The Cambridge Introduction to Jacques Lacan

by Todd McGowan

The difficulty of Jacques Lacan's thought is notorious. The Cambridge Introduction to Jacques Lacan cuts through this difficulty to provide a clear, jargon-free approach to understanding it. The book describes Lacan's life, the context from which he emerged, and the reception of his theory. Readers will come away with an understanding of concepts such as jouissance, the objet a, and the big Other. The book frames Lacan's thought in the history of philosophy and explains it through jokes, films, and popular culture. In this light, Lacan becomes a thinker of philosophical importance in his own right, on a par with Jean-Paul Sartre and Simone de Beauvoir. Lacan's great contribution is the introduction of the unconscious into subjectivity, which results in a challenge to both the psychoanalytic establishment and to philosophers. The Cambridge Introduction to Jacques Lacan provides readers with a way of understanding the nature of Lacan's contribution.

Genres: Psychoanalysis, Philosophy, Theory, American, Psychology

192 pages, Kindle Edition

Published July 31, 2025

About the author

Todd McGowan is Associate Professor of Film at the University of Vermont, US. He is the author of The Fictional Christopher Nolan (2012), Out of Time: Desire in Atemporal Cinema (2011), The Impossible David Lynch (2007), The Real Gaze: Film Theory After Lacan (2007), and other books.

Reviews

[Nick Pellizzi · Rating 4 out of 5]

really more of a 4.4. such a wonderful introduction written by the inimitable Professor Todd McGowan! Of course, it’s just an introduction to one of the 20th centuries most difficult and written about thinkers. it’s not gonna all of the sudden make you a lacan expert. some sections, like some of McGowan’s jokes, land more than others (though there admittedly was not a single joke i didn’t enjoy in SOME regard). what really makes this introduction is McGowan himself, who is frequently funny and never overly theoretical or jargon-heavy with his language. i love his use of examples from popular culture, ranging from the breakfast club, to heathers, to the matrix, to pulp fiction. to demonstrate what i like so much about McGowan, here is a quote from him on the issue of translating jouissance: “i will freely interchange the terms jouissance and enjoyment. my position is that the fetishization of a specialized jargon is far more nefarious than an imprecision of translation.” this really encapsulates the sort of academic that Professor McGowan is. what i can thank him and this book for most is just sparking my interest in Lacan and making me excited to read the many texts of secondary literature that tackle this one-of-a-kind figure. i’ll get to the primary texts eventually 😬

[bejo · Rating 4 out of 5]

Am I ever reading a work written by Lacan? No.

Was this still a great read? Yes.

Really helpful to use Kant and Hegel to introduce Lacan, especially for someone who has limited background in psychoanalytic theory but does have a background in philosophy.

[Rob]

I emailed Todd McGowan about some questions in regard to this book and he responded. So nice! He left out the S(barred A) or there is no Other of the Other due to word count restrictions.

[Tom · Rating 5 out of 5]

Excellent read and important book for those who are interested in Lacan. Over the years, I have read a lot of Lacan, along with Zizek, McGowan, Copjec, etc, and this by far is one of the best introductory books with lots of great examples. I love McGowan’s interpretation of Kant and Hegel in contextualizing Lacan’s three stages. The connection between Kant’s sensibility, understanding, and reason nicely lines up with Lacan’s imaginary, symbolic and the Real in the first stage of Lacan’s work. But Lacan’s middle period turns to Hegel’s dialectic with his introduction of objet a (object cause of desire). McGowan claims objet a, which is linked to the Real, is the fundamental object and perhaps one of Lacan’s greatest contributions. An example is Lacan’s concept of the gaze (which should not be confused with the power to look). The gaze as the visual drive demonstrates how our unconscious desire distorts the visual plane, something we don’t recognize in the everyday, but something movies can make apparent. McGowan offers Spielberg’s Duel as a great example. When we encounter the gaze, we realize how our desire distorts the visual plane. The gaze is objet a within the field of vision. I agree with McGowan that Lacan is the philosopher of the subject. The subject is always a split subject, a subject that is never at home with itself because of the unconscious. Lastly, it was great to read how many of Lacan’s concepts changed throughout his three periods, particularly the Real and jouissance. Highly recommend!

[Paul Ataua · Rating 4 out of 5]

It's my belief that it’s important to be aware when embarking on an introduction to Lacan, the fact that introductions to Lacan are almost always incomprehensible to anyone who doesn’t have a grounding in Lacan, and Lacan devotees often move from one introduction to the next hoping to get a little better understanding. It is not surprising when we realize that Lacan’s work developed over half a century and what he is saying changed over time, a thing that McGowan successfully gets over. Another problem to deal with is that, in my opinion, Lacan was never interested in making things clear. He obfuscated to stop students getting a simple and smug version of what he was saying. He wanted his audience to struggle and stay open as that would serve them in their future endeavors, especially if they were to become psychiatrists . All in all, McGowan, more lucid than usual, does a fairly good job. I found him very clear in areas I felt I understood and of course, less clear in areas where my questions lay. So, it is a very good read, and my only regret is that we lost Mari Ruti, the proposed co-author, before the project got off the ground. McGowan’s exposition of the later Lacan was by far the weakest part of the book and I am sure Ruti’s interest in that aspect of Lacan’s work would have led to a much better book. The book is well worth reading.

[Христо]

I honestly skimmed a good 60 pages of the book, looking at how McGowan works through some of the concepts. I think he made the Lacanian edifice even more confusing by differentiating between objet a, das Ding; NotF/Master-Signifier and sinthome, when in most contemporary Lacanian literature i.e. das Ding is equated with the structural function of objet a, and so forth.

I'll probably end up re-reading this, but it's off to a bad start. I can't see how an "introductory" book which makes the apparatus vastly more difficult than it already is, can be of merit.

[Justin · Rating 4 out of 5]

As someone familiar with both Lacan and McGowan, I found this book a satisfying refresher. McGowan ("the American Žižek") distills Lacan's key concepts - symbolic, imaginary, real, objet a, the gaze - through his signature lens, blending philosophy, pop culture, and theory in a way only he can. It's concise, clear, and accessible without losing nuance, making it a perfect "McGowanite tour" of Lacan's basic concepts. While I suspect this would be a good read for beginners, I certainly found it worthwhile myself as a quick review of concepts I'm already familiar with.

[Trenton Class]

this and Fink's clinical introduction are really the only books that have made Lacan make sense to me

[Brandon · Rating 5 out of 5]

A very timely book.