Ten-year-old Takuya has a new to look after his baby brother Minoru…looks like it's time to put on the kid gloves!
Young Takuya has it tough. Since his mother passed away, he's had to take care of his baby brother Minoru while their father works the long hours of a Japanese "salaryman."
When a new student, Hikage, joins the class, Takuya tries to befriend him. But Hikage is suspicious of Takuya's motives and begins a campaign to destroy Takuya's happiness. When Takuya seems to weather the assault, Hikage gets his little brother to attack Takuya's weak spot--Minoru!
Marimo Ragawa 羅川真里茂 was born on September 21 in Hachinohe, Aomori, but her age is not disclosed. Marimo Ragawa first started submitting manga to comic magazines when she was only 12 years old, which is when she was in 6th grade of elementary school. She continued to send her manga to the same magazine for four years, but a positive critical reception was yet to come. Ragawa then decided to switch to a different magazine. Surprisingly, her first submission to this magazine, Hana to Yume, won a prize called the Top-prize. She succeeded in achieving her debut with her first manga, Time Limit.
Marimo Ragawa continues to draw other manga such as Aka-chan to Boku (Baby and Me), New York New York, and Itsudemo Otenki Kibun. She received the 1995 Shogakukan Manga Award for shōjo for Baby and Me. She continues to draw a tennis themed manga, Shanimuni-Go in Hana to Yume (Flowers and Dreams).
Marimo Ragawa's calm and cute design is one of the traits of her drawings. Her energetic drawing and characters are very attractive, even to non-manga readers. She is widely known for her great ability in describing complicated emotions, especially in New York New York and Baby and Me. Her manga Mashiro no Oto has been nominated for the 4th Manga Taishō.
The strange student storyline was the standout in this book. I also loved the short chapter about what the characters’ fathers did as kids! I expected this book to be good and the series continues to get better and better!
I’m not going to deduct my rating for this, but the one shot unrelated story at the end wasn’t great. I do recognize it was one of Ragawa’s earlier short stories and they do emphasize that it isn’t the best either throughout the book. But if it was bad, why include it at all? Maybe the deadline was too tight, or maybe the publisher wanted to include early works to show Ragawa’s growth as an artist and storyteller.