4.5 stars
This contemporary novel manages to pack many things in. Off the top of my head: trust, faith, creativity, mental illness, friendship, love, ambition, success, shame, regret, the constraints imposed by money and its lack... It contains first-person narratives from Ben, Rosemary and the two women Cheryl and Jenny, and letters to and from Rosemary's sister.
Middleaged artist Ben is a stranger in a small seaside town. He's obviously hiding something. Immediately two women fall under his spell, one manipulative and dangerous the other naïve and vulnerable, and this provides suspense as we wonder what might happen to them all as a result.
Rosemary is not infatuated with Ben but she too is drawn to something in him and his slowly progressing painting of God sensing some common ground, perhaps. She's a 70ish retired and physicist who has not yet totally escaped an unhappy marriage, and has things in her past that she is afraid of bringing into the open.
I enjoyed many things about the book - the interaction of the characters, the intrigue that grows between them and within the gossipy community, the sense of place and atmosphere, the mystery of who Ben really is and what he wants from this town. I loved the idea of Ben trying to paint God with the stubborn rectangle of white at its centre. Rosemary's crochety complexity as a character and her backstory is conveyed gradually in a way that entices the reader to learn more. Jenny's arc is done well and leads to an unexpected place.
The ending didn't entirely work for me due to aspects relating to the changes in Rosemary, which felt a little abrupt. However this was a minor thing and overall I would definitely recommend the book.