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Why did you choose Seattle as the backdrop for Firefly Lane? Is there something unique about growing up in the Northwest that helped you to define the kind of women Kate and Tully become?
[image]Kristin Quite simply, I chose Seattle as the backdrop for Firefly Lane because it's so much a part of who I am. I've lived in the Northwest for most of my life, and obviously, in all those years, I've seen this part of the country evolve from an undiscovered gem into the Emerald City. So many of the places from my youth are gone, or changed, or moved, and I guess I wanted to remember the physical reminders of those bygone days. And while Kate and Tully are absolutely Northwest girls, I like to think their story will speak to women who grew up in vastly different, more populated areas. After all, it's ultimately about friendship, and those seeds can be planted anywhere.
While you were writing, at any point did you find yourself feeling more sympathetic to Kate or to Tully? How did you keep the weight of the plot balanced between them as their stories evolved?
There's no way to avoid the truth that Kate is more than a little like me. Thus, I identified with her from the very beginning--she was the small town girl who had to get up in the pre-dawn hours to feed her horses, and read The Lord of the Rings during every family vacation, and felt lost in the first few months at the sprawling University of Washington. All of that was me, so naturally, the problem was not in feeling sympathetic toward Katie; it was much more about holding her at arm's length, seeing her not as an extension of myself, but as a completely fictional woman. Tully was a different story entirely. While many readers might be surprised by this, I really fell in love with Tully. In the final analysis, she's one of my favorite characters of all time. I know she's bold and selfish and myopic and ambitious to a fault, but she's also terribly broken, wounded by her parents, unable to believe in love, and ultimately very real. I think all of us know a "Tully" in our lives, and they bring a lot of drama...and a lot of fire and sparkle.
You have a beautiful way of showing both the tension and tenderness between mothers and daughters. Was it a challenge to write Tully's painful history with her own mother, and later, the conflict that builds between Kate and her own daughter?
Honestly, I believe that the mother-daughter relationship is magical, complex, potentially dangerous, profoundly powerful, and deeply transformative. To put it simply, all of us have this relationship, and in a very real way, "none of us comes out alive." We are all formed first as daughters and then tested as mothers. There's nothing like motherhood to make us reassess how we were as daughters. One of my favorite parts of Firefly Lane was the circle of Kate's relationship with her mom. First we see her as an angry teen, slamming the door on her mother...and then later her own daughter does the same thing to her. There's a real symmetry in that, a truth that many of us have learned. I have often wished in the past few years that my mom were here to help me as I raised my own teenage son. As a girl, with my own mom, I thought I knew it all; now I know better. Somewhere, I know my mom is smiling.
Throughout the novel, both Kate and Tully question the reliability of love. Is it that question that creates the rift between them and, ultimately, reunites them in friendship?
You're right, they each do continually question the reliability of love. For Kate, it's a self-esteem issue. She absolutely believes in love--she's grown up surrounded by it--but she constantly questions Johnny's commitment to her. I always felt that was largely because she felt like a moon to Tully's bright and shining sun. For Tully, she honestly doesn't believe that true romantic love exists, and for all of her overblown ambition and belief in herself, she has been wounded by her mother's repeated abandonment. The result is that she feels she's unlovable.
Kate and Tully are each big personalities in their own way. Was it hard to create male characters who really understand them?
The challenge with regard to male characters was not so much creating men who understood Kate and Tully, it was rather to create love stories that equaled the power and emotional intensity of the friendship. After all, the men in the story were important--Johnny particularly--but it was really a story about the...
637 pages, Library Binding
First published February 5, 2008

Audio book source: Audible (purchased)
Story Rating: 2.5 stars
Narrator: Susan Ericksen
Narration Rating: 4.5 stars
Genre: Women’s Fiction
Length: 17 hours and 54 minutes
The story kept me interested throughout the book but I got tired sometimes of the characters' behaviours and of some needless issues. But I was still invested in the story. I found Hannah's style smooth and her writing easily flows transporting you to another time (and yes we have too many 70s references but I didn't mind, maybe because I'm not that familiar with those times.
The ending was typical Hannah and I saw that twist coming because, you can say, I’m used to her style by now. I wish it was done in another way because I wasn't the biggest fan. I mean when you spend the whole book you end appreciating that plot development less.
I still plan on reading the second book but I don't think it was necessary. I read the synopsis and I'm glad it won't like I originally worried. it might.
Briefly, I enjoyed listening to the audiobook, which I recommend, but the book wasn't without its flaws. While I appreciated the imperfect characters, they did annoy me from time to time. Nonetheless, a few months later, I still think positively of this novel. Hannah's fans should definitely give it a go but anyone not familiar with her books should start with another.