Though The Prospect launched Fiona McDonald’s new rural crime fiction series set in Kalgoorlie, it is The Missing that completes the author’s transition away from her popular Dave Burrows series.
The Missing introduces Detective Angie Sullivan, new to the outback town and eager for the opportunity to bolster her goal of promotion. She’s already having a rough morning though when a local radio host, Lily Carter, accuses the Kalgoorlie police department of failing to properly investigate the disappearance of a 16 year old foster kid almost a year ago. Angie is furious with the public ambush and intends to follow up, but she’s distracted when another child is reported missing. Max Galbraith, also 16, hasn’t been home for twenty four hours. Last seen on the outskirts of town before wandering away from a drug fuelled party, Angie expects he’ll be found quickly, even if he’s taken a tumble into one of the many abandoned mineshafts that litter the area. But when no trace of Max is found, a closer look will uncover a shocking secret that links the two boys.
The third person narrative in The Missing shifts between the perspectives of Angie, Lily, Detective Jack Higgins (whom readers might recognise from the Dave Burrows series or The Prospect) Max, the missing boy, and Smurf, a grizzled Vietnam War vet. This allows McDonald to provide insight both the personal lives of her characters and their connection to the case. I quickly grew to like Angie who is a self-assured, focused detective, and I think it’s possible that she will become the lead in this new (as yet unnamed) series, even if Jack, who is present but not front and centre in The Missing, remains in Kalgoorlie. Lily is not too dissimilar to Angie, though she has a somewhat haughty manner, and both women are in the midst of a relationship breakdown. Smurf, who lives with his dog in a hut in the middle of nowhere, meanwhile gives the story a burst of strong outback Australia colour.
I appreciated the insight into the characters but I was gripped by the turns in the case and its climactic ending. The story unfolds at a fast pace and McDonald makes good use of red herrings to both move the investigation forward and sustain the tension in the plot. She does provide enough clues for the reader to guess at Max’s fate, even if only in hindsight.
I’m a little familiar with the town of Kalgoorlie having grown up in Western Australia and I think McDonald describes the region with authenticity. It’s hot, remote and a bit wild thanks to its roots in an itinerant population of miners and tourists. A six hour drive inland from the nearest city, it’s surrounded by vast areas of nothing but scrubland and red sand.
With The Missing I think McDonald’s desire to rebrand herself as a crime writer has been eminently successful. This is a dynamic and compelling read that should satisfy old fans and new readers alike, and I’m looking forward to The Witness in early 2026.