Frank Stanford was a prolific American poet. He is most known for his epic, The Battlefield Where The Moon Says I Love You— a labyrinthine poem without stanzas or punctuation. In addition, Stanford published six shorter books of poetry throughout his 20s, and three posthumous collections of his writings (as well as a book of selected poems) have also been published.
Just shy of his 30th birthday, Stanford died on June 3, 1978 in his home in Fayetteville, Arkansas, the victim of three self-inflicted pistol wounds to the heart. In the three decades since, he has become a cult figure in American letters.
Baby one night somebody Going to strike a match on a tombstone And read your name.
Arkansas poet, Frank Stanford, dubbed the “swamp rat Rimbaud.” A cool handle, that. Though someone said he didn’t hang out in swamps much, per se. Woods, yes, farms, yes. Arkansas everywhere else, yes.
Dead at 29 from three (3) self-inflicted gunshots to the heart. “Three?!” Yes. It was “just” a .22. That’s why, I’d like to suppose, on the eighth day God made shotguns.
…….. NAUTILUS
a body comes apart in the bayou like cardboard in the lid of a jar some kind of oyster you take out with a knife dogs tell it the whole night sky is an appaloosa
….. Selected excerpts:
one kiss was all it took one kiss cold as silver dollars holding down the eyelids like two carpenter’s measures steady as fish
………
I came up on death and love hung up like dogs in my garden
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Chopin and back roads and her granddaughter was just like him silent and cruel always taking her beauty rest and her best friend’s friends
…..
pain my star of all times I remember none of them now I do I notice the points of light the shoes the ballerina wore through years ago
……….
half under water there’s a chimney driftwood and broken oars and lost lures floating in the flue the current drawing them up the fireplace like smoke there it stands alone like a stone tree the house having burned before the river rose
Field Talk is a book concious of it's transition. What may feel like awkward associations a with looser binding tightens up toward the end. With two amazing drawings by Ginny Stanford, this book intentionally up pays homage to who the South truly belongs to: those impoverished and have been one with the land for centuries. In Field Talk Stanford expresses gratitude, and signals that he will carry it with him.