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Audible Audio
Published June 25, 2025
(ARC received in exchange for honest review at www.netgalley.com)
Elizabeth Means’ ’Hourglass’ is perhaps more relevant in 2021 than its author could ever have expected. Set in the 24th century, we find ourselves in a dystopian-tinged Earth. Science has advanced, and disease is but a memory, vaccinated into obsolescence. In fact, the essence of life itself has become a series of statistics, dividing society into three distinct strata - those with Low, Mid and High Life Potential. Humanity now comes with an expiry date; from birth, everybody knows the day they will die, and societal constraints govern their lifestyles and careers, with lower LP’s regarded as contributing little to human development. Alas, sometimes nature has other ideas, as Lucy discovers when her clock runs out…
Few are novels with the ability to instil dread at the existential level, but ‘Hourglass’ is subtle in its manipulation of the reader’s own fears. The general structure of Means’ world is disconcerting. Whilst her Earth really isn’t terribly different to our own, the tendrils of authoritarianism are ever present, weaving their way across the pages of her narrative. Her characters seem to embrace the biological clocks they march in time to; readers know acutely that their lives appear to be determined from birth, personal agency effectively having ceased to exist, yet the characters themselves appear disturbingly unaware. In addition, Means seems to imply parallels with our own reality in places, though the uncertainty she evokes in her writing left me wondering if it was intentional or the result of my own inherent fears. Similarly, Means’ combination of solid world-building and literary flair compliments her themes and allows the reader to visualise the terrifying perversion of our society that she has created. Meanwhile, by keeping her writing tight and her dialogue naturalistic, Means builds atmosphere that makes for a gripping read.
Unfortunately, a few prominent issues tarnish what is otherwise a remarkable piece of dystopian fiction. Whilst our POV characters speak and behave with realism few books can sustain, sometimes Means’ prose becomes clunky and wooden, hampering the reader’s immersion and pulling them out of the story. Thankfully, this doesn’t happen often, but the gravity of the story makes these foibles particularly distracting. However, what really damages ‘Hourglass’ is its failure to stick the ending. Means’ snappy pacing lends itself well to the suspense she builds as the story twists and turns; unfortunately, the last few chapters betray that expectation. Eventually Means compromises everything she’s worked for - our lead, Evergreen, forgets her motivations, whilst poor old Axon is just forgotten entirely. Although Lucy’s story comes to a more satisfactory close, some decisions made here feel like attempts to facilitate an ending that just doesn’t work, and in doing so Means wastes the tension she had built, despite how encouraging most of the book had been.
In summary, it pains me to score ‘Hourglass’ as low as this, but its conclusion is profoundly disappointing in the face of such an excellent premise and sharp writing. Means’ talent is without question and a sequel might mitigate some of the damage, but the ending is a massive stain on the face of what could have been a fantastic first foray into murky dystopia. I would still recommend giving it a read on the strength of its challenging existentialistic commentary, but expect its finale to leave you wanting.