This is the first book I've read from Terry Compton. It's pretty light for a hard core science fiction story, but it seems to be targeted at a younger audience, say 10 to 14 years of age. If that is the author's target audience then it makes sense for the book to be light on theory and I'd say it is a 4 star book. However, the book is pretty long for a 12 year old to plow through. In addition, I'm considerably older than 14 so I'm holding to the book to a little higher standard. I assumed when reading this book that it was one of Mr. Compton's earlier works, but as I've done a bit of research it appears to be a sequel series to his Alcantaran series. If that's the case, then the writing hasn't improved all that much since "Alien Abduction (The Alcantarans Book 1)" was written three years earlier.
Pros:
I loved the concept of the story and the overall story-line. Because of the narrative approach to telling the story, it took a long time to emotionally connect with the characters, but once I did they helped to keep me engaged with the story.
Mr. Compton's writing level is simple enough for young readers, all except for the names he throws in. It might be a bit nit-picky but I can't imagine a ten year old trying to sound out and pronounce some of the more difficult names.
Some of the tech was pretty cool, even though it was seldom described in sufficient detail to convince me that it was really feasible from a scientific standpoint.
Cons:
I found quite a number of typographic errors which could have been taken care of with a more thorough edit. I also struggled with some of the grammar. I would have passed off one of my grammatical pet peeves as being the way the characters talked, but I don't think that was the case. First, multiple characters spoke in much the same voice and used exactly the same speech mannerism. Second, the book is written largely in narrative and the narrative uses the same speech mannerism. That being the case, I suspect Mr. Compton has fallen into the trap of writing in his western dialect/accent and like mine it is not always "correct" English. That's why self published authors pay for editors, and there are some issues that the editor(s) should have caught.
There were some events in the story line that received sufficient attention that it seemed they were or would become critical to the story-line. However, after reading all five books in the series, some of these plot elements were left hanging. As one example, Josh and Cherry find a large deposit of "rare earth" minerals worth "trillions" of credits. As the story-line progresses, they find themselves short of funds again and again. Rather than going to a known source of virtually limitless funds, the story tears off in other directions, sometimes relying on dues ex machina solutions. Why go to the effort of a high word count to develop a source of virtually unlimited funds and then never circle back to allow the protagonists to make use of the resource? Originally the find was left untapped to keep it secret from others. As the series progresses through five novels, friends and employees are given access to the asteroid cluster where the treasure resides. No effort is ever made to ensure the secrecy of the mineral cache and yet it is never discovered or used. Bottom line, the story-line arc is not the tightest.
The book relies heavily on the Alcantaran technology to bail the protagonists out of their difficulties. In many instances it provides a dues ex machina rescue that really doesn't hold up to scrutiny. When faced with difficulties the Alcantaran technology is gifted to the protagonists without allowing them to work and struggle for a solution.
I also struggled with a wide range of inconsistencies in regard to the space travel. Travel across the solar system was noted to take days, even when hyperspace jumps were involved. On the other hand, travel across the galaxy or even between galaxies would take place in as little as a day or two.
The other stylistic issue I struggled with was the way the narrative changes point of view, and even scenes, with absolutely no warning. There are a host of devices that can be used to signal a reader that they are about to enter a new scene or that the point of view is about to shift to a different character. Sadly, these cues were missing which made the read rather jarring at times.
Conclusions:
If I had judged this book and ongoing series solely on the story concept, I'd have given it/them five stars. That being said, the story-line is only one part of a book and this one lacked the polish to rise to "I really liked it" or "amazing" status. In spite of the weak points, I did purchase and read the other four books in this series. All were fun, if light science fiction, but all suffered from the detracting factors found in this first book. Younger readers will enjoy the books if their skills are advanced enough to plow through the length. Older readers will enjoy the book if they can set their skepticism aside sufficiently and can overlook editing issues.