And He Built a Crooked House by Robert A. Heinlein Narrow Valley by R.A. Lafferty Wall of Darkness by Arthur C. Clarke The Destiny of Milton Gomrath by Alexei Panshin Stanley Toothbrush by Terry Carr Inside by Carol Carr The Captured Cross-Section by Miles John Breuer Mugwump 4 by Robert Silverberg The Worlds of If [Professor Manderpootz] by Stanley G. Weinbaum Disappearing Act by Alfred Bester
There are many authors in the database with this name.
Robert Silverberg is a highly celebrated American science fiction author and editor known for his prolific output and literary range. Over a career spanning decades, he has won multiple Hugo and Nebula Awards and was named a Grand Master by the Science Fiction and Fantasy Writers of America in 2004. Inducted into the Science Fiction and Fantasy Hall of Fame in 1999, Silverberg is recognized for both his immense productivity and his contributions to the genre's evolution. Born in Brooklyn, he began writing in his teens and won his first Hugo Award in 1956 as the best new writer. Throughout the 1950s, he produced vast amounts of fiction, often under pseudonyms, and was known for writing up to a million words a year. When the market declined, he diversified into other genres, including historical nonfiction and erotica. Silverberg’s return to science fiction in the 1960s marked a shift toward deeper psychological and literary themes, contributing significantly to the New Wave movement. Acclaimed works from this period include Downward to the Earth, Dying Inside, Nightwings, and The World Inside. In the 1980s, he launched the Majipoor series with Lord Valentine’s Castle, creating one of the most imaginative planetary settings in science fiction. Though he announced his retirement from writing in the mid-1970s, Silverberg returned with renewed vigor and continued to publish acclaimed fiction into the 1990s. He received further recognition with the Nebula-winning Sailing to Byzantium and the Hugo-winning Gilgamesh in the Outback. Silverberg has also played a significant role as an editor and anthologist, shaping science fiction literature through both his own work and his influence on others. He lives in the San Francisco Bay Area with his wife, author Karen Haber.
This is an anthology of ten science fiction stories reprinted from genre magazines; it doesn't have any relation to Silverberg's New Dimensions series of original anthologies. Silverberg seems to have been trying to select a group of stories as far apart from each other in theme and style as he could with this one. He includes stories from the very dawn of the field by Stanley G. Weinbaum and Miles J. Breuer, M.D. along with contemporary (for the time) pieces by R.A. Lafferty and Alexei Panshin. There are humorous pieces by Terry Carr and Silverberg himself along with serious work by Carol Carr and Arthur C. Clarke. My two favorites are Disappearing Act by Alfred Bester and -And He Built a Crooked House by Robert A. Heinlein. A very wide range indeed.
I heard of this book via a book review of an author who said that reading this book changed his whole perspective and got him to start writing.
Published in 1973, these 10 tales are mostly from the “golden age” of science fiction. They cleverly deal with other dimensions in varying ways. I liked some of the stories so much that I want to read other works by these authors.
And it feels a little bit weird when the distant future is 2011. I catch myself comparing the vision of the story with the reality of that time! It’s a lot of fun!
This is a short and (for the most part) lively anthology of ten (mostly) science fiction stories originally published from 1929 to 1970. Half of the stories are funny (as in funny ha-ha as well as funny peculiar) including Silverberg's own contribution. My favorite was the last story, Alfred Bester's "Disappearing Act."
The biggest disappointment was the Arthur C. Clarke story, "The Wall of Darkness." That went on forever without much in the way of a resolution. The most confusing was the Terry Carr selection, "Inside" where your guess is as good as mine as to it's science fiction-ness and to what actually happened.
I read a hardback version with a cover like this:
Selections:
* "Introduction" by Our Editor. Less than a page here. Looks at the definition of dimension, a general hello to the reader and not much else. * " -- And He Built a Crooked House" by Robert A. Heinlein. * "Narrow Valley" by R. A. Lafferty. His usual disappointing nonsense. This time, it's about a valley that no one can seem to cross. One of those stories where you're not sure if it's racist. * "Wall of Darkness" by Arthur C. Clarke. Clarke would list this in his top 25 favorite story he wrote. That's about all it has going for it. * "The Destiny of Milton Gonrath" by Alexi Panshin. * "Stanley Toothbrush" by Terry Carr. A much happier version of Jerome Bixby's "It's a Good Life." * "Inside" by Carol Carr. Don't bother. * "The Captured Cross-section" by Miles J. Breuer, MD. * "Mugwump 4" by Our Editor. * "The Worlds of If" by Stanley G. Weinbaum. * "Disappearing Act" by Alfred Bester.