Abraxas journal Issue #6 offers more than 160 large format pages of essays, poetry, interviews and art. Printed using state-of-the-art offset lithography to our usual high standard, contributions for Abraxas #6 include an interview by Anna Dorofeeva with the artist, Penelope Slinger, who also kindly designed the cover for this issue; an evocative photographic essay by Victoria Ballesteros of Marjorie Cameron performing a Chen-style sword form of tai-chi, published here for the first time; Matt Marble explores the Hermes of Harlem, Robert T. Browne; Kelly Hayes shares with us a powerful series of images documenting the spiritual lives of an Afro-Brazilian community just outside Rio de Janerio; and we are especially pleased to offer a special feature on Leonora Carrington, with essays from two leading scholars; Susan L. Aberth and Wouter J. Hanegraaff…
CONTENTS
Editorial, Robert Ansell Death and Roses: Santa Muerte, the Love Sorceress, R. Andrew Chesnut The Alchemy of Liberation: An Interview with Penelope Slinger, Anna Dorofeeva Heartbreak Wolf Vodu, Arturo Desimone Chasing Cameron’s Light, Victoria Ballesteros John Jacob Niles, Ambrose Bierce and Folk Song as Thoughtform, Michael Pursley Hymn to Saraswatī, Joshua Mostafa The Hermes of Harlem: Harlem Esoterics and the Secret Life of Robert T. Browne, Matt Marble Leaden Turns Light, Liz Insogna The Tomb of Pan, Lord Dunsany Boy with Goat, Robert Kyle Ella Young and Ross Nichols: Sourcing the Irish Gods, Mark A. Williams Invoking the Numinous, Mary Vaughan Sofia Returning to Jerusalem, Natalia Smirnova
Leonora Carrington: an Abraxas Special Feature Leonora Carrington and the Art of Invocation, Susan L. Aberth A Visual World: Leonora Carrington and the Occult, Wouter J. Hanegraaff
A Birch Trunk Notched Times Seven, slippery elm Saint or Satanist? Joseph-Antoine Boullan and Satanism in Nineteenth-Century France, Christian Giudice Le Pendu, David Nez Spirits of Shadows and Light, Kelly E. Hayes The Black Magic Code, Leo Ruickbie Love and Hate in the Same Man, Silvia Argiolas The Aenigma Artists’ Group, 1918–1932, Reinhold J. Fäth
Still beautifully produced with high wuality content, alas, the articles and interviews were less my cup of tea than in the previous issues, since I'm not so much a Celtic Paganism/ Goddess-type. Still, some interesting articles, especially the title story(s).