Edo's Souls is a compelling, multi-generational epic that sees the three main characters trapped in a nation gripped by the terrors of civil war, forcing each one to confront their past selves, and to resolve what is most important to them - love, family, or country. When a young Lucy-Eghino, who is coming of age in a 1970s village in southern Sudan, is beset by rumours of approaching violence, she has no choice but to flee - first to Juba, then northwards to Khartoum. Marco, a gentle young father, wages a daily battle to keep his family together while avoiding friction with any northerners. Peter, a soldier unsure of where his loyalties lie, is forced to carry out night raids searching for bands of rebels. 'This is apparently the first novel from South Sudan to be translated into English and a very fine novel it is... This is quite a complicated novel. We are dealing with the Sudan Civil War and the differences between the South and the North. We follow the stories of several interrelated characters, whose relationships with one another are not always smooth. Peter and his foster family, for example, clash more than once. We see feminist issues as being key, particularly though certainly not only as regards the role of women in Muslim society. We also learn a lot about the culture of the two Sudans. Gaitano tells her story very well and a complex, well-written novel from South Sudan is most welcome.' John Alvey in The Modern Novel Stella Gaitano's debut novel Edo's Souls, set between Sudan and South Sudan, stages an epic battle between the forces of Motherhood and Death. Now available in Sawad Hussain's excellent English translation, Edo's Souls follows Gaitano's two striking short-story collections and is filled with the same sensory intensity as her short works. Marcia Lynx Qualey in Qantara 'This was a complete joy to read. A warm, delightful novel that bursts frequently into the most searing, unique, and audacious images.' Leila Aboulela
Edo's Souls by Stella Gaitano, translated by Sawad Hussain
This book, for me, is a prime example that sometimes even when you've read 80% of the book, you might not be able to judge it appropriately until you read till the end. The judgement may sometimes change throughout a book and can be vastly different from chapter to chapter, pov to pov.
I read this for @translatedgemsbookclub 's August read. It starts out with introduction of Maria-Edo, a Sudanese woman from a small village in South Sudan, and her fierce love for her dead children, her relationship with God fraught with the complexities of the life she lived. It then turns to Edo's only surviving child, Lucy-Eghino, and her husband Marco. The couple, fearing the violence that will be brought upon the village soon, decide to run for their lives towards Juba, and then further to the North, Khartoum. From there, we get to experience their lives with Peter and Theresa, a couple who becomes a huge part of the story. The book deals heavily with themes of patriotism, religion, migration, indigenous peoples, motherhood, feminism and family. It is a multi-pov book, that attempts to give us a holistic view of some situations and fairly succeeds in it. The translation is pretty accessible. Stella's strength of short stories reflects in how she forms narrative. My only grouse is not being able to catch the character povs till the middle of a chapter but one gets used to it after a few chapters. It packs a heavy punch, there are some beautifully poetic descriptions of memories and nostalgia, longish commentaries on military shortcomings and revolutionary ideas, and paints a fairly granular picture of a country ravaged by intense divisive politics.
Safe to say now I am intrigued to read more by Stella Gaitano and shall be looking forward to more of her works.
Magischen Realismus findet man häufig in lateinamerikanischer Literatur und auch die japanische verwendet ihn gerne. Eigentlich ist es naheliegend, dass er auch in der afrikanisches Literatur vorkommt. Auf diesem riesigen Kontinent gibt es die unterschiedlichsten traditionellen Glauben an Geister. Noch immer spielt er vielerorts eine wichtige Rolle. Eddos goldenes Lächeln verbindet auf wunderbare Weise die Welt der Lebenden und der Toten, die Tradition und die Moderne. Stella Gaitano macht die Entwicklungen des Sudans und des Südsudans dabei sehr greifbar. Der Roman beginnt in einem kleinen Dorf ganz im Süden. Geister und Traditionen sind hier allgegenwärtig. Da Eddo bis auf ihr jüngstes Kind Lucy kein einziges Baby länger als ein Jahr am Leben halten kann, so belegt sie Lucy mit einer Kraft, bei der nicht ganz klar ist, ob sie Fluch oder Segen ist: Jedes Kind, dass Lucy empfängt, so geboren werden und am Leben bleiben, um Lucys verstorbene Geschwister auszugleichen. Nach den ersten sehr magischen und traditionellen Kapiteln, wandelt sich der Roman. Die Perspektive wechselt, genau wie der Schauplatz. Lucy geht mit ihrem Mann Marco in die Khartum. Sie hatte zuvor noch nicht einmal ein Radio gesehen, Schulbildung macht ihr Angst. Nun langsam gewöhnt sie sich an das neue Leben. Der Krieg begleitet sie, viele ihrer Freunde und Bekannten werden verfolgt, gefoltert, ermordet. Jede der Figuren, aus deren Sicht erzählt wird, steht für ein anderes Land, eine andere Sicht. Die modernste von ihren stellt Dschalaa dar. Sie studiert Jura, setzt sich für Frauen- und Menschenrechte und gegen weibliche Beschneidung ein. Nicht nur die Personen sind gegensätzlich. Das ganze Land ist ein Culture Clash, verschiedene Sprache, Religionen, Ethnien, politische Ansichten treffen aufeinander. Stella Gaitano hat ein großartiges, vielschichtiges Buch geschrieben, mit dem sie ihrem Land und besonders den Frauen ein Denkmal setzt. Noch ist das Buch ein Geheimtipp, doch hoffentlich nicht mehr lange. Große Empfehlung!
A haunting book of Sudan and South Sudan. I know little of Sudan but I do know it is currently embroiled in one of the worst humanitarian nightmares. This book is set at a time before the founding of South Sudan; it follows a young woman from a southern Christian Sudanese forested village to the Muslim city of Khartoum in dry land, at the confluence of the Blue and the White Niles. (I had to look all of this up.) Geography, politics, war, torture are woven into a story that centres on family, and it is astounding how these awful factors manage not to overwhelm the atmosphere. There is a touch of magical realism but not too much. The first chapters are told through the eyes of the villager, a girl really although soon married. The village may be Christian but it is mainly of traditional village beliefs, with spirits and rituals that are alien to the city dwellers among whom she finds herself later.
The pov then switches, swimming easily from person to person: husband, friend, cousin, moving from men to women. The focus is domestic against a wider background. Horrendous is the account of how one family's girls are mutilated, being held down and having their vulvas sewn shut. But even here there is hope and determination.
It is a pleasure now and again to read a novel that does not follow the dicta of how-to creative writing courses and books. It had its own rhythms and strangely hypnotic emotions.
Chosen for my quest to read a book from every country on earth: author from South Sudan who now lives in Germany with her family. How her heart must bleed. Translated by Sawad Hussain; I found her translation eminently readable. Cover art by Yasmeen Abdullah. First published in Arabic in 2018.
I didn't know what to expect. I read this book as part of my personal Reading the World in Translation challenge, and I wanted to get a second book for South Sudan. While Gaitano sort of encompasses both North and South Sudan, I thought having a female perspective would give me further insight into South Sudan, and I was not disappointed.
The novel is set in the 70s to early 80s (more or less) and covers the rise of the movement for independence for South Sudan. The story is rich in culture and inter-cultural relationships. The story truly tries to recreate society without being trite. I learned more and more about Sudan as I read on.
The development of the characters and plot was engaging. The only thing I did not enjoy very much was the fact that each chapter had a different narrator who more or less picks up where the last character left off. Moreover, the format changes at Chapter 6. I don't know if that is a translation thing or it was written that way, but it was glaring shift. The story still worked out but it felt like the first five chapters were a different story.
The first, centers on Maria-Edo, her daughter, and their community. It's written in a way that recalls Gabriel Garcia Marquez while being wholly it's own. Phenomenal.
The second, shifts POVs with each chapter, but doesn't develop all the characters well enough to make each of these as interesting as each other. It succeeds structurally- small bits of information blossom over time, but I missed the immersive world of the first two chapters.
The novel ends with the formation of the SPLM, and three very political characters (military officer, intelligence officer, and revolutionary) have certainly informed the whole book. But it's at it's best when it isn't offering up philsophical takes (the poor character of the eldest sister is mostly to be a mouthpiece), but rather watching the characters navigate through everday travails, particularly Lucy, by far the most vibrant and alive character of the whole set.
Eddo wächst in einem kleinen Dorf im Süden des Sudans auf, in dem noch nach traditionellen Bräuchen gelebt wird. Nach zehn Kindern, die alle im ersten Lebensjahr starben, gebiert sie ein Mädchen, dem sie auf Geheiß einer alten Frau einen hässlichen Namen gibt, der sie vor dem Tod schützen soll. So heißt sie mit ersten Namen Irinu, die Vielscheißerin. Erst später, als die Missionare ins Dorf kommen, erhält sie den zweiten Namen Lucy, der ihr haften bleibt.
Die Geschichte Lucy’s und ihrer Familie ist Inhalt dieses Buches.
Mit beeindruckender Kraft und Intensität erzählt Stella Gaitano die Geschichte zweier Familien um die 1970er Jahre und mit ihnen die Geschichte des Landes. In jedem Kapitel berichtet ein anderer Ich-Erzähler seine Sicht der Dinge, was dem Ganzen viel Tiefe verleiht. Mit Staunen taucht man in die vollkommen andere Welt des Lebens in einem kleinen Dorf im Südsudan ein, erfährt von den Bräuchen und Riten, die man eher im Mittelalter ansiedeln würde. Völlig anders das Leben in Khartum, zumindest was die Strom- und Wasserversorgung anbelangt. Das Thema Genitalverstümmelung, das auch in großen Städten praktiziert wird, ist immer wieder einfach nur furchtbar.
Stella Gaitano ist ein beeindruckendes Porträt des Lebens im Sudan gelungen, das seinen Hauptaugenmerk auf die besondere Situation der Frauen in der Gesellschaft hat.
Ich habe dieses überaus interessante Buch sehr gerne gelesen, bin nur durch die Seiten geflogen und empfehle es all jenen weiter, die beim Lesen gerne in andere Kulturen eintauchen.
This book really grew on me. I found the early part quite alienating, perhaps that was the author's intention. I am not a big fan of magical realism. As the book went on though, I was increasingly drawn into the story of the lives of all the characters living in Sudan in the 1970s at a time of political unrest. The author conjures this universe very well and makes you care about them. I learned a lot about Sudan/south sudan as well.
I had like 1 hour 7 mins left according to kindle and I’m like I actually don’t care about it anymore. We had bookclub on Sunday and it was a lovely chat. This is a sign that I must not attend bookclub if I haven’t finished and I plan to complete said book The person who wrote this blurb did not read the book.
I did learn about the horror that is female genital mutation and for the love of God when will women get a break????