"Nightmerica" is essentially a protest against the wiles of the so-called "American Dream," an illusion, in its current form at least, that has affected and is affecting a large part of today's ideological makeup in the States. According to editor Amanda Worthington's preface, the American Dream was "force-fed" to people "at an early age," as the idea that "life, liberty, and the pursuit of happiness were my birthright as an American if I did as I was told." Disastrously, the dream not only has been corrupted, the promise of equal rights and access to quality healthcare, for instance, never fulfilled - it is also corrupting "our minds, hearts, and bodies." No wonder, then, the authors contributing to the anthology are justifiably angry, bitter, even occasionally resigned to the collapse of this precious vision, coming up with stories and poems brimming with grief, rage, or a loss of heart, expressed straightforwardly as plain opposition and strong disapproval.
"Nightmerica," however, is not a political anthology - at least it's not meant to put forward arguments or debate any actual situation in detail. It's a horror anthology, with some very good stories (out of the 11 tales, I liked more than half) and several interesting poems (seven poems and one in prose - which poems, however, I won't comment upon, since I dislike poetry in general).
The stories cover many kinds of horror (medical, political, queer, family, job, tech, sci-fi), but there's a special emphasis on futuristic and speculative science fiction; the longer stories rest on science fictional premises, mostly about how politically manipulated and/or subdued Americans survive in a dystopian future. The stories are very clever and often challenging. Admittedly, though, the quality is very uneven, some stories taking too long to make a point, others slowed down by indecision about which element (horror or politics) they want to highlight. I'll mention my favorites.
The opening story, C. S. Magnuson's "This Place Has Good Roots," was by far the story I enjoyed most: an old woman has lost her home and is put to the curb; the company now owning it has sent two guys to witness the eviction; the old lady warns them that she can't leave, her children "have roots here." The story's about discovering what this means. Excellent eco-horror.
Dan B. Fierce's "Natural Selection," a Cabin 187 tale, though a little too much on the nose about queer rights, combines hillbilly horror with a serial killer theme in the context of gay marriage, and offers an entertaining tale about never judging a book by its cover.
"Exceptional Wretches" by Joe Koch, about a pregnant trans man seeking to get rid of "the thing inside" him (to put it bluntly), is a very weird tale, told in a most mind-bending way, with a very sad ending.
"Company Policy" by Larry Hinkle and Valerie B. William is an excellent ghost story about a medical insurance company manager, whose decision to keep blindly following company policy (written, of course, by himself) and denying coverage to terminally ill clients, leads him to his own personal hell. The ending is AMAZING. I never expected he'd do that.
Finally, Austin Gragg's "Feeding America" was a creepy futiristic tale of job horror, with the most unsettling ending in the volume.
I recommend the anthology for its visceral imagery and its "no quarter" approach to the political darkness it's undertaken to explore.