“There is also power in vulnerability. It is what makes us human, and gives us something worth fighting for”
ㅤㅤㅤㅤㅤ✦ . ⁺ . ━ 2.9 - 3.1 ☆ ━ . ⁺ . ✦
ㅤㅤㅤㅤㅤ ╰┈➤˗ˏˋㅤmight contain spoilers ❗
ㅤㅤI will probably begin by noting that this review may end up being even shorter than the one for the first book because I will be trying to add to, rather than just restate, the points I made in my review for "A Dawn of Onyx". To be honest, I was pleasantly surprised by this book,, and I thought it was better than the first one in certain ways. For this reason, it also receives a little higher rating. I'll highlight the few improvements that I believe were done in the following sections of my review.
ㅤㅤ"A Promise of Peridot" starts exactly after the events from the previous book, and therefore we have our characters sailing for the Kingdom of Citrine after the joke of a battle of Siren's Bay. We, of course, have an Arwen who is incredibly shaken by the revelations from the end of the first book, who is absolutely scared of her own powers, and who finds herself betrayed by those close to her. Of course, she will still keep being insufferable as they finally reach Kingdom of Citrine, all until a certain golden prince starts piquing her interest by being as uninteresting as herself. Do not worry, she will keep being the same tantrum-throwing girl as they start their search for the Blade of the Sun as well, while they navigate from kingdom to kingdom; and she will keep behaving in the way until they finally return to Onyx where her eyes are opened by a little seer. But just as love starts to finally mend it all, due to the obvious lack of magical training, which apparently no one thought to be necessary(?) Arwen and Kane are once again separated; of course, by his evil father, as Lazarus, after being quiet once again for an entire book, decides to make a new appearance and leave us all disgusted in an ending that finishes on a trauma-inducing cliff hanger.
ㅤㅤI will try to keep this short. So let's just delve into the elements that I usually analyse and I will just probably mention some new things regarding each of them in comparison to the previous book.
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-ˋˏ ༻ world-building, writing and action ༺ ˎˊ-
ㅤㅤI must admit, there were some modest advances in terms of world-building. I enjoy that we finally started to learn more about the continent and the world of the Fae; of course, not a lot of information is once again offered, because, God forbid, our heads might burst from too much information, but it was far better than the first book, which leaves you with nothing.
ㅤㅤI did enjoy seeing a bit more about the other kingdoms; not enough, but an acceptable addition just so you would not get entirely bored with questions again. And the book finally also provides some insight on the fae, the magic wielders, and the backstory of some characters. It's a pretty simple world anyway, so I guess this was actually a huge improvement for this specific series
ㅤㅤAs with the first book, I will not be able to compliment the writing in this one. The writing remains infantile and too basic. The dialogue feels forced, weird, and unnatural, considering the age of the characters, and some of the exchanges and the way they are presented do not fit the genre at all.
ㅤㅤMy main concern is once again related to the numerous writing and grammatical errors. I normally don't pay much attention to this sort of inaccuracy when I'm reading a book, especially if they're uncommon. However, when they keep repeating and becoming noticeable, it's turning into a reading-hindering experience.
ㅤㅤIn terms of action, I must say that this was a really solid second book in a series such as this one. I believe there were several story components intended to make the reading enjoyable and not feel completely empty; it could have been presented much better, of course, but I will try not to be a total hater. There were certain occasions where the action moved quickly, which was fine for a novel where you primarily follow the protagonists as they travel from one location to another on their mission. It wasn't outstanding, but it wasn't the worst thing ever either.
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-ˋˏ ༻ characters ༺ ˎˊ-
ㅤㅤOnce again, my biggest disappointment, if I can even call it that, since my expectations were swimming in the Mariana Trench, concerns the characters of this book and their almost complete lack of personality, evolution, and basic traits that could make them slightly more intriguing and interesting for the reader.
ㅤㅤ ⟡ Arwen - She is still insanely childish. She is extremely irritating since she refuses to utilise her head or listen to common sense, despite being ignorant and foolish. She blames everything on others around her, completely ignoring the point that they are truly attempting to be close to her, and she feels entitled to do so. She demonstrates that she is completely emotionally underdeveloped by falling for whatever attractive male she encounters, and for more than half of the novel, she simply bends everyone to her whims. She has every right to mourn and be devastated, but her behaviours are so aggravating that you can't even commiserate.
ㅤㅤ ⟡ Kane - I did appreciate seeing him progress, but he is still not worthy of being a key character. His only personality is that he loves and lusts after Arwen, which could have been well woven into his character, but it takes up far too much of his identity. There was some fresh information about his background and history, which I enjoyed, but I feel like more was required to present him as a key character instead of this enamoured man who is in love with a dumb woman. He deserved far more than this.
ㅤㅤ ❧ I don't want to talk about the love story. This woman is too emotionally underdeveloped for this sort of complex feelings.
ㅤㅤ ⟡ Mari and Griffin - They were really entertaining characters, to be honest. They didn't really do much once again, but they were nice to have around and read about. Their interactions were pretty funny to encounter, but they were also very awkward and slightly abnormal. Mari should stop being so close to Arwen because her immaturity is rubbing on her. And Griffin is just absolutely delicious in his hate for human interactions and his awkwardness in relationship with feelings.
ㅤㅤ ⟡ Fedrik - I genuinely have no idea what he is doing in this book. I know the writer was probably trying to create this sort of love triangle, in order to spice up the book and add some drama, but it did not work in that way. It was clear that the poor man had absolutely no chance, and the idea of the love triangle simply became so forced that it was turning into something exhausting and annoying. The lack of attention offered to his character simply made him cartoonish.
ㅤㅤ ⟡ the other characters - They are still there. There is nothing more to say about them, but they are still there.
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-ˋˏ ༻ ending and conclusions ༺ ˎˊ-
ㅤㅤI could not have foreseen this ending, no matter how much I would have strained my brain; which I guess should be a nice thing and prove that the book actually has the potential to surprise the reader. But I feel like this ending is literally giving me PTSD and, strangely, it makes me want to read the last book as well once it comes out. So, I guess, the ending can actually be considered good. I will stop talking more about it, as I do not want to actually end up spoiling it entirely.
ㅤㅤI genuinely feel like the only conclusion I could reach for this book is that if you take out the FMC and let the rest of the characters grow independently from her, the book has much more potential to become an entertaining read. It was still slightly better than the first book in the series, and I guess, this was pretty enough to make me want to read the third book as well, with no high hopes, just to see the conclusion of this story. It might be a nice, short and quick read to pass the time, but read at your own risk because of the frustrating FMC.
ㅤㅤ────────── ༻✧༺ ──────────
.˚౿ Pre-reading ࿐ ࿔*:・
ㅤㅤWill this be the next book I will hate-read from this series? I guess I will have to start this so we can find out, so let's go!