According to Val McDermid, “In winter, the first frosts produce the crunching underfoot of the pericarps left behind after the acorns have been plundered by squirrels, a percussive counterpoint to the susurration of the fallen leaves.” And, from then on in I was captivated.
I could easily imagine her at her desk looking out the window at “the branches and twigs [that] form a kind of road map.” She writes that, “Tracing their paths is the perfect mindless activity when I need to let the wheels turn so the next piece of prose can form in my head.” In summer the branches are covered in leafy green making this activity more difficult.
She says, “For most people, winter is the poor relation of the seasons.” The season of “short days and harsh weather and nipping cold and clothes that disguise us.”
McDermid finds traveling by train in the dark “quite magical.” It’s hard to tell our whereabouts as we gaze into the darkened scenery. A light flasing in the dark provides “the promise of strange mysteries; a range of hills is rendered unfamiliar, black on blue; a darkling river glints briefly alongside.” Meanwhile, we’re blissfully unaware of anything that’s happening outside our cosy carriage. “It’s a romance on rails.”
McDermid writes of the importance of a book’s opening paragraph to capture the reader’s attention and make them want more. Specifically, she says, “I want to be seduced; I need to be seduced or I’ll sidle along the shelf, stroking the spines till I find something else to draw me in…”
Describing the Fourth Estuary - “In winter, it’s mostly at least fifty shades of grey, windblown into white horses, high tide attacking harbours and sea walls with spectacular spray.”
Craigleith is best known for its puffin colony. However, the colony was radically reduced when the puffins were unable to dig burrows due to the tangles of roots of “tree mallows, giant invasive plants.” Volunteers have managed to reduce the plants, and the puffins are starting to slowly increase. McDermid describes puffins as “the cutest and most comedic of all seabirds.” She adds that “they’re a welcome sight.”
Winter is the season of comfort food. I loved McDermid’s story about asking her mum for her favourite soup recipe, so she could make it to impress her friends at the university where she was a student. Her mum had already mailed her haggis but now she wanted to make her famous soup.
Her mum responds to the request, “There isnae a recipe,” and goes on to describe making the stock and then throwing in whatever vegetables and pulses you have to hand, “and a tin of tomatoes if you’ve got some, tomato puree if not. Then you simmer it for a few hours.” Finally, she says, “It’s no’ really a recipe, more a rummage.”
Another highlight was reading about her trip “to New Orleans for a pre-Christmas break” and being delighted by the Christmas lights. First, they drove, then they walked through the neighborhoods admiring all the dazzling lighted decorations of people’s front yards.
She notes that “Every now and then, we’d pass a darkened house, miserable as a missing tooth in a gleaming mouth.” Turning to her friend she asks, “Is this bah humbug?” Her friend’s sobering response, “No. It’s poverty. It’s got to be bad if they don’t even have a plastic tree in the window.”
“In Edinburgh, January lays on a breathtaking treat for art lovers.” During January, the National Gallery of Scotland displays “thirty-eight of [Turner’s] finest watercolour sketches, thanks to the terms of Henry Vaughan’s bequest.” Admission is free of charge. Why January? “Because in that month, the weak hours of daylight are minimal and the works can be safely exhibited without risk of them being faded or damaged.”
McDermid writes that “for me, the Turners represent confidence in the light coming back.” Two of his prints “whose brilliant colours lifted [her] spirits for years” during her youth when she dreamed of being a writer were displayed on her bedroom wall. She continues to visit the watercolours annually as they “remind [her] of the power of dreaming, of holding fast to ambition even when its realization seems against the odds.”