Afrofuturism has produced some truly wonderful stories and I was very pleased to have the opportunity to read this Great Lectures overview. At its heart, Afrofuturism is an effort to take black characters out of the supporting roles in novels and movies and give them the protagonist's position. And they want to do this without making them dark-skinned clones of white Europeans and Americans. They want to ground their characters and the future they are creating in the rich cultures and mythologies of Africans and African-Americans. The result has been some absolutely superb characters and stories and Gipson wants to introduce them all to you.
In some ways, the desire to cover dozens of authors and their tales is a weakness of this book because it costs Gipson the chance to really delve deeply into any single book, movie, or TV show. But on the other hand, she convincingly demonstrated that this subgenre of science fiction is no flash in the pan but a rich and enduring exploration of what can be—the whole reason science fiction exists in the first place.
As always when I read a book that surveys a lot of different titles, I was delighted to have read or at least known about so many of them. And if I disagree that The Wiz is truly an example of Afrofuturism, Gibson did convince me that it managed to incorporate many of the subgenre's critical themes. The Black Panther movie is probably the best-known example of Afrofuturism but Gibson didn't stop there, taking the time to touch on the movie's roots in the Marvel Comics character and many series, as well as sampling a large number of other influential cartoons and comic books exploring these ideas. She also convinced me that I have to finally make time for Lovecraft Country, which I wanted to watch when it was first released but never quite did.
This is a great book to expose you to a rich and exciting field of science fiction that you've probably enjoyed without realizing it exists.