in her own tragic subplot? Ouch. Agnes, babe, maybe check on your cousin instead of practicing your dramatic monologues in the mirror. It’s a flaw that makes her compelling but also makes you want to shake her until her necklace rattles iykyk.
The ending, though? Wow. Did not see that coming, and I’m not spoiling it, but let’s just say it’s like Reid decided to yeet the rulebook out the window and I respect the chaos. It bumped my rating up half a star because I love when a book takes a swing and actually lands it.
So why four stars and not five? I enjoyed the flaws of characters, even the several different POV (even the short chapter from a insects POV??) but occasionally feels like it’s trying to flex too hard, like it’s auditioning for a Tolkien biopic. And Liuprand’s lack of… anything outside of Agnes made me want to send him to character development bootcamp. Still, this book’s got heart, guts, and just enough mess to keep you hooked. Read it if you like your fantasy with a side of family dysfunction and a sprinkle of “what the eff just happened.”
Agnes starts off as this mute, gray-swaddled wallflower, like she’s auditioning for the role of “human cardigan.” Then BAM! Trauma hits about 40ish percent and suddenly she’s blooming into this vibrant, loving, technicolor chaos agent. It’s like watching a caterpillar turn into a butterfly, except the butterfly’s got a chip on its shoulder and a penchant for drama. Her transformation is the heart of the book, and Reid nails the messy, human shift from shrinking violet to someone who’s ready to set the world on fire... or at least her deceased grandmother's plans. The tension with her cousin Marizoa relatable... Like family reunion where everyone’s smiling but someone’s definitely hiding a knife. It’s juicy, it’s layered, and it kept me flipping pages to see who’d throw the first punch.
Now, the romance with Liuprand. Hoo boy. At first, it’s all cute glances and “oh, you’re my Seraph soulmate” vibes, which sounds like it should come with a sparkly sticker and a terms-and-conditions pamphlet. Problem is, this soulmate custom is tossed in like a half-baked plot coupon and never really explained. Like, what’s the deal, Ava? Did the Seraphs get a PowerPoint on soulmate rules, or are we just supposed to nod and go with it? Anyway, the insta-love is forgivable because it’s kinda sweet for a minute. Liuprand’s got that puppy dog devotion thing going on. But then years pass, and… oof. Their love flattens out like a pancake under a steamroller. Liuprand’s entire personality becomes “Agnes’s #1 Fan,” and I’m over here begging for him to have a hobby, a quirk, something. Maybe he collects rare coins or secretly knits? Nope. Just worships Agnes. Yawn.
Speaking of Agnes, she’s a hot mess, and I don't think many will find her likable very often. She’s self-obsessed in that way that feels painfully real, like she’s starring in her own Oscar-worthy biopic. But when she goes from adoring Marizoa to basically ghosting her while Marizoa’s stuck in her own tragic subplot? Ouch. Agnes, babe, maybe check on your cousin instead of practicing your dramatic monologues in the mirror. It’s a flaw that makes her compelling but also makes you want to shake her until her necklace rattles iykyk.
The ending, though? Wow. Did not see that coming, and I’m not spoiling it, but let’s just say it’s like Reid decided to yeet the rulebook out the window and I respect the chaos. It bumped my rating up half a star because I love when a book takes a swing and actually lands it.
So why four stars and not five? I enjoyed the flaws of characters, even the several different POV (even the short chapter from a insects POV??) but occasionally feels like it’s trying to flex too hard, like it’s auditioning for a Tolkien biopic. And Liuprand’s lack of… anything outside of Agnes made me want to send him to character development bootcamp. Still, this book’s got heart, guts, and just enough mess to keep you hooked. Read it if you like your fantasy with a side of family dysfunction and a sprinkle of “what the eff just happened.”
August 23, 2025
First off, the cover is absolutely gorgeous. Reid pose is lush and atmospheric. But where this fell for me is characters, and their relationship were not believable to me . I literally didn't care about them.
October 16, 2025
I received this free advanced reader copy of Innamorata by Ava Reid via NetGalley in exchange for my honest review. This book is disgusting, grotesque, and bizarre. Totally unpleasant. Had I known all the trigger warnings, I wouldn't have read it. They are not mentioned anywhere. This isn't well categorized either, this book is purely Grimdark. I'm really disappointed because I expected something different from what I got. Even the themes that are supposed to be covered in the book are not present. I don't understand how A Study in Drowning can be so different from Innamorata. I was so eager to read something new from the author, but I found myself completely displeased with this book. I just don't get the need to write such horrid stuff like what I've just read here. Therefore, I won't be reading the second part of this duology.
September 25, 2025
3.2/5
This book has a Gripping Start, Toxic characters, Disappointing Plot, and a Shocking Ending.
Ava Reid’s Innamorata grabbed me from its gruesome yet captivating opening. As a first-time reader of Reid’s work, I quickly understood her why she is so popular.
Her prose is vivid and immersive, bringing every detail (from a character’s appearance to the shadowy corners of a gothic chamber) to life with enviable skill. I could never write like that, not even in my native language.
The premise hooked me with a dark, gothic vibe woven with necromancy and a revenge plot. Early on, we learn that Agnes’s family has a vendetta against the king who slaughtered her ancestors to preserve his power.
The gothic atmosphere and the world setting had me wonder if the FMC would be cunning, vengeful and strategic. However, Agnes turned out to be just….disappointing. I was hoping for a character development, seeing the character growth but instead she became boring and basic in the later chapters. She was much more interesting in the beginning yet fell flat in the end.
The plot doesn’t live up to its initial promise, and I found the story increasingly disappointing. I expected Agnes to be a cunning, seemingly docile yet powerful female lead executing a grand revenge plan. Instead, she’s just a passive victim, enduring a relentless cycle of pity or abuse from other characters. She rarely fights back, her resilience limited to silently bearing pain. While I sympathize with her suffering, I didn’t like her character. At times, she felt selfish and frustratingly naive, making it hard to root for her.
The revenge plot, which I thought would drive the story, barely registers as a side note. Agnes abandons it entirely for a romance with Prince Liuprand, a character I found utterly unappealing. Described as handsome, wise, and good, Liuprand is, to me, a walking red flag. His affection for Agnes when she’s mute is not only problematic but deeply unsettling. If he’s your type, you might want to reconsider your taste in men. The romance between them felt forced and unconvincing from start to finish, leaving me wondering if Innamorata was satirizing romantasy tropes or simply failing to execute them.
The story’s dark rituals are not for the faint of heart. They’re graphic, disturbing, and likely to make you gag. Yet nothing NOTHING prepared me for that moment (no spoilers, but readers will know exactly what I mean). It was a shocking twist that left me reeling, and while it didn’t redeem the story, it sparked my curiosity about the sequel.
I also didn’t care for Marozia, another key character, but if forced to choose a side, I’d pick hers over Agnes and Liuprand’s. At least she knows what she is doing.
Overall, Innamorata didn’t work for me. The characters felt flat, the romance was unsettling, and the revenge plot fizzled out.
However, Reid’s stunning prose and vivid gothic setting kept me engaged, and the shocking ending left me curious enough to consider reading the sequel.
If you’re drawn to gory, gothic romantasy and can stomach disturbing themes, this might still be worth a read, just don’t expect a fierce, vengeful heroine.
Thank you to NetGalley and Del Rey for the ARC in exchange for my honest review.
This book has a Gripping Start, Toxic characters, Disappointing Plot, and a Shocking Ending.
Ava Reid’s Innamorata grabbed me from its gruesome yet captivating opening. As a first-time reader of Reid’s work, I quickly understood her why she is so popular.
Her prose is vivid and immersive, bringing every detail (from a character’s appearance to the shadowy corners of a gothic chamber) to life with enviable skill. I could never write like that, not even in my native language.
The premise hooked me with a dark, gothic vibe woven with necromancy and a revenge plot. Early on, we learn that Agnes’s family has a vendetta against the king who slaughtered her ancestors to preserve his power.
The gothic atmosphere and the world setting had me wonder if the FMC would be cunning, vengeful and strategic. However, Agnes turned out to be just….disappointing. I was hoping for a character development, seeing the character growth but instead she became boring and basic in the later chapters. She was much more interesting in the beginning yet fell flat in the end.
The plot doesn’t live up to its initial promise, and I found the story increasingly disappointing. I expected Agnes to be a cunning, seemingly docile yet powerful female lead executing a grand revenge plan. Instead, she’s just a passive victim, enduring a relentless cycle of pity or abuse from other characters. She rarely fights back, her resilience limited to silently bearing pain. While I sympathize with her suffering, I didn’t like her character. At times, she felt selfish and frustratingly naive, making it hard to root for her.
The revenge plot, which I thought would drive the story, barely registers as a side note. Agnes abandons it entirely for a romance with Prince Liuprand, a character I found utterly unappealing. Described as handsome, wise, and good, Liuprand is, to me, a walking red flag. His affection for Agnes when she’s mute is not only problematic but deeply unsettling. If he’s your type, you might want to reconsider your taste in men. The romance between them felt forced and unconvincing from start to finish, leaving me wondering if Innamorata was satirizing romantasy tropes or simply failing to execute them.
The story’s dark rituals are not for the faint of heart. They’re graphic, disturbing, and likely to make you gag. Yet nothing NOTHING prepared me for that moment (no spoilers, but readers will know exactly what I mean). It was a shocking twist that left me reeling, and while it didn’t redeem the story, it sparked my curiosity about the sequel.
I also didn’t care for Marozia, another key character, but if forced to choose a side, I’d pick hers over Agnes and Liuprand’s. At least she knows what she is doing.
Overall, Innamorata didn’t work for me. The characters felt flat, the romance was unsettling, and the revenge plot fizzled out.
However, Reid’s stunning prose and vivid gothic setting kept me engaged, and the shocking ending left me curious enough to consider reading the sequel.
If you’re drawn to gory, gothic romantasy and can stomach disturbing themes, this might still be worth a read, just don’t expect a fierce, vengeful heroine.
Thank you to NetGalley and Del Rey for the ARC in exchange for my honest review.
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