Providing a collection of some of the most provocative and influential writings of film theory in the past thirty years, this anthology aims to provide a polylogue among theorists, deprovincializing the subject. "Film Theory" multiplies the perspectives and positions, the situations and locations, from which film theory is spoken.
The selection is very good, esp. in comparison with Braudy and Cohen (some overlap but some significant differences). Bob Stam's essays in particular are great on their own, as a positioning, and as introduction.
I'm reading parts of this and find it very interesting, especially the articles about race and colonialism. I have not thought of film this way, and am so glad I found this at the good ole library.