This is my review of A Life in Limb by Sally Smith, very kindly gifted to me by Bloomsbury as part of their Creator Circle. I loved the first book, so I was really pleased to get the second one — and I think it’s even better than the first. It has more murders, more gore, more death, and for a cosy crime novel, what more could you want?
It was lovely to see Gabriel return. He’s definitely grown since the first book, where he came across as introverted, anxious, and probably autistic. In this one he’s more confident and friendly, and people even comment on how much he’s changed. The murder case involves body parts being sent in the post with punny notes like “Need a hand?” attached to an actual hand. Darkly comic, but also very disturbing. Gabriel teams up again with Constable White, which is great to see. Their dynamic works so well — Gabriel, the prim and proper private-school barrister, alongside White, who is rough, ready, and very socialist. It pulls Gabriel out of his comfort zone and shows how much he’s grown.
The book also introduces gay characters, which feels very significant given the setting. At that time homosexuality was still illegal. One character is even sent away to Africa, with his grandfather preferring the family believe he’s dead rather than face the scandal. It’s heartbreaking. Sally Smith ties this to real history too, noting that Oscar Wilde was imprisoned in 1895, just a few years before the book’s events. I also learned something I hadn’t realised: homosexuality wasn’t fully decriminalised in the UK until 2000. It’s shocking to think how recent that really is.
Despite the bleakness, there are hopeful notes. The gay couple in the story are given a small happy ending, which stops the book from feeling too heavy. Gabriel himself also grows through his work. He takes on a case for Topsy Tereson, a music hall singer accused in the press of ruining her reputation with lewd songs. She wants to sue, and it’s a bold move for Gabriel to represent her, showing his increasing courage and sense of justice.
There are also sweet, lighter touches. A character named Delphinium — and her cat — stole my heart. It’s lovely to see Gabriel finding someone who cares for him, especially since he hasn’t had much love in his life. It seems he was raised mainly by a nanny, which was common at the time, but it left him emotionally distant. By the end, he’s even fitting a little cat door, which felt like such a tender symbol of growth.
As for the mystery, I tried so hard to figure out who the murderer was. I’ve read enough cosy crime that I should be able to guess, but I got it wrong yet again! The murders were brilliantly done, and the whole story kept me hooked.
Overall, I thought this was a fantastic sequel — darker, more gripping, and more layered than the first. I loved the setting, especially the barristers’ world, which felt fresh for the genre. I really hope there’s a third book, because I’d love to return to this time period and spend more time with Gabriel. Thank you so much to Bloomsbury — I absolutely loved it.